Picture of Innocence

‘Before we go in, a word of warning.’

She turned her head and looked at him. ‘What? No stealing th

e silver? ‘ she quipped.

He didn’t so much as smile, just gave her a sardonic glance. ‘That is an example of what I am afraid of. You are too impulsive, Lucy—you say everything that enters your head without a second thought.’

Not everything, Lucy thought. Even locked in his arms, in the throes of passion, she resisted the impulse to tell him she loved him.

‘When you meet my mother you will be friendly and polite—no going over the top with hugs or confidences. I have the painting in the boot of the car. You will give it to her as a gift and she will be delighted. As for you and I—as far as my mother and the staff are concerned we will behave as close friends, though obviously we will not share a room. It is enough that I have brought you to the family home. Not something I ever do with the women in my life. That, along with an occasional arm around you, will confirm my mother’s opinion—thanks to the Lanza woman—that we are a couple. When I tell her it is over between us you will have an excellent reason for no further contact that she will readily accept. Understand?’

‘Perfectly. Machiavelli could not have come up with a better plan.’

The arrogance of the man confounded her. When he dumped her she was supposedly going to be so brokenhearted she would cut off all contact with the Zanelli family. The sad thing was she realised he was probably right—though he did not know it.

Forcing a smile to her face, she added, ‘You mean pretend we are lovers but no mention of casual sex? I get it.’

‘Lucy, cut out the flippant remarks. This is very straightforward. All you have to do is behave yourself in a restrained manner for a couple of days.’

‘Yes, I see.’

And she did see—all too clearly. It was in his dark, impersonal eyes, in the hard face. He could not have made it clearer that when this visit was over so was she, as far as he was concerned. She turned her head away. It was what she wanted—to be free of him, she told herself, and tried to open the car door.

Before she could, it was swung open by a man Lorenzo introduced as Gianni—the butler!

Lucy stood in the grand hall, two storeys high, with a central staircase that split into two halfway up and ended in a circular balcony. Her green eyes fixed on the lady descending the marble stairs.

His mother was nothing like she’d expected, and when Lorenzo introduced her unexpectedly Lucy was hugged and kissed on both cheeks by the elegant woman. Lorenzo should have warned his mother not to go over the top, she thought. She’d been led to believe she was a frail little woman, but nothing could be further from the truth. Anna, as she insisted Lucy call her, was about five feet six, with thick curling white hair and sparkling brown eyes, and looked a heck of a lot fitter than Lucy felt.

Fifteen minutes later Lucy sat on a satin-covered chair in the most beautifully furnished room she had ever seen, with a glass of champagne in her hand, listening to Anna thanking her for what felt like the hundredth time for the portrait of Antonio.

She had always known Lorenzo was wealthy, but this house was more like a palace—and it seemed it was staffed like one. The butler had reappeared five minutes after they’d entered the room with the painting—gift-wrapped, Lucy had noted, probably down to Lorenzo.

She cast him a glance. He was lounging back on an exquisite antique gilt wooden-edged pink satin sofa, and he gave her the briefest of smiles that did not reach his eyes. If that was his idea of what would pass for ‘close friendship’ then heaven help him, she thought sadly.

The butler had appeared once more with the champagne, and a maid with a plate of tiny cakes.

To say his mother was ecstatic with her gift was an understatement. ‘I can’t thank you enough, Lucy.’ Anna smiled across at her. The painting was now propped on top of the magnificent fireplace, half covering a picture of a stern-looking gentleman who looked remarkably like an older version of Lorenzo. ‘You have captured my Antonio perfectly—but you knew him, and must have lots of photographs from the past. When did you paint it?’

‘Well, it was in the March of my second year at college. Antonio and Damien had just come back from their round-the-world tour, and they were staying in the house I shared in London with two other students while they planned their mountaineering trip. I needed a model for a portrait as part of my end-of-year exam, and Antonio offered. Mind you, I had to bribe him to sit still with a constant supply of chocolate-covered Turkish delight, which he adored. Actually, it was good fun,’ she said, smiling reminiscently. ‘Though now I am older and more experienced I could probably do better.’

‘Oh, no!’ Anna declared. ‘It is beautiful the way it is. It never occurred to me that Antonio had actually sat for you, but of course I can see it now. How else could you have caught him in that perfect moment in time, when he was at his best—healthy, happy and with friends? It is in his eyes, his smile, and it makes your gift doubly precious to me.’

‘I’m glad you like it,’ Lucy said inadequately, noting the shimmer of tears in Anna’s eyes.

‘I love it. And now a toast to my Antonio.’ She raised her glass.

Lucy lifted hers to her mouth but only wet her lips. The little cake she had eaten had been sickly sweet, and what she could really do with was a cup of tea and something else to eat.

She looked at Lorenzo. He had drained his glass and was looking at his mother with such care and tenderness in his eyes it made her ache. He had never looked at her like that, and never would. She tore her gaze away and replaced her glass on the table, shifting restlessly in her chair.

‘Champagne not to your taste, Lucy?’ Lorenzo queried politely.

She glanced back at him. He was frowning at her—no tenderness in his eyes now, just black ice. She realised if she didn’t get out of there soon she was going to scream—definitely not on Lorenzo’s list of acceptable behaviour during the visit.

She was sitting there minus her briefs, needing to go to the bathroom, with a nice woman almost in tears and a man who hated her.

‘Yes, it is fine,’ she said, her green eyes filling with mockery. ‘But if you will both excuse me?’ She stood up. ‘I have been travelling since eight this morning, and I would like to go and freshen up, please.’