Oryx and Crake (MaddAddam 1)

He tries smashing the kitchen window - he could lower himself down onto the Compound rampart with the bedsheet he's torn into strips and twisted - but no luck: the glass is attack-proof. The narrow window overlooking the gateway is out of the question, as even if he could get through it there'd be a sheer drop into a herd of slavering pigoons. There's a small window in the bathroom, high up, but it too is on the pigoon side.

After three hours of painstaking labour and with the aid of - initially - a kitchen stepstool, a corkscrew, and a table knife, and - ultimately - a hammer and a battery-operated screwdriver he found at the back of the utility closet, he manages to disassemble the emergency air vent and dislodge the mechanism inside it. The vent leads up like a chimney, then there's a bend to the side. He thinks he's skinny enough to fit through - semi-starvation has its advantages - though if he gets stuck he'll die an agonizing and also ludicrous death. Cooked in an air vent, very funny. He ties one end of his improvised rope to a leg of the kitchen table - happily it's bolted to the floor - and winds the rest around his waist. He attaches his bag of supplies to the end of a second rope. Holding his breath, he squeezes in, torques his body, wriggles. Lucky he's not a woman, the wide butt would foil him. No room to spare, but now his head's in the outside air, then - with a twist - his shoulders. It's an eight-foot drop to the rampart. He'll have to go head first, hope the improvised rope will hold.

A last push, a wrench as he's pulled up short, and he's dangling askew. He grabs the rope, rights himself, unties the end around his waist, lowers himself hand over hand. Then he pulls the supply bag through. Nothing to it.

Damn and shit. He's forgotten to bring the windup radio. Well, no going back.

The rampart is six feet wide, with a wall on either side. Every ten feet there's a pair of slits, not opposite each other but staggered, meant for observation but useful too f

or the emplacement of last-ditch weaponry. The rampart is twenty feet high, twenty-seven counting the walls. It runs all the way around the Compound, punctuated at intervals by a watchtower like the one he's just left.

The Compound is shaped like an oblong, and there are five other gates. He knows the plan, having studied it thoroughly during his days at Paradice, which is where he's going now. He can see the dome, rising up through the trees, shining like half a moon. His plan is to get what he needs out of there, then circle around via the rampart - or, if conditions are right, he can cut across the Compound space on level ground - and make his way out by a side gate.

The sun is well up. He'd better hurry, or he'll fry. He'd like to show himself to the pigoons, jeer at them, but he resists this impulse: they'd follow along beside the rampart, keep him from descending. So every time he reaches an observation slit he crouches, holding himself below the sightline.

At the third watchtower along he pauses. Over the top of the rampart wall he can see something white - greyish white and cloudlike - but it's too low down to be a cloud. Also it's the wrong shape. It's thin, like a wavering pillar. It must be near the seashore, a few miles north of the Craker encampment. At first he thinks it's mist, but mist doesn't rise in an isolated stem like that, it doesn't puff. No question now, it's smoke.

The Crakers often have a fire going, but it's never a large one, it wouldn't make smoke like this. It could be a result of yesterday's storm, a lightning-strike fire that was dampened by the rain and has begun smouldering again. Or it might be that the Crakers have disobeyed orders and have come looking for him, and have built a signal fire to guide him home. That's unlikely - it isn't how they think - but if so, they're way off course.

He eats half a Joltbar, downs some water, continues along the rampart. He's limping a little now, conscious of his foot, but he can't stop and tend to it, he has to go as fast as he can. He needs that spraygun, and not just because of the wolvogs and the pigoons. From time to time he looks over his shoulder. The smoke is still there, just the one column of it. It hasn't spread. It keeps on rising.

12

~

Pleebcrawl

~

Snowman limps along the rampart, towards the glassy white swell of the bubble-dome, which is receding from him like a mirage. Because of his foot he's making poor time, and around eleven o'clock the concrete gets too hot for him to walk on. He's got the sheet over his head, draped himself as much as possible, over his baseball cap and over the tropical shirt, but he could still burn, despite the sunblock and the two layers of cloth. He's grateful for his new two-eyed sunglasses.

He hunches down in the shade of the next watchtower to wait out the noon, sucks water from a bottle. After the worst of the glare and heat is past, after the daily thunderstorm has come and gone, he'll have maybe three hours to go. All things being equal, he can get there before nightfall.

Heat pours down, bounces up off the concrete. He relaxes into it, breathes it in, feels the sweat trickling down, like millipedes walking on him. His eyes waver shut, the old films whir and crackle through his head. "What the fuck did he need me for?" he says. "Why didn't he leave me alone?"

No point thinking about it, not in this heat, with his brain turning to melted cheese. Not melted cheese: better to avoid food images. To putty, to glue, to hair product, in creme form, in a tube. He once used that. He can picture its exact position on the shelf, lined up next to his razor: he'd liked neatness, in a shelf. He has a sudden clear image of himself, freshly showered, running the creme hair product through his damp hair with his hands. In Paradice, waiting for Oryx.

He'd meant well, or at least he hadn't meant ill. He'd never wanted to hurt anyone, not seriously, not in real space-time. Fantasies didn't count.

It was a Saturday. Jimmy was lying in bed. He was finding it hard to get up these days; he'd been late for work a couple of times in the past week, and added to the times before that and the times before that, it was going to be trouble for him soon. Not that he'd been out carousing: the reverse. He'd been avoiding human contact. The AnooYoo higher-ups hadn't chewed him out yet; probably they knew about his mother and her traitor's death. Well, of course they did, though it was the kind of deep dark open secret that was never mentioned in the Compounds - bad luck, evil eye, might be catching, best to act dumb and so forth. Probably they were cutting him some slack.

There was one good thing anyway: maybe now that they'd finally scratched his mother off their list, the Corpsmen would leave him alone.

"Get it up, get it up, get it up," said his voice clock. It was pink, phallus-shaped: a Cock Clock, given to him as a joke by one of his lovers. He'd thought it was funny at the time, but this morning he found it insulting. That's all he was to her, to all of them: a mechanical joke. Nobody wanted to be sexless, but nobody wanted to be nothing but sex, Crake said once. Oh yes siree, thought Jimmy. Another human conundrum.

"What's the time?" he said to the clock. It dipped its head, sproinged upright again.

"It's noon. It's noon, it's noon, it's ..."

"Shut up," said Jimmy. The clock wilted. It was programmed to respond to harsh tones.

Jimmy considered getting out of bed, going to the kitchenette, opening a beer. That was quite a good idea. He'd had a late night. One of his lovers, the woman who'd given him the clock in fact, had made her way through his wall of silence. She'd turned up around ten with some takeout - Nubbins and fries, she knew what he liked - and a bottle of Scotch.

"I've been concerned about you," she'd said. What she'd really wanted was a quick furtive jab, so he'd done his best and she'd had a fine time, but his heart wasn't in it and that must have been obvious. Then they'd had to go through What's the matter, Are you bored with me, I really care about you, and so forth and blah blah.

"Leave your husband," Jimmy had said, to cut her short. "Let's run away to the pleeblands and live in a trailer park."

"Oh, I don't think ... You don't mean that."