The Year of the Flood (MaddAddam 2)

That Birds and Beasts and Men do seek.

And in each Seed or Fruit or Nut

Is coiled a silver infant Tree

That will arise if planted right,

Unfurling flowers, a joy to see.

When next you eat a golden Peach

And lightly throw away the pit,

Consider how it shines with Life --

God dwelling in the midst of it.

From The God's Gardeners Oral Hymnbook

49

REN

YEAR TWENTY-FIVE

Adam One used to say, If you can't stop the waves, go sailing. Or else, What can't be mended may still be tended. Or else, Without the light, no chance; without the dark, no dance. Which meant that even bad things did some good because they were a challenge and you didn't always know what good effects they might have. Not that the Gardeners ever did any dancing, as such.

So I decided to perform a Meditation, which would be one way of dealing with the fact that there was nothing to do inside the Sticky Zone. If nothing's the problem, work with nothing, Philo the Fog would say. Turn off your mind chatter. Open up your inner eye, your inner ear. See what you can see. Hear what you can hear. Back at the Gardeners, what I'd see would be the pigtails of the girl in front of me and what I'd hear would be the snoring of Philo, because when he was leading Meditation he always went to sleep.

I wasn't much more successful now. I could hear the thump, thump of the bass line coming from the Snakepit and the humming of the mini-fridge, I could see the lights of the street making blurry patterns through the glass bricks of the window, but none of this was spiritually enlightening. So I stopped doing the Meditation and turned on the news.

There was another minor epidemic, they were saying, but nothing to get alarmed about. Viruses and bacteria were always mutating, but I knew the Corporations could always invent treatments for them, and anyway whatever this bug was I didn't have it myself because I'd been in isolation with a double virus barrier protecting me. I was in the safest place I could be.

I switched back to the Snakepit. A fight had broken out. It must have been the Painballers -- the three who'd come in first and the other one.

As I watched, the CorpSeCorps minders moved in. They got one of the Painballers down on the floor, used their tasers on him. The bouncers were fighting now too -- one of them staggered backwards, clutching his eye; then another one hit the bar. It didn't usually take this long to get things under control. Savona and Crimson Petal were still up on the trapezes trying to carry on, but the pole girls were scurrying off the stage. Then they ran back onto it again: the exits behind must be blocked. Oh no, I thought. Then a bottle flew into the camera and smashed it.

I went to another camera, but my hands were shaking and I'd forgotten the key-in, and by the time I'd turned it on and got it focused the Snakepit was a lot emptier. The lights were still on and the music was playing, but the room was a shambles. The customers must have all run out. Savona was lying on the bar: I could tell it was her by the sparkly costume, even though it was half torn off. Her head was bent at a strange angle and there was blood all over her face. Crimson Petal was hanging from the trapeze; one of the ropes was around her neck, and between her legs was the glint of a bottle -- someone must have shoved it up her. Her frills and ruffles were ripped to shreds. She looked like a limp bouquet.

Where was Mordis?

A dark flailing bundle tumbled across the screen: a shadow dance, a kinky ballet. There was the bam! of a door slammed back, and then something that sounded like hooting. Then sirens, in the distance. Feet running.

Then there was shouting in the hallway outside the Sticky Zone and the videoscreen from outside my door lit up, and on it was Mordis, close up, staring in at me with one eye. The other one was closed. His face looked chewed.

"Your name," he whispered.

Then an arm grabbed him around the throat, pulled his head back. One of the Painballers. I could see his hand, holding a slice of bottle: red and blue veins. "Open the fucking door, asshole," he said. "Bitch in heat! Time to share!"

Mordis was howling. What they wanted from him was the door code. "The numbers, the numbers," they were saying.

I saw Mordis for one more instant. There was a gurgling, and he was gone. In his place was the Painballer -- a faceful of scars.

"Open up and we'll let your buddy live," he said. "We won't hurt you." But he was lying because Mordis was already dead.

Then there was more shouting, and then the CorpSeMen must have tasered him, because he howled in his turn and vanished from the screen, and there was a thudding sound like someone kicking a sack.

I went to the Snakepit camera: more CorpSeMen, in riot gear, a swarm of them. They were pushing and dragging the Painballers out the door -- one dead one, three still alive. It would be back to Painball for them -- they should never have been let out, not ever.