The Handmaid's Tale (The Handmaid's Tale 1)

He shrugged and gave me a fed-up smile, but he did try the number again. This time I watched his fingers, on each number, and checked the numbers that came up in the window. It was my number all right, but there was the red light again.

See? he said again, still with that smile, as if he knew some private joke he wasn't going to tell me.

I'll phone them from the office, I said. The system had fouled up before, but a few phone calls usually straightened it out. Still, I was angry, as if I'd been unjustly accused of something I didn't even know about. As if I'd made the mistake myself.

You do that, he said indifferently. I left the cigarettes on the counter, since I hadn't paid for them. I figured I could borrow some at work.

I did phone from the office, but all I got was a recording. The lines were overloaded, the recording said. Could I please phone back?

The lines stayed overloaded all morning, as far as I could tell. I phoned back several times, but no luck. Even that wasn't too unusual.

About two o'clock, after lunch, the director came in to the discing room.

I have something to tell you, he said. He looked terrible; his hair was untidy, his eyes were pink and wobbling, as though he'd been drinking.

We all looked up, turned off our machines. There must have been eight or ten of us in the room.

I'm sorry, he said, but it's the law. I really am sorry.

For what? somebody said.

I have to let you go, he said. It's the law, I have to. I have to let you all go. He said this almost gently, as if we were wild animals, frogs he'd caught, in a jar, as if he were being humane.

We're being fired? I said. I stood up. But why?

Not fired, he said. Let go. You can't work here any more, it's the law. He ran his hands through his hair and I thought, he's gone crazy. The strain has been too much for him and he's blown his wiring.

You can't just do that, said the woman who sat next to me. This sounded false, improbable, like something you would say on television.

It isn't me, he said. You don't understand. Please go, now. His voice was rising. I don't want any trouble. If there's trouble the books might be lost, things will get broken ... He looked over his shoulder. They're outside, he said, in my office. If you don't go now they'll come in themselves. They gave me ten minutes. By now he sounded crazier than ever.

He's loopy, someone said out loud; which we must all have thought.

But I could see out into the corridor, and there were two men standing there, in uniforms, with machine guns. This was too theatrical to be true, yet there they were: sudden apparitions, like Martians. There was a dreamlike quality to them; they were too vivid, too at odds with their surroundings.

Just leave the machines, he said while we were getting our things together, filing out. As if we could have taken them.

We stood in a cluster, on the steps outside the library. We didn't know what to say to one another. Since none of us understood what had happened, there was nothing much we could say. We looked at one another's faces and saw dismay, and a certain shame, as if we'd been caught doing something we shouldn't.

It's outrageous, one woman said, but without belief. What was it about this that made us feel we deserved it?

When I got back to the house nobody was there. Luke was still at work, my daughter was at school. I felt tired, bone-tired, but when I sat down I got up again, I couldn't seem to sit still. I wandered through the house, from room to room. I remember touching things, not even that consciously, just placing my fingers on them; things like the toaster, the sugar bowl, the ashtray in the living room. After a while I picked up the cat and carried her around with me. I wanted Luke to come home. I thought I should do something, take steps; but I didn't know what steps I could take.

I tried phoning the bank again, but I only got the same recording. I poured myself a glass of milk - I told myself I was too jittery for another coffee - and went into the living room and sat down on the sofa and put the glass of milk on the coffee table,

carefully, without drinking any of it. I held the cat up against my chest so I could feel her purring against my throat.

After a while I phoned my mother at her apartment, but there was no answer. She'd settled down more by then, she'd stopped moving every few years; she lived across the river, in Boston. I waited a while and phoned Moira. She wasn't there either, but when I tried half an hour later she was in. In between those phone calls I just sat on the sofa. What I thought about was my daughter's school lunches. I thought maybe I'd been giving her too many peanut-butter sandwiches.

I've been fired, I told Moira when I got her on the phone. She said she would come over. By that time she was working for a women's collective, the publishing division. They put out books on birth control and rape and things like that, though there wasn't as much demand for those things as there used to be.

I'll come over, she said. She must have been able to tell from my voice that this was what I wanted.

She got there after some time. So, she said. She threw off her jacket, sprawled into the oversized chair. Tell me. First we'll have a drink.

She got up and went to the kitchen and poured us a couple of Scotches, and came back and sat down and I tried to tell her what had happened to me. When I'd finished, she said, Tried getting anything on your Compucard today?

Yes, I said. I told her about that too.