The Handmaid's Tale (The Handmaid's Tale 1) - Page 53

I was looking at Janine. Her eyes were open, but they didn't see me at all. They were rounded, wide, and her teeth were bared in a fixed smile. Through the smile, through her teeth, she was whispering to herself. I had to lean down close to her.

Hello, she said, but not to me. My name's Janine. I'm your wait-person for this morning. Can I get you some coffee to begin with?

Christ, said Moira, beside me.

Don't swear, said Alma.

Moira took Janine by the shoulders and shook her. Snap out of it, Janine, she said roughly. And don't use that word.

Janine smiled. You have a nice day, now, she said.

Moira slapped her across the face, twice, back and forth. Get back here, she said. Get right back here! You can't stay there, you aren't there any more. That's all gone.

Janine's smile faltered. She put her hand up to her cheek. What did you hit me for? she said. Wasn't it good? I can bring you another. You didn't have to hit me.

Don't you know what they'll do? Moira said. Her voice was low, but hard, intent. Look at me. My name is Moira and this is the Red Centre. Look at me.

Janine's eyes began to focus. Moira? she said. I don't know any Moira.

They won't send you to the Infirmary, so don't even think about it, Moira said. They won't mess around with trying to cure you. They won't even bother to ship you to the Colonies. You go too far away and they just take you up to the Chemistry Lab and shoot you. Then they burn you up with the garbage, like an Unwoman. So forget it.

I want to go home, Janine said. She began to cry.

Jesus God, Moira said. That's enough. She'll be here in one minute, I promise you. So put your goddamn clothes on and shut up.

Janine kept whimpering, but she also stood up and started to dress.

She does that again and I'm not here, Moira said to me, you just have to slap her like that. You can't let her go slipping over the edge. That stuff is catching.

She must have already been planning, then, how she was going to get out.

CHAPTER THIRTY-FOUR

The sitting space in the courtyard is filled now; we rustle and wait. At last the Commander in charge of this service comes in. He's balding and squarely built and looks like an aging football coach. He's dressed in his uniform, sober black with the rows of insignia and decorations. It's hard not to be impressed, but I make an effort: I try to imagine him in bed with his Wife and his Handmaid, fertilizing away like mad, like a rutting salmon, pretending to take no pleasure in it. When the Lor

d said be fruitful and multiply, did he mean this man?

This Commander ascends the steps to the podium, which is draped with a red cloth embroidered with a large white-winged eye. He gazes over the room, and our soft voices die. He doesn't even have to raise his hands. Then his voice goes into the microphone and out through the speakers, robbed of its lower tones so that it's sharply metallic, as if it's being made not by his mouth, his body, but by the speakers themselves. His voice is metal-coloured, horn-shaped.

"Today is a day of thanksgiving," he begins, "a day of praise."

I tune out through the speech about victory and sacrifice. Then there's a long prayer, about unworthy vessels, then a hymn: "There is a Balm in Gilead."

"There is a Bomb in Gilead," was what Moira used to call it.

Now comes the main item. The twenty Angels enter, newly returned from the fronts, newly decorated, accompanied by their honour guard, marching one-two one-two into the central open space. Attention, at ease. And now the twenty veiled daughters, in white, come shyly forward, their mothers holding their elbows. It's mothers, not fathers, who give away daughters these days and help with the arrangement of the marriages. The marriages are of course arranged. These girls haven't been allowed to be alone with a man for years; for however many years we've all been doing this.

Are they old enough to remember anything of the time before, playing baseball, in jeans and sneakers, riding their bicycles? Reading books, all by themselves? Even though some of them are no more than fourteen - Start them soon is the policy, there's not a moment to be lost - still they'll remember. And the ones after them will, for three or four or five years; but after that they won't. They'll always have been in white, in groups of girls; they'll always have been silent.

We've given them more than we've taken away, said the Commander. Think of the trouble they had before. Don't you remember the singles bars, the indignity of high-school blind dates? The meat market. Don't you remember the terrible gap between the ones who could get a man easily and the ones who couldn't? Some of them were desperate, they starved themselves thin or pumped their breasts full of silicone, had their noses cut off. Think of the human misery.

He waved a hand at his stacks of old magazines. They were always complaining. Problems this, problems that. Remember the ads in the Personal columns, Bright attractive woman, thirty-five.... This way they all get a man, nobody's left out. And then if they did marry, they could be left with a kid, two kids, the husband might just get fed up and take off, disappear, they'd have to go on welfare. Or else he'd stay around and beat them up. Or if they had a job, the children in daycare or left with some brutal ignorant woman, and they'd have to pay for that themselves, out of their wretched little paycheques. Money was the only measure of worth, for everyone, they got no respect as mothers. No wonder they were giving up on the whole business. This way they're protected, they can fulfil their biological destinies in peace. With full support and encouragement. Now, tell me. You're an intelligent person, I like to hear what you think. What did we overlook?

Love, I said.

Love? said the Commander. What kind of love?

Falling in love, I said.

Tags: Margaret Atwood The Handmaid's Tale Fiction
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