Magdalena Prieto looked at him curiously. “Am I missing something?”
“The man who left you that note is called Jeff Stevens. And no, Ms. Prieto, you’re not missing something. Although I think I might be. And Comisario Dmitri certainly is.”
Magdalena waited for him to elaborate.
“If Jeff Stevens thinks Daniel Cooper’s in Seville to steal the Shroud, then Daniel Cooper is in Seville to steal the Shroud. Under no circumstances should you reduce your security.”
Magdalena blanched. “All right. We won’t.”
“And e-mail me the footage of the second man.”
“I’ll do it this afternoon. Do you think you’ll find him, Inspector? Because in all honesty, I don’t think Comisario Dmitri’s even trying.”
“I’ll find him,” Jean Rizzo said grimly. “I have to. Your Sábana Santa’s not the only thing at stake.”
JEAN RIZZO WALKED BACK to his hotel through Maria Luisa Park. The shrubbery glowed lush and green after the rain. Vivid pink laurel blossoms dazzled in the spring sunshine, in contrast to Jean’s gray, dour mood.
He thought about Jeff Stevens. About the showmanship and panache of his latest stunt, followed by the letter to Magdalena Prieto. A man would have to have serious glamour and charisma to attract a woman like Tracy Whitney, and clearly Jeff Stevens had it in spades. Equally clearly, behind the one-liners and the suave, James Bond exterior lurked an almost palpable loneliness. Like Jean, Jeff had loved deeply once and had lost the only woman he’d ever truly loved. Jeff blocked out the pain with hookers. Jean had never had it in him to do that. In a way, he wished he did. But both men had thrown themselves into work, into their respective passions, as a way to survive loss.
Jean wondered if the strategy was working better for Jeff Stevens than it was for him. At least I have my children. Without Clémence and Luc, Jean truly didn’t know how he would survive. Stevens has a son, a beautiful son, and he doesn’t even know it. The thought made Jean Rizzo profoundly sad.
After his meeting with Magdalena Prieto, he’d gone to see the Shroud for himself, listening to the same audio guide to the tour that Daniel Cooper’s mysterious accomplice had apparently taken some four times. It was fascinating, but gruesome. The idea that someone would torture to death an innocent man in order to fake Jesus’ burial cloth . . . that someone would go out and find an individual, abduct, beat and crucify him . . . it beggared the imagination. Even by medieval standards, that was some serious depravity. The fact that it had likely been done for money only made it worse.
Jean Rizzo thought, Am I wasting my time? Let’s say Daniel Cooper really is the Bible Killer, and I find him and stop him and punish him. Does it really matter in the long run? Won’t there be another serial killer after him, and another, and another? Isn’t mankind intrinsically, irredeemably cruel?
But then he answered his own question.
No. The world is full of goodness. It’s the freaks, the anomalies like Cooper, who go out there raping and slaughtering women. The fact that there were freaks back in the Dark Ages who liked to torture and kill to mimic some scene from the Bible doesn’t mean . . .
He stopped walking. A thought, a theory, something began to form in his head.
Daniel Cooper.
Torture and murder.
The Bible.
The Shroud of Turin wasn’t just a holy relic. It was evidence of a crime. Of a murder. A murder surrounded in mystery.
Jean Rizzo ran back to his hotel. Bounding up the stairs two at a time, he opened his laptop, tapping his feet impatiently until his in-box appeared.
Come on. Be there. Be there be there be there.
And it was. His most recent e-mail. Magdalena Prieto must have sent it as soon as he left the museum. Jean clicked open the attachment, zooming in closely on the image of the man’s face. The prominent forehead. The hooked Roman nose. The dark, springy curls of hair erupting out of the scalp like springs bursting out of an old mattress.
He zoomed in again.
And again.
Only on the third time were the seams of the wig visible. Or the tiny bumps in the latex where the prosthetic nose had been molded to the cheeks. Even with a trained eye and a state-of-the-art computer, Jean had to look so closely he felt like his eyes might cross. But once he saw, he knew.
That’s no accomplice.
THE MAN IN THE green jacket was back at his hotel. The Casas de la Judería was a strange mishmash of rooms and courtyards linked by subterranean tunnels in the old Jewish quarter of Seville. Wedged between two churches and set back from a pretty but dark cobblestone street lined with cafés and precariously leaning medieval houses, it was a throwback to an old, largely lost Spain. Th
e interiors were gloomy and musty, with a preponderance of dark brown fabric, permanently drawn curtains and heavy mahogany furniture. A smell of beeswax polish mingled with wood smoke and incense from the church next door. The decor was simple, the rooms small. There were no televisions or other signs of the modern world beyond the beautifully carved, heavy wooden gates at the hotel’s entrance. In the courtyards, old men smoked pipes and sipped coffee and read novels by Ignacio Aldecoa. A widow in a black-fringed head scarf, frozen in time, said the rosary by an unlit fire in the salon.
Returning to his room, the man in the green parka locked the door. Then he removed his coat, socks and shoes and sat down on the end of the bed. He tried not to think about the countless generations of Jews who had slept in this room before him. The man did not like Jews. It was the Jews who had crucified Our Lord.