Four and Twenty Blackbirds (Eden Moore 1)

The message made me uneasy. Surely it had been there for some time, drawn by teenage vandals. It meant nothing to me. Nothing at all.

Finley's chair was pushed back away from the desk, and it sagged and smelled wet but it was in one piece. I nudged it aside with my foot. One desk drawer was on the floor, its contents damp and unidentifiable; but in another I found files with billing statements. Fortunately, these were filed by last names. My mother's was easy to find. I pulled it out and set it inside the folder I already carried. I turned to leave.

Although I had heard no sound, and although I had looked away for only a few seconds, the chalkboard bore a new warning across its broad green slate.

SHES COMING BACK

I sucked in my breath so hard I almost gagged.

The heartbeat was coming close again, up from behind me, loud enough that I knew I was hearing it, and not imagining it. This time there would be no fooling myself. The exaggerated breathing had returned as well, panting as it approached. It was as if a chilled wind was rushing up against my back, and it grew colder and stronger every second I stood there. I read and reread the message and tried to figure how it must have gotten there.

One by one, without a noise, another series of letters offered me advice.

LEAVE!

I didn't have to be told twice. Sideways I slid towards the door, never for a second considering that I should look over my shoulder. The mysterious S H E did not welcome me there, and she was not a harmless shade. I had made her angry merely by not being my mother, and it seems I'd made her angrier still by unintentionally misleading her.

I fled shakily to my car, too baffled and afraid to give it much thought.

The Death Nugget was where I'd left it, its dark, roundish shape keeping the bulldozers company. I dug my keys out of my front left jeans pocket and fumbled with them, stupidly shaking as I unlocked the door and dropped myself inside. I tossed the folder on the passenger seat and threw the car into gear, backing down the gravel trail as though—and just in case—I was being pursued.

II

I didn't go home. Lulu and Dave would have asked questions, and I didn't have any answers yet. On Saturday night all the coffeehouses are crowded and loud, and the bars are worse because the patrons are not just bored but drunk as well. I wanted to be left alone, really alone, so I could shake the foggy residue of the poltergeists of Pine Breeze and take time to analyze what I'd found there.

I opted for a small restaurant, an Italian joint whose name I always miss by at least one vowel. I like the place. It's quiet and lowlit, with small booths set in walled-off sections that lend the illusion of privacy. I ordered a glass of wine from a blond waitress who probably wasn't old enough to serve it and who definitely should have asked for my ID, but didn't. She obediently brought the drink without any questions. After she'd gone, I opened the grimy file across the table and picked through the contents with all the precision of an archeologist. Any scrap of paper might be a clue.

The first dirty envelope was addressed to Leslie Moore c/o Pine Breeze in solid, precise handwriting in black felt-tipped pen. This letter betrayed only a little about the writer, but it revealed an entire world about my mother.

Dear L—

I hate them for reading these, and I hate them for reading what you sent—but please tell me at least that you're all right. Why won't you write? When I called there the woman assured me that you were free to do so, but she said you hadn't written anything to anyone hardly since you got there. She said you've refused us all—but you must not refuse me. You must write—or I swear I will come down there myself and take you away! I'll tell her to stop sending the money and then they'll have to let you go, whether you like it or not.

You said when you went in there that it was only for a short time, and you promised me you'd write. There are other hospitals, you know. There are other places you could go, places that are made for girls with our problem. I don't see why you want to stay out in that god-awful place. I could be with you—I could support you in this decision. Just say the word and I will make a place for you here, no matter what she thinks. I swear, if I don't hear from you soon, I'll stop the money.

—A

I set the letter on the table and swigged at the wine like it was whiskey. At the table next to mine, the diners had left their signed credit card receipt on a small black tray. I snagged their abandoned pen and attacked A's letter with it.

"Why won't you write?"

I underlined it. The people at Pine Breeze (Marion Finley?) had told him she was free to communicate with him. I had no way of knowing if this was true or not. Therefore, I did not know whether or not Leslie had ever written A in return—or, for that matter, whether she'd ever received the letter I had spread out before me on the burgundy tablecloth.

"I'll tell her to stop sending the money. "

I circled "her" and stared at it. Her who? The same "her" who would not approve of my mother joining A wherever he was? Maybe. I had an idea who "she" might be, but I did not set the letter aside yet.

"There are other places . . . for girls with our problem. "

I circled "our" and sat back in my seat to stare at the three little letters. Our problem. He knew she was pregnant. I leaned forward again, and tapped the tip of my borrowed pen against the paper. Because I was not yet ready to move on, I recircled the word and stared at it some more, glaring as if it was hiding something from me. Our. His and hers. Their problem. A slight flush of indignation tugged at the edge of my attention, but the situation didn't warrant it, so I forced it back. No sense in growing a grudge now.

I reviewed the first two lines again.

Pine Breeze officials read the incoming and outgoing mail. It was pretty safe to assume they knew she was pregnant too. This realization raised more questions than it answered, since Lulu—and, come to think of it, that newspaper article—had all agreed that no one knew she was expecting when she was checked in. Either my family was lying, or someone at Pine Breeze was helping hide a secret or two.

My eyes returned to A's only threat—that he'd shut off the money. Not his money, her money. Another elusive her. Whoever she was, A was close enough to have some measure of say about where her cash went. I finally succumbed to my curiosity and reached for the next envelope in the folder, setting the damning letter aside.

This one was addressed on an old typewriter with its E's set low. This one wasn't to Leslie, it was regardingLeslie. Inside I found a canceled check from a popular southern bank, signed with a tall, thin, slanty signature that took me a minute to decipher and confirm.