Dreadnought (The Clockwork Century 2) - Page 93

The chest wound was bad, but not so bad as she feared; and when she looked back to the car wall where the private had been hunkered, she understood why. The steel on the car’s exterior had taken the brunt of some shell, but that shell had penetrated by at least half a foot, bashing into the torso of Mr. Comstock.

Mercy put her head down over his chest and stared, and listened—straining to hear the faint sounds of a ruptured lung over the sounds of a battle and a rampaging train all around her—but she didn’t catch any whispers of air coming and going in a deadly leak, so she almost felt a tiny bit optimistic.

She looked up and smiled frantically at the porter. “The wind’s knocked out of him, but he’s not shot!” The flesh around the tear was beginning to bruise, and it would be a nasty one, nearly the size of his head when all was blossomed and rosy. It was likely that a couple of his ribs were broken as well. She went to work covering the gash, cleaning it, and trying to hold enough weight down on it to make the bleeding stop.

A great pulse of fire came from the front cars of the Dreadnought; she heard it and felt it in every bone, in every muscle. She felt it in the veins that throbbed behind her eyeballs, and she clutched at the nearest seat back, squeezing Morris Comstock’s limp hand because it was something to hold, and the horror and the noise and the gunsmoke were more than she could bear alone. Even the porter had left her—she didn’t know where he’d gone, but at this point, she trusted that he had a good excuse. She only patted at Comstock’s sweat-?drenched hair, which was melting, having frozen into tiny, fluttering icicles while his face had been near the window.

And then. Like that.

As quickly as the shelling had begun, it ended.

Then there was no more firing at all, from either train, though the near silence that remained in its wake was no silence at all. It was the pounding of heads and the ringing of ears

that had too long heard bombastic artillery fire, and could no longer process its absence.

Strangely, Mercy found this almost more frightening than the onslaught. She asked, “What’s going on? Captain MacGruder?” She looked for him and didn’t see him immediately, so she asked, “Lieutenant Hobbes, what’s happening?” Hobbes gave her a look that said he had no better idea than she did.

Then she noticed that the ranger had joined them. Even he looked confused. She asked him, too—“Ranger Korman?”—but he shook his head.

Then the forward door opened, and through it burst Mrs. Butterfield; and Mr. Abernathy, the blacksmith from Cincinnati; and Miss Greensleeves, lately of Springfield, Illinois; and Mr. Potts from Philadelphia; and Miss Theodora Clay, who looked exactly as homicidal as a soaking wet cat; all of whom were supposed to be fastened into the gold-?filled car as a matter of safety.

Mrs. Butterfield began screaming something about her rights as a paying passenger, but Mercy didn’t hear most of her tirade, because the conductor came shoving his way past the lot of them. Then she understood. He’d had the gold car opened (by force, no doubt) so that he could pass through it, temporarily leaving his attendants to guide the train. He was red faced and panting, and his expression was grim but rushed.

He said, “Look!” and he pointed out the window, and everyone saw—the Shenandoah had completely overtaken them and was quickly leaving them behind.

Captain MacGruder sized up the situation fastest, and asked, “What do we do?”

The conductor said, “There’s a tunnel ahead—about two miles up—and I must assume—”

“We have to stop the train,” said Lieutenant Hobbes, who had heretofore not led any charges, but had done an admirable job of following orders. This was the first time Mercy had seen him come to the front of the line.

Not caring who’d said it first, or who was in charge, the conductor said, “The ranger said it, and I believe it: they’ll blow the tracks, or whatever they’re going to do, as soon as they get enough of a lead on us to make it happen. So we’re stopping the train. We’ll defend it from a standing position, if we have to!”

“That’s madness!” cried Mrs. Butterfield, who forced her way through the crowd. “You can’t stop the train! We’ll all freeze to death out here, or those filthy Rebels will come back and finish us off!”

“It’s better than barreling forward into a trap!” the conductor cried right back at her. “I’ve given the order to throw the brakes, and preparations are being made in every car. I’ve told the porters to ready themselves—”

“Every car?” Mercy asked.

“Yes—there’s a brake on every car. There has to be. We can’t stop otherwise,” he explained hastily.

The ranger stepped up to join the conversation and said, “Two miles, is that what you said? Can we stop this snake in that kind of time?”

The conductor said, “We’re going to try,” as he spun on his heels and went barging back toward the Dreadnought, assuming that the message would find its way along the cars that were left.

“Everybody’s going to have to brace,” the captain said. “Find a spot and settle down. Help the fellows who are hurt. Someone go to the next car—you, Ranger, will you do it? Head to that next car and tell them. Pass it down. ”

Horatio Korman gave him a head dip that was as good as a salute, and went for the rearward door. He was scarcely on the other side of it when the slowdown began—not in a jerk or a lurch, but with a drop in speed that made those on their feet sway, and grasp instinctively for something solid.

A shout went up from the front of the train, and a quick piping of the whistle—not a full-?blown blast, but a series of short peeps that must be some sort of signal. Then a great squeal screamed from a dozen points along the cars as the brakes were applied, and leaned on, and struggled against, and the great, terrible, foreshortened and battered train began to grind to a ghastly, troubling stop that could not possibly come fast enough.

Whatever luggage had thus far remained in the storage bins fell in a patter that bounced off heads, backs, and shoulders. People squawked; Mrs. Butterfield wailed. Mercy staggered and tried to grab the edge of a sleeper car wall in order to steady herself, but she failed and fell backwards. The captain caught her and pulled her down into the aisle, where bits of glass were still sparkling, sliding, collapsing into dust beneath boots and shoes, and cutting into hands, forearms, and knees.

“Captain,” she asked him, not shouting anymore, even over the grinding howl of metal tearing against metal and fighting for traction. She could only spit out her question in a choked gasp, but his head was close to hers, so he could hear her anyway. “What will happen, when we stop? Can we back up, and go the way we came?”

He shook his head, and his wind-?tousled hair brushed up against her ear. “I don’t know, Mrs. Lynch. I don’t know much about trains. ”

After another series of notes from the whistle, the brakes were tested yet further, jammed yet harder, and pulled with another synchronized arrangement of men leaning on poles and posts. They prayed for the immense machine to slow down, end the push, and stop the forward clawing; and the Dreadnought responded.

Tags: Cherie Priest The Clockwork Century Science Fiction
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