Little House on the Prairie (Little House 2) - Page 8

“That’s the Verdigris River,” he said, pointing it out to Ma.

Right away, he and Ma began to unload the wagon. They took out everything and piled it on the ground. Then they took off the wagon-cover and put it over the pile. Then they took even the wagon-box off, while Laura and Mary and Jack watched.

The wagon had been home for a long time. Now there was nothing left of it but the four wheels and the part that connected them. Pet and Patty were still hitched to the tongue. Pa took a bucket and his ax, and sitting on this skeleton wagon, he drove away. He drove right down into the prairie, out of sight.

“Where’s Pa going?” Laura asked, and Ma said, “He’s going to get a load of logs from the creek bottoms.”

It was strange and frightening to be left without the wagon on the High Prairie. The land and the sky seemed too large, and Laura felt small. She wanted to hide and be still in the tall grass, like a little prairie chicken. But she didn’t. She helped Ma, while Mary sat on the grass and minded Baby Carrie.

First Laura and Ma made the beds, under the wagon-cover tent. Then Ma arranged the boxes and bundles, while Laura pulled all the grass from a space in front of the tent. That made a bare place for the fire. They couldn’t start the fire until Pa brought wood.

There was nothing more to do, so Laura explored a little. She did not go far from the tent. But she found a queer little kind of tunnel in the grass. You’d never notice it if you looked across the waving grass-tops. But when you came to it, there it was—a narrow, straight, hard path down between the grass stems. It went out into the endless prairie.

Laura went along it a little way. She went slowly, and more slowly, and then she stood still and felt queer. So she turned around and came back quickly. When she looked over her shoulder, there wasn’t anything there. But she hurried.

When Pa came riding back on a load of logs, Laura told him about that path. He said he had seen it yesterday. “It’s some old trail,” he said.

That night by the fire Laura asked again when she would see a papoose, but Pa didn’t know. He said you never saw Indians unless they wanted you to see them. He had seen Indians when he was a boy in New York State, but Laura never had. She knew they were wild men with red skins, and their hatchets were called tomahawks.

Pa knew all about wild animals, so he must know about wild men, too. Laura thought he would show her a papoose some day, just as he had shown her fawns, and little bears, and wolves.

For days Pa hauled logs. He made two piles of them, one for the house and one for the stable. There began to be a road where he drove back and forth to the creek bottoms. And at night on their picket-lines Pet and Patty ate the grass, till it was short and stubby all around the log-piles.

Pa began the house first. He paced off the size of it on the ground, then with his spade he dug a shallow little hollow along two sides of that space. Into these hollows he rolled two of the biggest logs. They were sound, strong logs, because they must hold up the house. They were called sills.

Then Pa chose two more strong, big logs, and he rolled these logs onto the ends of the sills, so that they made a hollow square. Now with his ax he cut a wide, deep notch near each end of these logs. He cut these notches out of the top of the log, but with his eye he measured the sills, and he cut the notches so that they would fit around half of the sill.

When the notches were cut, he rolled the log over. And the notches fitted down over the sill.

That finished the foundation of the house. It was one log high. The sills were half buried in the ground, and the logs on their ends fitted snugly to the ground. At the corners, where they crossed, the notches let them fit together so that they were no thicker than one log. And the two ends stuck out beyond the notches.

Next day Pa began the walls. From each side he rolled up a log, and he notched its ends so that it fitted down over the end logs. Then he rolled up logs from the ends, and notched them so that they fitted down over the side logs. Now the whole house was two logs high.

The logs fitted solidly together at the corners. But no log is ever perfectly straight, and all logs are bigger at one end than at the other end, so cracks were left between them all along the walls. But that did not matter, because Pa would chink those cracks.

All by himself, he built the house three logs high. Then Ma helped him. Pa lifted one end of a log onto the wall, then Ma held it while he lifted the other end. He stood up on the wall to cut the notches, and Ma helped roll and hold the log while he settled it where it should be to make the corner perfectly square.

So, log by log, they built the walls higher, till they were pretty high, and Laura couldn’t get over them any more. She was tired of watching Pa and Ma build the house, and she went into the tall grass, exploring. Suddenly she heard Pa shout, “Let go! Get out from under!”

The big, heavy log was sliding. Pa was trying to hold up his end of it, to keep it from falling on Ma. He couldn’t. It crashed down. Ma huddled on the ground.

She got to Ma almost as quickly as Pa did. Pa knelt down and called Ma in a dreadful voice, and Ma gasped, “I’m all right.”

The log was on her foot. Pa lifted the log and Ma pulled her foot from under it. Pa felt her to see if any bones were broken.

“Move your arms,” he said. “Is your back hurt? Can you turn your head?” Ma moved her arms and turned her head.

“Thank God,” Pa said. He helped Ma to sit up. She said again, “I’m all right, Charles. It’s just my foot.”

Quickly Pa took off her shoe and stocking. He felt her foot all over, moving the ankle and the instep and every toe. “Does it hurt much?” he asked.

Ma’s face was gray and her mouth was a tight line. “Not much,” she said.

“No bones broken,” said Pa. “It’s only a bad sprain.”

Ma said, cheerfully: “Well, a sprain’s soon mended. Don’t be so upset, Charles.”

“I blame myself,” said Pa. “I should have used skids.”

Tags: Laura Ingalls Wilder Little House Classics
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