I touch his pant leg, shake my head softly. I can’t look up. “Don’t” is all I can say.
He kneels, then sits. I can smell his aftershave, something subtle and spicy, and also a hint of smoke. He has sneaked a cigarette outside, a habit he gave up decades ago and took up again at my recent diagnosis. There is no reason to voice my disapproval: He is a doctor. He knows better.
My instinct is to toss the card into the trunk and slam the lid down, hiding it again. It’s what I have done all my life.
Now I am dying. Not quickly, perhaps, but not slowly, either, and I feel compelled to look back on my life.
“Mom, you’re crying.”
“Am I?”
I want to tell him the truth, but I can’t. It embarrasses and shames me, this failure. At my age, I should not be afraid of anything—certainly not my own past.
I say only, “I want to take this trunk.”
“It’s too big. I’ll repack the things you want into a smaller box.”
I smile at his attempt to control me. “I love you and I am sick again. For these reasons, I have let you push me around, but I am not dead yet. I want this trunk with me.”
“What can you possibly need in it? It’s just our artwork and other junk.”
If I had told him the truth long ago, or had danced and drunk and sung more, maybe he would have seen me instead of a dependable, ordinary mother. He loves a version of me that is incomplete. I always thought it was what I wanted: to be loved and admired. Now I think perhaps I’d like to be known.
“Think of this as my last request.”
I can see that he wants to tell me not to talk that way, but he’s afraid his voice will catch. He clears his throat. “You’ve beaten it twice before. You’ll beat it again.”
We both know this isn’t true. I am unsteady and weak. I can neither sleep nor eat without the help of medical science. “Of course I will.”
“I just want to keep you safe.”
I smile. Americans can be so naïve.
Once I shared his optimism. I thought the world was safe. But that was a long time ago.
“Who is Juliette Gervaise?” Julien says and it shocks me a little to hear that name from him.
I close my eyes and in the darkness that smells of mildew and bygone lives, my mind casts back, a line thrown across years and continents. Against my will—or maybe in tandem with it, who knows anymore?—I remember.
TWO
The lights are going out all over Europe;
We shall not see them lit again in our lifetime.
—SIR EDWARD GREY, ON WORLD WAR I
August 1939
France
Vianne Mauriac left the cool, stucco-walled kitchen and stepped out into her front yard. On this beautiful summer morning in the Loire Valley, everything was in bloom. White sheets flapped in the breeze and roses tumbled like laughter along the ancient stone wall that hid her property from the road. A pair of industrious bees buzzed among the blooms; from far away, she heard the chugging purr of a train and then the sweet sound of a little girl’s laughter.
Sophie.
Vianne smiled. Her eight-year-old daughter was probably running through the house, making her father dance attendance on her as they readied for their Saturday picnic.
“Your daughter is a tyrant,” Antoine said, appearing in the doorway.