Part One
THE SEVENTIES
CHAPTER ONE
They used to be called the Firefly Lane girls. That was a long time ago—more than three decades—but just now, as she lay in bed listening to a winter storm raging outside, it seemed like yesterday.
In the past week (unquestionably the worst seven days of her life), she'd lost the ability to distance herself from the memories. Too often lately in her dreams it was 1974; she was a teenager again, coming of age in the shadow of a lost war, riding her bike beside her best friend in a darkness so complete it was like being invisible. The place was relevant only as a reference point, but she remembered it in vivid detail: a meandering ribbon of asphalt bordered on either side by gullies of murky water and hillsides of shaggy grass. Before they met, that road seemed to go nowhere at all; it was just a country lane named after an insect no one had ever seen in this rugged blue and green corner of the world.
Then they saw it through each other's eyes. When they stood together on the rise of the hill, instead of towering trees and muddy potholes and distant snowy mountains, they saw all the places they would someday go. At night, they sneaked out of their neighboring houses and met on that road. On the banks of the Pilchuck River they smoked stolen cigarettes, cried to the lyrics of "Billy, Don't Be a Hero," and told each other everything, stitching their lives together until by summer's end no one knew where one girl ended and the other began. They became to everyone who knew them simply TullyandKate, and for more than thirty years that friendship was the bulkhead of their lives: strong, durable, solid. The music might have changed with the decades, but the promises made on Firefly Lane remained.
Best friends forever.
They'd believed it would last, that vow, that someday they'd be old women, sitting in their rocking chairs on a creaking deck, talking about the times of their lives, and laughing.
Now she knew better, of course. For more than a year she'd been telling herself it was okay, that she could go on without a best friend. Sometimes she even believed it.
Then she would hear the music. Their music. "Goodbye Yellow Brick Road. " "Material Girl. " "Bohemian Rhapsody. " "Purple Rain. " Yesterday, while she'd been shopping, a bad Muzak version of "You've Got a Friend" had made her cry, right there next to the radishes.
She eased the covers back and got out of bed, being careful not to waken the man sleeping beside her. For a moment she stood there, staring down at him in the shadowy darkness. Even in sleep, he wore a troubled expression.
She took the phone off its hook and left the bedroom, walking down the quiet hallway toward the deck. There, she stared out at the storm and gathered her courage. As she punched in the familiar numbers, she wondered what she would say to her once-best friend after all these silent months, how she would start. I've had a bad week . . . my life is falling apart . . . or simply: I need you.
Across the black and turbulent Sound, the phone rang.
CHAPTER TWO
For most of the country, 1970 was a year of upheaval and change, but in the house on Magnolia Drive, everything was orderly and quiet. Inside, ten-year-old Tully Hart sat on a cold wooden floor, building a Lincoln Log cabin for her Liddle Kiddles, who were asleep on tiny pink Kleenexes. If she were in her bedroom, she would have had a Jackson Five forty-five in her Close 'N Play, but in the living room, there wasn't even a radio.
Her grandma didn't like music much, or television or board games. Mostly—like now—Grandma sat in her rocking chair by the fireplace, doing needlepoint. She made hundreds of samplers, most of which quoted the Bible. At Christmastime she donated them to the church, where they were sold at fund-raisers.
And Grandpa . . . well, he couldn't help being quiet. Ever since his stroke, he just stayed in bed. Sometimes he rang his bell, and that was the only time Tully ever saw her grandma hurry. At the first tinkling of the bell, she'd smile and say, "Oh, my," and run for the hallway as fast as her slippered feet would take her.
Tully reached for her yellow-haired Troll. Humming very quietly, she made him dance with Calamity Kiddle to "Daydream Believer. " Halfway through the song, there was a knock at the door.
It was such an unexpected sound that Tully paused in her playing and looked up. Except for Sundays, when Mr. and Mrs. Beattle showed up to take them to church, no one ever came to visit.
Gran put her needlework in the pink plastic bag by her chair and got up, crossing the room in that slow, shuffling way that had become normal in the last few years. When she opened the door, there was a long silence, then she said, "Oh, my. "
Gran's voice sounded weird. Peering sideways, Tully saw a tall woman with long messy hair and a smile that wouldn't stay in place. She was one of the prettiest women Tully had ever seen: milky skin, a sharp, pointed nose and high cheekbones that slashed above her tiny chin, liquid brown eyes that opened and closed slowly.
"Thass not much of a greeting for your long-lost daughter. " The lady pushed past Grandma and walked straight to Tully, then bent down. "Is this my little Tallulah Rose?"
Daughter? That meant—
"Mommy?" she whispered in awe, afraid to believe it. She'd waited so long for this, dreamed of it: her mommy coming back.
"Did you miss me?"
"Oh, yes," Tully said, trying not to laugh. But she was so happy.
Gran closed the door. "Why don't you come into the kitchen for a cup of coffee?"
"I didn't come back for coffee. I came for my daughter. "
"You're broke," Grandma said tiredly.
Her mother looked irritated. "So what if I am?"