"He's not--" She was going to say "conscious," but she said, "awake. He's not awake, Mr. Jonas. The doctor said he's not to be disturbed. Oh, we don't know what's wrong!"
"Even if he's not 'awake,'" said Mr. Jonas, "I'd like to talk to him. Sometimes the things you hear in your sleep are more important, you listen better, it gets through."
"I'm sorry, Mr. Jonas, I just can't take the chance." Mrs. Spaulding caught hold of the screen-door handle and held fast to it. "Thanks. Thank you, anyway, for coming by."
"Yes, ma'am," said Mr. Jonas.
He did not move. He stood looking up at the window above. Mrs. Spaulding went in the house and shut the screen door.
Upstairs, on his bed, Douglas breathed.
It was a sound like a sharp knife going in and out, in and out, of a sheath.
At eight o'clock the doctor came and went again shaking his head, his coat off, his tie untied, looking as if he had lost thirty pounds that day. At nine o'clock Tom and Mother and Father carried a cot outside and brought Douglas down to sleep in the yard under the apple tree where, if there might be a wind, it would find him sooner than in the terrible rooms above. Then they went back and forth until eleven o'clock, when they set the alarm clock to wake them at three and chip more ice to refill the packs.
The house was dark and still at last, and they slept.
At twelve thirty-five, Douglas's eyes flinched.
The moon had begun to rise.
And far away a voice began to sing.
It was a high sad voice rising and falling. It was a clear voice and it was in tune. You could not make out the words.
The moon came over the edge of the lake and looked upon Green Town, Illinois, and saw it all and showed it all, every house, every tree, every prehistoric-remembering dog twitching in his simple dreams.
And it seemed that the higher the moon the nearer and louder and clearer the voice that was singing.
And Douglas turned in his fever and sighed.
Perhaps it was an hour before the moon spilled all its light upon the world, perhaps less. But the voice was nearer now and a sound like the beating of a heart which was really the motion of a horse's hoofs on the brick streets muffled by the hot thick foliage of the trees.
And there was another sound like a door slowly opening or closing, squeaking, squealing softly from time to time. The sound of a wagon.
And down the street in the light of the risen moon came the horse pulling the wagon and the wagon riding the lean body of Mr. Jonas easy and casual on the high seat. He wore his hat as if he were still out under the summer sun and he moved his hands on occasion to ripple the reins like a flow of water on the air above the horse's back. Very slowly the wagon moved down the street with Mr. Jonas singing, and in his sleep Douglas seemed for a moment to stop breathing and listen.
"Air, air ... who will buy this air.... Air like water and air like ice ... buy it once and you'll buy it twice ... here's the April air ... here's an autumn breeze ... here's papaya wind from the Antilles.... Air, air, sweet pickled air ... fair ... rare ... from everywhere ... bottled and capped and scented with thyme, all that you want of air for a dime!"
At the end of this the wagon was at the curb. And someone stood in the yard, treading his shadow, carrying two beetle-green bottles which glittered like cats' eyes. Mr. Jonas looked at the cot there and called the boy's name once, twice, three times, softly. Mr. Jonas swayed in indecision, looked at the bottles he carried, made his decision, and moved forward stealthily to sit on the grass and look at this boy crushed down by the great weight of summer.
"Doug," he said, "you just lie quiet. You don't have to say anything or open your eyes. You don't even have to pretend to listen. But inside there, I know you hear me, and it's old Jonas, your friend. Your friend," he repeated and nodded.
He reached up and picked an apple off the tree, turned it round, took a bite, chewed, and continued.
"Some people turn sad awfully young," he said. "No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I'm one of them."
He took another bite of the apple and chewed it.
"Well, now, where are we?" he asked.
"A hot night, not a breath stirring, in August," he answered himself. "Killing hot. And a long summer it's been and too much happening, eh? Too much. And it's getting on toward one o'clock and no sign of a wind or rain. And in a moment now I'm going to get up and go. But when I go, and remember this clearly, I will leave these two bottles here upon your bed. And when I've gone I want you to wait a little while and then slowly open your eyes and sit up and reach over and drink the contents of these bottles. Not with your mouth, no. Drink with your nose. Tilt the bottles, uncork them, and let what is in them go right down into your head. Read the labels first, of course. But here, let me read them for you."
He lifted one bottle into the light.
"'GREEN DUSK FOR DREAMING BRAND PURE NORTHERN AIR,'" he read. "'Derived from the atmosphere of the white Arctic in the spring of 1900, and mixed with the wind from the upper Hudson Valley in the month of April, 1910, and containing particles of dust seen shining in the sunset of one day in the meadows around Grinnell, Iowa, when a cool air rose to be captured from a lake and a little creek and a natural spring.'
"Now the small print," he said. He squinted. "'Also containing molecules of vapor from menthol, lime, papaya, and watermelon and all other water-smelling, cool-savored fruits and trees like camphor and herbs like wintergreen and the breath of a rising wind from the Des Plaines River itself. Guaranteed most refreshing and cool. To be taken on summer nights when the heat passes ninety.'"