"Yes, sir, Colonel?"
The colonel leaned out, waving one arm.
"I thought about what you said, boys!"
"Yes, sir?"
"And - you're right! Why didn't I think of it before! A Time Machine, Praise heaven, a Time Machine!"
"Yes, sir."
"So long, boys. Come aboard any time!"
At the end of the street they turned again and the colonel was still waving. They waved back, feeling warm and good, then went on.
"Chug-a-chug," said John. "I can travel twelve years into the past. Wham-chug-ding!"
"Yeah," said Charlie, looking back at that quiet house, "but you can't go a hundred years."
"No," mused John, "I can't go a hundred years. That's really traveling. That's really some machine."
They walked for a full minute in silence, looking at their feet. They came to a fence.
"Last one over this fence," said Douglas, "is a girl."
All the way home they called Douglas "Dora."
THE SOUND OF SUMMER RUNNING
Late that night, going home from the show with his mother and father and his brother Tom, Douglas saw the tennis shoes in the bright store window. He glanced quickly away, but his ankles were seized, his feet suspended, then rushed. The earth spun; the shop awnings slammed their canvas wings overhead with the thrust of his body running. His mother and father and brother walked quietly on both sides of him. Douglas walked backward, watching the tennis shoes in the midnight window left behind.
"It was a nice movie," said Mother.
Douglas murmured, "It was. . . ."
It was June and long past time for buying the special shoes that were quiet as a summer rain falling on the walks. June and the earth full of raw power and everything everywhere in motion. The grass was still pouring in from the country, surrounding the sidewalks, stranding the houses. Any moment the town would capsize, go down and leave not a stir in the clover and weeds. And here Douglas stood, trapped on the dead cement and the red-brick streets, hardly able to move.
"Dad!" He blurted it out. "Back there in that window, those Cream-Sponge Para Litefoot Shoes . . ."
His father didn't even turn. "Suppose you tell me why you need a new pair of sneakers. Can you do that?"
"Well . . ."
It was because they felt the way it feels every summer when you take off your shoes for the first time and run in the grass. They felt like it feels sticking your feet out of the hot covers in wintertime to let the cold wind from the open window blow on them suddenly and you let them stay out a long time until you pull them back in under the covers again to feel them, like packed snow. The tennis shoes felt like it always feels the first time every year wading in the slow waters of the creek and seeing your feet below, half an inch further downstream, with refraction, than the real part of you above water.
"Dad," said Douglas, "it's hard to explain."
Somehow the people who made tennis shoes knew what boys needed and wanted. They put marshmallows and coiled springs in the soles and they wove the rest out of grasses bleached and fired in the wilderness. Somewhere deep in the soft loam of the shoes the thin hard sinews of the buck deer were hidden. The people that made the shoes must have watched a lot of winds blow the trees and a lot of rivers going down to the lakes. Whatever it was, it was in the shoes, and it was summer.
Douglas tried to get all this in words.
"Yes," said Father, "but what's wrong with last year's sneakers? Why can't you dig them out of the closet?"
Well, he felt sorry for boys who lived in California where they wore tennis shoes all year and never knew what it was to get winter off your feet, peel off the iron leather shoes all full of snow and rain and run barefoot for a day and then lace on the first new tennis shoes of the season, which was better than barefoot. The magic was always in the new pair of shoes. The magic might die by the first of September, but now in late June there was still plenty of magic, and shoes like these could jump you over trees and rivers and houses. And if you wanted, they could jump you over fences and sidewalks and dogs.
"Don't you see?" said Douglas. "I just can't use last year's pair."
For last year's pair were dead inside. They had been fine when he started them out, last year. But by the end of summer, every year, you always found out, you always knew, you couldn't really jump over rivers and trees and houses in them, and they were dead. But this was a new year, and he felt that this time, with this new pair of shoes, he could do anything, anything at all.