Live by Night (Coughlin 2)

As she ventured deeper into the aria, the notes grew ever higher, ever longer, and Joe pictured her voice as a dark ocean, beyond end, beyond depth. He looked around at the men in their tuxedos and the women in their glittering taffeta and silk sheaths and lace wreaths, at the champagne flowing from a fountain in the center of the lobby. He recognized a judge and Mayor Curley and Governor Fuller and another infielder for the Sox, Baby Doll Jacobson. By one of the pianos, he saw Constance Flagstead, a local stage star, flirting with Ira Bumtroth, a known numbers man. Some people were laughing, and others tried so hard to look respectable it was laughable. He saw stern men with muttonchop sideburns and wizened matrons with skirts the shape of church bells. He identified Brahmins and blue bloods and Daughters of the American Revolution. He noted bootleggers and bootlegger lawyers and even the tennis player Rory Johannsen, who’d made it to the quarterfinals at Wimbledon last year before being knocked out by the Frenchman Henri Cochet. He saw bespectacled intellectuals trying not to get caught looking at frivolous flappers with insipid conversational skills but sparkling eyes and dazzling legs… and all of them soon to vanish from the earth. Fifty years from now, someone could look at a photograph of this night and most of the people in the room would be dead, and the rest would be on their way.

As Florence Ferrel finished her aria, he looked up toward the mezzanine and saw Albert White. Standing dutifully behind his right elbow was his wife. She was middle-aged and twig-thin, carrying none of the ample weight of a well-to-do matron. Her eyes were the biggest part of her, noticeable even from where Joe stood. They were bulging and frantic, even as she smiled at something Albert said to a chuckling Mayor Curley, who’d found his way up there with a glass of scotch.

Joe looked a few yards down the balcony and there was Emma. She wore a silver sheath dress and stood in a crowd near the wrought iron railing, a glass of champagne in her left hand. In this light, her skin was the white of the alabaster, and she looked stricken and alone, lost in a private grief. Was this who she was when she didn’t think he was looking? Was there some unnameable loss grafted to her heart? For a moment he feared she’d jump over the balcony rail, but then the sickness in her face turned to a smile. And he realized what had placed the grief in her face: she’d never expected to see him again.

Her smile widened and she covered it with her hand. It was the same hand that held the champagne glass, so the glass tipped and a few drops fell into the crowd below. One man looked up and touched the back of his head. A portly woman wiped at her brow then blinked her right eye several times.

Emma leaned back from the rail and tilted her head toward the staircase on his side of the lobby. Joe nodded. She moved away from the railing.

He lost her in the crowd above as he worked his way through the one below. He had noticed that most of the reporters on the mezzanine wore their hats back on their heads and their tie knots were crooked. So he pushed his hat back and loosened his tie as he squeezed through the last cluster of people and reached the staircase.

Officer Donald Belinski ran down toward him, a ghost who’d somehow risen from the pond floor, scraped the burned flesh from his bones, and now trotted down the staircase toward Joe—same blond hair, same blotchy complexion, same ridiculously red lips and pale eyes. No wait, this guy was fleshier, and his blond hair had already begun to recede and leaned a bit more toward red than pure blond. And even though Joe had only seen Belinski lying on his back, he was fairly certain the cop had been taller than this man. And probably smelled better too, this guy smelling of onions, Joe that close to him as they passed in the stairwell, the guy’s eyes narrowing. He swept a hank of oily red-blond hair off his forehead, his hat in his free hand, a Boston Examiner press ID tucked inside the grosgrain ribbon. Joe sidestepped him at the last moment, and the man fumbled with his hat.

Joe said, “Excuse me.”

The guy said, “My apologies,” but Joe could feel his eyes on him as he moved up the stairs fast, stunned at his own stupidity not only to have looked someone directly in the face but also to have looked a reporter directly in the face.

The guy called up the stairwell, “Excuse me, excuse me. You dropped something,” but Joe hadn’t dropped shit. He kept going, and a group entered the stairwell above him, already tipsy, one woman draped over another like a loose robe, and then Joe was passing through them and not looking back, not looking back, looking only forward.

At her.

She held a small purse that matched her dress and the silver feather and silver band in her hair. A small vein pulsed in her throat. Her shoulders rippled; her eyes flashed. It was all he could do not to clutch those shoulders and lift her off her feet until she wrapped her legs around his back and lowered her face to his. But instead he kept moving past her and said, “Guy just recognized me. Gotta move.”

She fell in beside him as he walked a red carpet past the main ballroom. The crowds were thick up here but not as jammed in as down below. You could move along the perimeter of the crowd easily enough.

“There’s a service elevator just past the next balcony,” she said. “Goes to the basement. I can’t believe you came.”

He took the right at the next opening, his head down, and pushed his hat to his forehead, pulled it down tight. “What else was I going to do?”

“Run.”

“To what?”

“I don’t know. Jesus. It’s what people do.”

“It’s not what I do.”

The crowd grew thicker as they passed along the back of the mezzanine. Down below, the governor had taken the radiophone and was proclaiming today Hotel Statler Day in the Commonwealth of Massachusetts, and a cheer went up, the crowd good and drunk now as Emma came abreast of him and nudged him to the left with her elbow.

He saw it now, past where their corridor intersected with another—a dark nook behind the banquet tables and the lights and the marble and red carpet.

Downstairs, a brass band struck its horns and the throngs in the mezzanine kicked up their heels and the flashbulbs flashed and popped and hissed. He wondered if any of the staff photographers would get back to their newsrooms and notice the guy in the background of some of their shots, the guy in the tan suit with the bounty on his head.

“Left, left,” Emma said.

He turned left between two banquet tables and the marble floor gave way to thin black tile. Another couple of steps and he reached the elevator. He pressed the down button.

Four drunken men passed along the edge of the mezzanine. They were a couple years older than Joe and singing “Soldiers Field.”