Iceberg (Dirk Pitt 3)

The doctor had said sternly, "You're a fool, you're damn near dead on your feet. You should have given up and collapsed hours ago. If you don't get your butt between the sheets of a hospital bed, you're going to experience a first-class breakdown."

"Thanks," Pitt had said shortly. "I'm grateful for your professional concern, but there's one more act to play out. Two hours-no more-then I'll dedicate what's left of my body to medical science."

The elevator slowed and stopped, the door opened and Pitt stepped onto the soft red carpet of the sixth floor foyer. He abruptly halted in midstep to keep from colliding with three men who were waiting to go down.

Two of the men he took to be Kippmann's agents. Of the third man, the one slumped head downward in the middle, there was no doubt, it was F. James Kelly.

Pitt stood there blocking their way. Kelly slowly lifted his head and stared at Pitt vacantly, unrecognizing. Finally Pitt broke the uneasy silence.

"I'm almost sorry your grand scheme failed, Kelly.

"In theory, it was glorious. In execution, it was impossible."

Kelly's eyes widened by slow degrees and the color drained from his face. "My God . . . is that you, Major Pitt? But no . . .

you're . . ."

"Supposed to be dead?" Pitt finished, as if it no longer mattered too much except to himself.

"Oskar swore he killed you."

"I managed to leave the party early," Pitt said coldly.

Kelly shook his head back and forth. "Now I understand why my plan failed. It seems, Major, that fate cast you in the role of my avenging nemesis."

"Purely a matter of my being at the wrong place at the wrong time."

Kelly smiled thinly and nodded to the two agents. The three of them entered the waiting elevator.

Pitt stood aside, then suddenly said, "Sam left you a message."

Kelly took seconds to recover. "Is Sam-"

"Sam died out on the tundra," Pitt finished. "Near the end he wanted you to know he forgave you."

"Oh, God . . . oh, Cod," Kelly moan in agony, his fingers covering his eyes. For many years afterward, Pitt carried the mental picture of Kelly's face just before the elevator door closed-The stricken lines, the dull, lifeless eyes, the ashen skin. It was the face of a man who looked as if he was strangling.

Pitt tried the door with the numerals 605. It was locked. He walked to the door of 607 and twisted the knob. It opened. He quietly stepped over the threshold and eased the door closed. The, room was cool and dark. The smell of stale cigar butts invaded his nostrils before he passed through the entry hall. The odor was all he needed to know it was Rondheim's room.

Moonlight filtered through the drapes, casting long shapeless shadows as he searched through the bedroom, nothing but Rondheim's clothes and luggage was undisturbed. Kippmann had kept his word. His men had been careful not to alert Kirsti Fyrie or give her the slightest warning of Rondheim's fate or the sudden demise of Hermit Limited.

He moved toward a shaft of yellow light that split the half-open door to the adjoining room. He entered, treading softly, noiselessly like a night animal ready to spring. It could hardly be called a room, a plush suite would have been a fairer description. it consisted of a hall, a living room with an amply stocked bar, a bathroom and a bedroom, edged on one side by a large sliding glass door that led to a small balcony.

101

All the rooms were empty except the bathroom; the sound Of running water told him that Kirsti was in the shower. Pitt walked over to the bar, casually poured himself a scotch on the rocks and just as casually eased into a long comfortable sofa.

Twenty minutes and two drinks later, Kirsti emerged from the bathroom. She was wearing a green silk kimono, loosely sashed at the waist. Her golden hair danced around her head like a silver-colored halo. She looked incredibly fresh and lovely.

She walked through the bedroom into the living room and was in the midst of mixing herself a drink when she saw Pitts reflection in the mirror behind the bar. She stood there as if suddenly struck by paralysis, very pale, with an expression of uncertainty on her face.

"I suppose," Pitt said quietly, "the appropriate thing for a gentleman to say when a beautiful woman leaves her bath is, Behold, Venus arises from the waves."

She turned and the look of uncertainty slowly turned to one of curiosity. "Do I know you?"

"We've met."

She clutched the edge of the bar, silent, her eyes searching him. "Dirk!" she whispered softly. "It's you. It's really you. Thank God, you're still alive."