Deep Six (Dirk Pitt 7)

Montrose looked up from his audio gear. "Then you don't need me."

"Roll sound anyway and record my comments."

Suddenly the battalion of news correspondents came alive as someone shouted, "Here he comes!"

Fifty cameras went into action as the screen door swung open and the President stepped onto the porch. He was dressed in cowboy boots and a cotton shirt tucked into a pair of faded Levi's.

Vice President Margolin followed him over the threshold, a large Stetson te in conversation, the President gesturing animatedly while Margolin appeared to listen thoughtfully.

"Go tight on the Vice President," Mayo ordered.

"Have him," Mitchell responded.

The sun was climbing toward the middle of the sky and the heat waves were rising over the reddish earth. The President's farm swept away in all directions, mostly fields of hay and alfalfa, with a few pastures for his small herd of breeding cattle. The crops were a vivin green in contrast to the barren areas, and watered by huge circular sprinkling systems. Except for a string of cottonwoods bordering an irrigation ditch, the land unfolded in flat solitude.

How could a man who had spent most of his life in such desolation drive himself to influence billions of people? Mayo wondered.

The more he saw of the strange egomania of politicians the more he came to despise them. He turned and spat at a colony of red ants, missing their tunnel entrance by only a few inches. Then he cleared his throat and began describing the scene into the microphone.

Margolin turned and went back into the house. The President, acting as though the press corps were still back in Washington, hiked to the barn without turning in their direction. The exhaust of a diesel engine was soon heard and he reappeared seated on a green John Deere tractor, Model 2640, that was hooked to a hay mower. There was a canopy and the President sat out in the open, a small transistor radio clipped to his belt and earphones clamped to his head. The correspondents began yelling questions at him, but it was obvious he couldn't hear them above the rap of the exhaust and music from the local FM station.

He wrapped a red handkerchief over the lower part of his face, bandit style, to keep from breathing dust and exhaust fumes. Then he let down the mower's slining blades and started cutting the field, driving back and forth in long rows, working away from the people crowding the fence.

After about twenty minutes the correspondents slowly packed away their equipment and returned to the air-conditioned comfort of their trailers and motor homes.

"That's it," announced Mitchell. "No more tape, unless you want me to reload."

"Forget it." Mayo wrapped the cord around the microphone and handed it to Montrose. "Let's get out of this heat and see what we've got."

They tramped into the cool of the motor home. Mitchell removed the cassette holding the three-quarter-inch vineotape from the camera, inserted it into the playback recorder and rewound it.

When he was ready to roll from the beginning, Mayo pulled up a chair and parked himself less than two feet from the monitor.

"What are we looking for?" asked Montrose.

Mayo's concentration didn't waver from the images moving before his screen. "Would you say that's the Vice President?"

"Of course," said Mitchell. "Who else could it be?"

"You're taking what you see for granted. Look closer."

Mitchell leaned in. "The cowboy hat is covering his eyes, but the mouth and chin match. The build fits too. Looks like him to me."

"Anything odd about his mannerisms?"

"The guy is standing there with his hands in his pockets," said Montrose dumbly. "What are we supposed to read in that?"

"Nothing unusual about him at all?" Mayo persisted.

"Don't notice a thing," said Mitchell.

"All right, forget him," said Mayo as Margolin turned and went back into the house. "Now look at the President."

"if that aid't him," muttered Montrose acinly, "then he's got an identical twin brother."

Mayo brushed off the remark and sat quietly as the camera followed the President across the barnyard, revealing the slow, recognizable gait known to millions of television viewers. He disappeared into the dark of the barn, and two minutes later emerged on the tractor.

Mayo snapped erect.