Valhalla Rising (Dirk Pitt 16)

It was inhuman. Inhuman action that served no earthly purpose. The pilot of the Fokker could just as easily have broken off the chase when he felt assured the trimotor had only seconds to remain in the air. His sole reason for shooting down the police helicopter was not self-preservation. It was a cold-blooded act of p

ure enjoyment. He hardly glanced back at the destruction before taking up the pursuit of the trimotor again.

Pitt was not aware of the catastrophe in the wake of his aircraft. Mary, looking back through the cockpit side window, saw it, but she was frozen into silence. The street was making a slight curve and he compressed his concentration to jockey the plane into a turn.

Broadway angled left as it crossed Columbus Circle. He gave the right rudder a hard kick and slewed the plane around to the right as it broke free of the long chasm of tall buildings. His left wingtip missed the seventy-foot-high statue of Christopher Columbus by less than ten feet as he banked over Central Park West and Fifty-ninth Street. At the southwest entrance to Central Park, he dodged around the monument to the victims of the battleship Maine and headed out over the park. Riders on the bridle path struggled to stay in the saddle as their horses reared when the trimotor roared overhead.

Thousands of people who were enjoying the park on a warm summer afternoon stopped their activities and stared at the drama unfolding above them. Police cars from all over the city were converging on the park, sirens screeching. More police helicopters were sweeping into the park from Fifth Avenue, accompanied by a squadron of helicopters from the television channels.

"He's coming back!" Mary shouted. "He's eight hundred feet above and diving on our tail!"

Pitt could bank and barely turn, but he couldn't gain a foot of altitude without the elevators that were shredded with bullet holes and frozen in the neutral position. A plan formed in his mind, a plan that would only work if the red Fokker made a strafing run directly over the trimotor and then overshot. He reached over and flicked the ignition and fuel switches of the middle engine to the ON position. The battered engine coughed several times, then caught and began turning over. Then he banked the trimotor sharply to the right, knowing his insane attacker was thundering in from above. The evasive action momentarily caught the pilot off his mark, and the twin streams of fire from the red Fokker went wide to the left.

The old transport was no match for the maneuverability of the tri-wing plane flown with great success by Imperial Germany's finest pilots eighty years ago. The Fokker's pilot quickly compensated, and Pitt felt the thumping of bullets tearing into the upper wing of the trimotor and ripping into the starboard engine. Flames erupted inside the nacelle behind the engine, but its cylinders still beat strongly. He twisted the old plane in the opposite direction, waiting with infinite patience for the right moment to go on the attack.

Suddenly a storm of bullets swept the cockpit, smashing into the instrument panel. The mad pilot was anticipating Pitt's every move. The man was cunning, but it was Pitt's turn as the red Fokker flashed over the shattered windshield and roared ahead.

Pitt shoved all three throttles to their stops. With two engines, his speed matched that of the Fokker, but with his center engine throwing out clouds of smoke and oil but running on all cylinders, the trimotor leaped forward like a thoroughbred out of the chute.

His face streaking blood from windshield glass that had been hurled into his cheeks and forehead, splattered with oil and barely able to see through the smoke, Pitt shouted out in glorious defiance.

"Curse you, Red Baron!"

Too late, the leather-helmeted head in the red cockpit spun around and saw the silver trimotor boring through the air within twenty feet. He hurled the Fokker into a violent bank, flipping it on its wingtips. It was the wrong move. Pitt had outguessed him. If he'd pulled up in a steep climb, the trimotor would have been helpless to follow, not with the damaged elevators. But on a ninety-degree angle with its three starboard wings rising toward the sky, the red Fokker was vulnerable. One of the trimotor's big landing wheels smashed through the wood and fabric, shattering and splintering the upper wing into shreds.

Pitt only had time for one brief glimpse of the pilot as the Fokker catapulted crazily in an out-of-control spin. In a show of unabashed audacity, he shook his fist at Pitt. Then Pitt lost sight of the red plane as it spun and crashed into the trees around the Shakespearean Gardens. The wooden propeller splintered into a hundred pieces as it struck the trunk of a large elm. The fuselage and wings crumpled like a boy's model airplane made from balsa wood, tissue paper and glue. Within minutes, the wreckage was surrounded by police cars, their red-and-blue lights flashing like colored lightning strikes.

With fortitude he didn't believe possible, Kelly was still leading the children in song as the battered aircraft struggled to stay aloft:

This old man, he played ten.

He played knick knack on my hen.

Pitt shut down the center and the starboard engines before they turned the trimotor into a torch. Like a badly wounded warhorse that never faltered in charging forward, the old bird fought to claw the air. Streaming smoke and flame, her one good engine racing at full rpm, Pitt made a flat circle and aimed the plane toward the largest open space in sight, a large grassy area known as the Sheep Meadow.

Hordes of people, who were picnicking or lying in the sun tanning, suddenly began scattering like ants when they saw the bullet-riddled aircraft losing altitude and coming their way. They didn't need an illustration to realize the plane might crash and burn in their midst. Leaning out the side window to avoid the smoke flooding the cockpit, Pitt squinted at the green field and lined up for a landing. Under normal circumstances, he knew he could land her on a quarter and give a dime for change, but with almost no control, all bets were off. He eased back on the throttle and slowly dropped her toward the grass.

Two thousand people stood in shocked silence, many praying the badly damaged plane engulfed by smoke and flame could somehow land safely without exploding on impact. Breaths were held, fingers crossed. They gazed fascinated and listened to the howling roar of the one engine running at full rpm. They stared and stared, numb with anticipation, fear and disbelief, as it brushed through the tops of the trees on the edge of the meadow. Years later, none who witnessed the incredible sight could describe it accurately. Their memory became hazy trying to recall the sight of the ancient aircraft lumbering toward the grassy field.

In the main cabin, the children were singing the final chorus:

This old man came rolling home.

The plane wavered as Pitt sideslipped it. Then it seemed to hang for a moment before the big wheels met the grass, bounced twice and then the plane was down, the tail wheel dropping to the ground. To everybody's amazement, the trimotor rolled to a stop in less than fifty yards. None who watched believed it possible.

Seeing the crowd pour toward the airplane, Pitt cut the remaining engine, watching its propeller come to a stop, the blade stopping in a vertical position. He turned to Mary and started to say something, to compliment her on her intrepid assistance. But he remained silent when he saw her face, drained of all color. He reached out and put his fingers against her neck, feeling for a pulse. Then his hand dropped and clenched.

Kelly leaned breathlessly into the cockpit. "You did it!" she burst out happily.

"The children?" Pitt asked in a distant voice.

"All unharmed."

Then she saw the back of Mary's copilot seat, the almost perfectly spaced pattern of small holes, punched by the Spandaus of the Fokker. Kelly stood absolutely still in shock as Pitt solemnly shook his head. At first, she refused to believe Mary was gone, her friend of many years dead, but she looked down and saw the expanding pool of blood on the cockpit floor and realized the awful truth.

Deep sorrow brushed her face, matched by the confusion in her eyes. "Why?" she murmured vacantly. "Why did this have to happen? There was no reason for Mary to die."

People came from all over the nearby streets and park to look at the peppered old aircraft and marvel. Thousands were shouting and waving at the cockpit. But to Pitt it was as if they were not visible and they could not be heard. He felt surrounded, not by the people, but by the futility of it all. He looked at Kelly, and he said, "She wasn't the only one killed by the man who flew that plane. There were many others who needlessly lost their lives."