A Million Suns (Across the Universe 2)

29. Thomas Collins

30. Ximena Roge

33. Alastair Potter

34. Aigus Wu

38. Jeremy Doyle

39. Mariella Davis

41. Robert Martin

46. Grace Spivey

48. Dylan Farley

52. Iñes Gomez

58. Aislinn Keenan

63. Emma Bledsoe

67. Jagdish Iyer

69. Yuko Saitou

72. Huang Sun

78. Chibueze Kopano

81. Mary Douglass

94. Naoko Suzuki

99. Juliana Robertson

100. William Robertson

29

ELDER

AFTER REMINDING DOC TO STOP BY LIL’S HOME BEFORE taking Stevy’s body away, I help the Shippers inspect the City streets. Faces peer through windows as I pass. Sometimes I catch a meek glance marred by worry and fear, but more often the people glare down at me. They may have obeyed my curfew, but their eyes are defiant, angry.

My stomach roars—my last real meal was yesterday—and I only stop to eat when Marae insists. The streets are empty, but we don’t leave until the solar lamp clicks off. As I ride the grav tube up to the Shipper Level, I can’t help but notice that nearly every light is on in the City. I’m pretty sure I can guess what they’re staying awake to talk about.

Most of the Shippers remain in the City—they make their homes here, after all, only coming to the Shipper Level to work—but Marae follows me up the grav tube. As our footsteps ring out across the metal floor, I realize that tonight, after Marae leaves the Shipper Level and I return to the Keeper Level, I’ll be even more separated from the rest of the ship—two empty levels, all for me.

We make our way toward the whirr-churn-whirr of the engine. It’s dark inside the Engine Room, but the engine still casts a shadow. It smells of burnt grease, but it seems smaller in my eyes, now that I know it’s not moving the ship. Marae doesn’t look at it at all as she crosses the floor and goes straight to a thick, heavy door with a seal lock.

The Bridge.

I remember Eldest’s words for me before I started training—the Bridge is for the Shippers. I take care of the people, not the ship.

Marae opens the door and waits for me to enter first. An arched metal roof curves over the Bridge. The room is a pointed oval, drawing me to the front of it. There are two rows of desks with monitors protruding from them. A giant V-shaped control panel is built into the front of the room.

I sit down at the control panel and try to imagine what it would be like to steer this massive ship down to the new Earth.