Shanghai Girls (Shanghai Girls 1)

The first thing that strikes me is just how poor, dirty, and shabby everything is. A couch covered in stained mauve material leans glumly against a wall. A table with six wooden chairs of no particular design or craftsmanship takes up space in the center of the room. Next to the table, not even tucked into a corner, sits a spittoon. A quick glance shows that it hasn’t been emptied recently. No photographs, paintings, or calendars hang on the walls. The windows are filthy and without coverings. From where I stand just inside the front door I can see into the kitchen, which is little more than a counter with some appliances on it and a niche for the worship of the Louie family ancestors.

A short, round woman with her hair pinned into a small bun at the back of her neck rushes to us, squealing in Sze Yup. “Welcome! Welcome! You’re here!” Then she calls over her shoulder. “They’re here! They’re here!” She flicks her wrist at Sam. “Go get the old man and my boy.” As Sam slumps through the main room and down a hall, she turns her attention back to us. “Let me have the baby! Oh, let me see! Let me see! I’m your yen-yen,” she trills to Joy, using the Sze Yup diminutive for grandmother. Then to May and me, she adds, “You can call me Yen-yen too.”

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Our mother-in-law is older than I expected, given that Vernon is just fourteen. She looks like she’s in her late fifties—ancient compared with Mama, who was thirty-eight when she died.

“I am the one who will see the child” comes a stern voice, also speaking in Sze Yup. “Give it here.”

Old Man Louie, dressed in a long mandarin robe, enters the room with Vern, who hasn’t grown much since we last saw him. Again, May and I expect questions about where we’ve been and why it took so long to get here, but the old man has no interest in us whatsoever. I hand Joy to him. He sets her on a table and roughly undresses her. She begins to cry—alarmed by his bony fingers, her grandmother’s exclamations, the hardness of the table against her back, and the sudden shock of being naked.

When Old Man Louie sees she’s a girl, his hands draw back. Distaste wrinkles his features. “You didn’t write that the child is a girl. You should have done that. We wouldn’t have prepared a banquet if we’d known.”

“Of course she needs a one-month party,” my mother-in-law chirps. “Every baby—even a girl—needs a one-month party. Anyway, no going back now. Everyone is coming.”

“You’ve planned something already?” May asks.

“Now!” Yen-yen rings out. “You took longer to get here from the harbor than we thought. Everyone is waiting at the restaurant.”

“Now?” May echoes.

“Now!”

“Shouldn’t we change?” May asks.

Old Man Louie scowls. “No time for that. You don’t need anything. You’re not so special now. No need to try to sell yourselves here.”

If I were braver, I’d ask why he’s so deliberately rude and mean, but we haven’t even been in his home ten minutes.

“She will need a name,” Old Man Louie says, nodding to the baby.

“Her name is Joy,” I say.

He snorts. “No good. Chao-di or Pan-di is better.”

The redness of anger creeps up my neck. This is exactly what the women on Angel Island warned us about. I feel Sam’s hand on the small of my back, but his gesture of comfort sends a ripple of anxiety along my spine and I step away from his touch.

Sensing something’s wrong, May asks in our Wu dialect, “What’s he saying?”

“He wants to name Joy Ask-for-a-Brother or Hope-for-a-Brother.”

May’s eyes narrow.

“You will not speak a secret language in my home,” Old Man Louie declares. “I need to understand everything you say.”

“May doesn’t know Sze Yup,” I explain, but inside I reel from what he’s proposing for Joy, whose cries are shrill in the disapproving silence around her.

“Only Sze Yup,” he says, emphasizing his point by sharply rapping the table. “If I hear the two of you speak another language—even English—then you’ll put a nickel in a jar for me. Understand?”

He isn’t a tall or heavily built man, but he stands with his feet planted as if daring any of us to defy him. But May and I are new here, Yen-yen has edged to a wall seemingly trying to make herself invisible, Sam has barely said a word since we got off the boat, and Vernon stands to the side, nervously shifting his weight from one foot to the other.

“Get Pan-di dressed,” Old Man Louie orders. “The two of you brush your hair. And I want you to wear these.” He reaches into one of the deep pockets of his mandarin robe and brings out four gold wedding bracelets.

He grabs my hand and locks a solid gold, three-inch-wide bracelet on my wrist. Then he attaches one to the other wrist, roughly pushing my mother’s jade bracelet up my arm and out of his way. While he locks May’s bracelets in place, I look at mine. They’re beautiful, traditional, and very expensive wedding bracelets. Here at last is material evidence of the wealth I expected. If May and I can find a pawnshop, then we can use the money …

“Don’t just stand there,” Old Man Louie snaps. “Do something to make that girl stop crying. It’s time to go.” He looks at us in disgust. “Let’s get this over with.”

WITHIN FIFTEEN MINUTES we’ve gone around the corner, crossed Los Angeles Street, climbed some stairs, and entered Soochow Restaurant for a combination wedding banquet and one-month party. Platters of hard-boiled eggs dyed red to represent fertility and happiness are set on a table just inside the entrance. Wedding couplets hang on the walls. Thin slices of sweet pickled ginger to symbolize the continued warming of my yin after the strain of birth are set on each table. The banquet, while not as lavish as I imagined in my romantic days in Z.G.’s studio, is still the best meal we’ve seen in months—a cold platter with jellyfish, soy-sauce chicken, and sliced kidneys, bird’s nest soup, a whole steamed fish, Peking duck, noodles, shrimp and walnuts—but May and I don’t get to eat.