Palimpsest

“This is not, of course, your present,” says Casimira casually

November hushes the manikin, strokes its buzzing forelock gently. “Oh… I thought—”

“Yes, well, being a queen may sound nice, but it is not much of a present in the end. You must earn that.” Casimira gestures at the mewling bee-manikin. “Thrust your fist into his heart, and you will find it. They brought it for you, from their comb. The manikin will fall to pieces and, without its heart, will never rise again. But you will have your present.”

November looks at the prone bee-golem. It smiles at her, full of black, thrumming trust. She feels the tiny fur of the bee-bodies under her fingers.

“I don't want to hurt him,” she protests.

“This is Palimpsest, November. This is the real world. Nothing comes without pain and death.” Casimira kneels by Novembers side and kisses her, her mouth soft and open, but tongueless, half-chaste. “I chose you,” she whispers. “The difference between myself and my bees is very small, in the end. I chose you because they chose you. They love you because I love you. If you want to stay with me, and drink from the ocean, and rule over the bees, you must do as I say, and be a good girl. It's not a sin to cause death if by doing it”-Casimira swallows hard-”if by doing it you make something new.”

November shakes her head-she doesn't know what Casimira is talking about, but it doesn't matter. If she wants to stay. If she wants to stay. If she wants to circumnavigate Fairyland. It's not so hard. She just has to kill a few thousand bees. Bees who danced with her, and protected her, and walked down avenues with her like a gentleman suitor. That's all. And then she can stay, in a place so big she can never outgrow it. She can stay.

November closes her eyes and puts her palm to the manikin's chest. It begins to cry, an awful, humming, droning, broken sound. November's eyes flood in sympathy, and she turns her head away as her palm curls into a fist and punches through the thin bee-sternum, ignoring the crushed wings and thoraxes, the scream of agony from the manikin's gaping mouth, searching, grappling in the mass of bees-and she finds it, wet and slimy and hard, the heart of the bees.

November pulls it out, her hand stung and swollen, a tiny golden thing, like an egg, covered in jelly She scoops the jelly off into her palm and swallows it-it tastes like honey, nothing more. Perhaps there is an undertaste of motor grease, of metal, but it is fleeting. It does not taste like red lilies, or heather. There is no patina of the heart with which November has always layered her own honeys. It is pure, an essence, distilled past tasting of anything but itself It is the emptiest thing she has ever tasted.

The manikin, in its last motion, clutches her head with a desperate, outflung arm, dragging her face down toward it, embracing her, clamping its mouth over hers in a husband's kiss. Suddenly November knows what is coming, and yet cannot steel herself, cannot be prepared for it. Their stingers pierce her in a thousand places, everywhere they can reach her. She is penetrated by all of them, their venom in her sweet and sour and sharp and secret. She is rigid with it, and they are dying all around her, their one great sting spent and finished, falling from the body of the manikin as others fly

to join it, and she pulls away before the hive can obliterate itself in its frenetic, desperate desire for her.

She falls, of course she falls. She is only a woman, and her flesh runs with poison and honey, it spills from her pores like golden sweat. She shudders and seizes on the floor of the great honeycomb, her back arching and spasming, her legs jackknifing beneath her. The egg clatters out of her hand. She is so full, and the venom pours from her mouth, the honey and the blood.

Casimira watches, without expression.

Far away, two men fall, spasming, to the floor of a boat and a church, and a woman falls to the floor of a train car. Their mouths fill with honey, and their vision goes white, and black, and white again.

“Wake up, November,” the boy says. “Wake up.” November slits her eyes open, as cats will do, unwilling to commit fully to waking. The boy smiles at her very perfectly, an expression of pristine technical accuracy, as though he had practiced the smile in a round mirror for twelve years. “I have kept a room for you,” the house says, and blushes perhaps more deeply than it is correct for boys to blush.

She opens her eyes fully and in the boys hands is a golden egg, shiny as a beetles back. It is carved over with long streets that intersect each other at wild angles, cut deep into the metal of it. The boy can hardly contain himself, it is as though the present is for him. She fits her fingernails into an equatorial street, and with no strength in her, flicks at it until it creaks open, sticky with jelly

Inside is nothing more than a scrap of paper, finely cut, thick as a violet-leaf On it is written in a flowing hand which can only be Casimiras:

November thinks of a girl with blue hair, a man with stained fingernails, a man with keys jangling his belt. She does not know if the images come from her or the bees. She cannot tell the difference, anymore. Her mind leapfrogs over itself, seeking logic, seeking a reason.

The bees flow out from November, propelled by her will, and their buzzing in the dark streets sounds like names, whispered over and over.

TWO

YES

Things that are unsightly: birthmarks, infidelity, strangers in one's kitchen. Too much sunlight. Stitches. Missing teeth. Overlong guests.

Her name was Clara. November stayed in her apartment for four days. They made love again on the fifth, a small and cheerless farewell. After everything, it wouldn't really be fair to call it anything more. Clara had kept her eyes shut when November kissed her, fiercely shut, her lids wrinkling with the effort.

November was too much for most of them, she understood. Too much now, with her ruined face and her severed fingers. No one else was mutilated like that. It had never cost any of them so much. She was hard to look at. I can't even look at you, Clara had said, after they had gotten the blood out of her hair. November thought it better to leave when the sky was still a cutting blue, and Clara lightly snoring. She did not have to see again the disappointed, pitying look on that pleasant face. She ran from the house with her hooded coat drawn up around her face like a leper.

But Clara had been kind, and possessed a strange and tiny tea service of solid blue agate, brought home from Iran by a lover of hers. A lover from before. Clara poured blueberry tea into the palm-sized cups and rubbed vitamin E oil into November's fingers, though that did not seem to be strictly necessary. She made chicken sandwiches and brought oranges from the winter market. After the second day she managed to stop looking at November's mauled hand while they drank and ate and spoke softly as if the apartment might overhear them.

“Clara, do you know who Casimira is?” November had whispered on the third day, over that blueberry tea and frosted gingerbread. She was in a fever, her mind slamming pistons into place, full of Casimira, full of the house. She had hardly remembered to make her list that morning, she was so prickled with high blood and the ghostly soprano in her ear. “Have you heard her name, you know, There?” November disliked how she had begun to capitalize the indistinct “there” in her mind, but the name of that secret city remained a thin knife in her mouth.

Clara tapped her cup with sparkling fingernails and averted her eyes. She hated to talk about it, November had learned. Wordless communion was Clara's way. She preferred unspoken understandings and the meeting of knowing eyes across vast spaces.

“She's the one with the bugs, right?” Clara clicked a tongue piercing against her front teeth nervously.

“Yes.”

“I don't know, I've heard the name. I've never met her, if that's what you mean. Nobody likes her. I think she had something to do with the war everyone's always going on about.”