The Vampire Lestat (The Vampire Chronicles 2)

An uneasy silence fell among them. They didn't believe his account of things, how I'd vanished from the garret, and telling it again would only isolate him and embitter him further. I could sense this from all their thoughts.

"You didn't really know Lestat," he said now, almost in a surly fashion, returning to the manageable conversation that other mortals would allow him. "Lestat would spit in the face of anyone who would be ashamed of us! He sends me money. What am I supposed to do with it? He plays games with us!"

No answer from the others, the solid, practical beings who would not speak against the mysterious benefactor. Things were going too well.

And in the lengthening silence, I felt the depth of Nicki's anguish, I knew it as if I were peering into his skull. And I couldn't bear it.

I couldn't bear delving into his soul without his knowing it. Yet I couldn't stop myself from sensing a vast secret terrain inside him, grimmer perhaps than I had ever dreamed, and his words came back to me that the darkness in him was like the darkness I'd seen at the inn, and that he tried to conceal it from me.

I could almost see it, this terrain. And in a real way it was beyond his mind, as if his mind were merely a portal to a chaos stretching out from the borders of all we know.

Too frightening that. I didn't want to see it. I didn't want to feel what he felt!

But what could I do for him? That was the important thing. What could I do to stop this torment once and for all?

Yet I wanted so to touch him -- his hands, his arms, his face. I wanted to feel his flesh with these new immortal fingers. And I found myself whispering the word "Alive. " Yes, you are alive and that means you can die. And everything I see when I look at you is utterly insubstantial. It is a commingling of tiny movements and indefinable colors as if you haven't a body at all, but are a collection of heat and light. You are light itself, and what am I now?

Eternal as I am, I curl like a cinder in that blaze.

But the atmosphere of the room had changed. Luchina and Jeannette were taking their leave with polite words. He was ignoring them. He had turned to the window, and he was rising as if he'd been called by a secret voice. The look on his face was indescribable.

He knew I was there!

Instantly, I shot up the slippery wall to the roof.

But I could still hear him below. I looked down and I saw his naked hands on the window ledge. And through the silence I heard his panic. He'd sensed that I was there! My presence, mind you, that is what he sensed, just as I sensed the presence in the graveyards, but how, he argued with himself, could Lestat have been here?

I was too shocked to do anything. I clung to the roof gutter, and I could feel the departure of the others, feel that he was now alone. And all I could think was, What in the name of hell is this presence that he felt?

I mean I wasn't Lestat anymore, I was this demon, this powerful and greedy vampire, and yet he felt my presence, the presence of Lestat, the young man he knew!

It was a very different thing from a mortal seeing my face and blurting out my name in confusion. He had recognized in my monster self something that he knew and loved.

I stopped listening to him. I merely lay on the roof.

But I knew he was moving below. I knew it when he lifted the violin from its place on the pianoforte, and I knew he was again at the window.

And I put my hands over my ears.

Still the sound came. It came rising out of the instrument and cleaving the night as if it were some shining element, other than air and light and matter, that might climb to the very stars.

He bore down on the strings, and I could almost see him against my eyelids, swaying back and forth, his head bowed against the violin as if he meant to pass into the music, and then all sense of him vanished and there was only the sound.

The long vibrant notes, and the chilling glissandos, and the violin singing in its own tongue to make every other form of speech seem false. Yet as the song deepened, it became the very essence of despair as if its beauty were a horrid coincidence, grotesquery without a particle of truth.

Was this what he believed, what he had always believed when I talked on and on about goodness? Was he making the violin say it? Was he deliberately creating those long, pure liquid notes to say that beauty meant nothing because it came from the despair inside him, and it had nothing to do with the despair finally, because the despair wasn't beautiful, and beauty then was a horrid irony?

I didn't know the answer. But the sound went beyond him as it always had. It grew bigger than the despair. It fell effortlessly into a slow melody, like water seeking its own downward mountain path. It grew richer and darker still and there seemed something undisciplined and chastening in it, and heartbreaking and vast. I lay on my back on the roof now with my eyes on the stars.

Pinpoints of light mortals could not have seen. Phantom clouds. And the raw, piercing sound of the violin coming slowly with exquisite tension to a close.

I didn't move.

I was in some silent understanding of the langu

age the violin spoke to me. Nicki, if we could talk again . . . If "our conversation" could only continue.

Beauty wasn't the treachery he imagined it to be, rather it was an uncharted land where one could make a thousand fatal errors, a wild and indifferent paradise without signposts of evil or good.