The Vampire Lestat (The Vampire Chronicles 2)

I ran out of the garden gate and into the alleyway. I ran under tiny archways and through strange streets. I battered down gates and doorways, and hurled mortals out of my path. I bore through the very walls in front of me, the dust of the plaster rising to choke me, and shot out again into the packed mud alley and the stinking air. And the light came after me like something chasing me on foot.

And when I found a burnt-out house with its lattices in ruins, I broke into it and went down into the garden soil, digging deeper and deeper and deeper until I could not move my arms or my hands any longer.

I was hanging in coolness and in darkness.

I was safe.

Chapter 6

6

I was dying. Or so I thought. I couldn't count how many nights had passed. I had to rise and go to Alexandria. I had to get across the sea. But this meant moving, turning over in the earth, giving in to the thirst.

I wouldn't give in.

The thirst came. The thirst went. It was the rack and the fire, and my brain thirsted as my heart thirsted, and my heart grew bigger and bigger, and louder and louder, and still I wouldn't give in.

Maybe mortals above could hear my heart. I saw them now and then, spurts of flame against the darkness, heard their voices, babble of foreign tongue. But more often I saw only the darkness. Heard only the darkness.

I was finally just the thirst lying in the earth, with red sleep and red dreams, and the slow knowledge that I was now too weak to push up through the soft sandy clods, too weak, conceivably, to turn the wheel again.

That's right. I couldn't rise if I wanted to. I couldn't move at all. I breathed. I went on. But not the way that mortals breathe. My heart sounded in my ears.

Yet I didn't die. I just wasted. Like those tortured beings in the walls under les Innocents, deserted metaphors of the misery that is everywhere unseen, unrecorded, unacknowledged, unused.

My hands were claws, and my flesh was shrunk to the bones, and my eyes bulged from the sockets. Interesting that we can go on like this forever, that even when we don't drink, don't surrender to the luscious and fatal pleasure, we go on. Interesting that is, if each beat of the heart wasn't such agony.

And if I could stop thinking: Nicolas de Lenfent is gone. My brothers are gone. Pale taste of wine, sound of applause. "But don't you think it's good what we do when we are there, that we make people happy?"

"Good? What are you talking about? Good?"

"That it's good, that it does some good, that there is good in it! Dear God, even if there is no meaning in this world, surely there can still be goodness. It's good to eat, to drink, to laugh . . . to be together. . . "

Laughter. That insane music. That din, that dissonance, that never ending shrill articulation of the meaninglessness . . .

Am I awake? Am I asleep? I am sure of one thing. I am a monster. And because I lie in torment in the earth, certain human beings move on through the narrow pass of life unmolested.

Gabrielle may be in the jungles of Africa now.

Sometime or other mortals came into the burnt-out house above, thieves hiding. Too much babble of foreign tongue. But all I had to do was sink deeper inside myself, withdraw even from the cool sand around me not to hear them.

Am I really trapped?

Stink of blood above.

Maybe they are the last hope, these two camping in the neglected garden, that the blood will draw me upwards, that it will make me turn over and stretch out these hideous -- they must be-claws.

I will frighten them to death before I even drink. Shameful. I was always such a beautiful little devil, as the expression goes. Not now.

Now and then, it seems, Nicki and I are engaged in our best conversations. "I am beyond all pain and sin," he says to me. "But do you feel anything?" I ask. "Is that what it means to be free of this, that you no longer feel?" Not misery, not thirst, not ecstasy? It is interesting to me in these moments that our concept of heaven is one of ecstasy. The joys of heaven. That our concept of hell is pain. The fires of hell. So we don't think it very good not to feel anything, do we?

Can you give it up, Lestat? Or isn't it true that you'd rather fight the thirst with this hellish torment than die and feel nothing? At least you have the desire for blood, hot and delicious and filling every particle of you-blood.

How long are these mortals going to be here, above in my ruined garden? One night, two nights? I left the violin in the house where I lived. I have to get it, give it to some young mortal musicians, someone who will. . .

Blessed silence. Except for the playing of the violin. And Nicki's white fingers stabbing at the strings, and the bow streaking in the light, and the faces of the immortal marionettes, half entranced, half amused. One hundred years ago, the people of Paris would have got him. He wouldn't have had to bum himself. Got me too maybe. But I doubt it.

No, there never would have been any witches' place for me.