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Merrick (The Vampire Chronicles 7)

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He looked rather splendid in his sorrow. Again he made me think of the paintings of Andrea del Sarto. There was something lush in his beauty, for all the sharp and clear welldrawn lines of his eyes and mouth.

"I don't expect my faith to make a particle of difference to you," I said. "But I want to emphasize these feelings, because this Voodoo, this matter of spirits, is indeed a dangerous thing. "

He was perturbed but hardly frightened, perhaps not even cautious. I wanted to say more. I wanted to tell him of my experiences in Brazil, but it wasn't the time or place.

"But David, on the matter of ghosts," he said finally, again maintaining a respectful tone, "surely there are all kinds of ghosts. "

"Yes, I think I know what you mean," I responded.

"Well, this Great Nananne, if indeed she appeared of her own volition, from where precisely did she come?"

"We can't expect to know that, Louis, about any ghost. "

"Well surely some ghosts are manifestations of earthbound spirits, don't students of the occult maintain this truth?"

"They do. "

"If these ghosts are the spirits of the dead who are earthbound, how can we say they are purely magical? Aren't they still within the atmosphere? Aren't they struggling to reach the living? Aren't they divorced from God? How else can one interpret Claudia's haunting of Jesse? If it was Claudia, then Claudia has not gone on into a purely spiritual realm. Claudia is not a partaker of the laws beyond us. Claudia is not at peace. "

"Ah, I see," I answered. "So that is why you want to attempt the ritual. " I felt foolish for not having seen it all along. "You believe that Claudia's suffering. "

"I think it's entirely possible," he said, "if Claudia did appear to Jesse as Jesse seemed to think. " He looked miserable. "And frankly, I hope that we can't rouse Claudia's spirit. I hope that Merrick's power doesn't work. I hope that if Claudia had an immortal soul, that soul has gone to God. I hope for things in which I can't believe. "

"So this is why the story of Claudia's ghost has so tormented you. You don't want to speak to her. You want to know that she's at peace. "

"Yes, I want to do this thing because she may be a restless and tormented spirit. I can't know from the stories of others. I myself have never been haunted, David. As I've told you, I have never heard this harpsichord music, nor the singing of caged birds here. I have never witnessed anything to indicate that Claudia exists anywhere in any form any longer at all. I want to try to reach Claudia so that I will know. "

This confession had cost him dearly, and he sat back again and looked away, perhaps into some private corner of his soul.

Finally, his eyes still fixed on some invisible spot in the shadows, he spoke:

"If only I had seen her, I could make some assessment, no matter how poor that assessment might be. I tell myself no vagrant spirit could ever fool me into believing it was Claudia, but I've never seen a vagrant spirit, either. I have never seen anything like it. I have only Jesse's story of what happened, which Jesse herself sought to soften on account of my feelings, and of course Lestat's ramblings, that he was sure Claudia came to him, that past experiences quite literally engulfed him when he was suffering his adventures with the Body Thief. "

"Yes, I've heard him talk of it. "

"But with Lestat, one never knows . . . " he said. "Lestat may have been characterizing his conscience in those stories. I don't know. What I do know is that I want desperately for Merrick Mayfair to try to raise Claudia's spirit, and I'm prepared for whatever might come. "

"You think you're prepared," I said hastily, perhaps unfairly.

"Oh, I know. The spell tonight has shaken you. "

"You can't imagine," I said.

"Very well, I admit it. I can't imagine. But tell me this. You speak of a realm beyond the earth and that Merrick is magical when she reaches for it. But why does it involve blood? Surely her spells will involve blood. " He went on, a little angrily. "Voodoo almost always involves blood," he averred. "You speak of the Holy Sacrifice of the Mass as magical, and I understand you, because if the Bread and Wine are transformed into the Holy Sacrifice of the Crucifixion, it is magical, but why does it involve blood? We are earthly beings, yes, but a small component of us is magical, and why does that component demand blood?"

He became quite heated as he finished, his eyes fixing on me severely almost, though I knew his emotions had little to do with me.

"What I'm saying is, we might compare rituals the world over in all religions and all systems of magic, forever, but they always involve blood. Why? Of course I know that human beings can not live without blood; I know that 'the blood is the life,' saith Dracula; I know that humankind speaks in cries and whispers of blooddrenched altars, of bloodshed and blood kin, and blood will have blood, and those of the finest blood. But why? What is the quintessential connection that binds all such wisdom or superstition? And above all, why does God want blood?"

I was taken aback. Surely I wasn't going to hazard a hasty answer. And I didn't have one, besides. His question went too deep. Blood was essential to Candomble. It was essential to real Voodoo as well.

He went on:

"I don't speak of your God in particular," he said kindly, "but the God of the Holy Sacrifice of the Mass has demanded blood, and indeed the Crucifixion has come down to us as one of the most renowned blood sacrifices of all time. But what of all the other gods, the gods of old Rome for whom blood had to be shed in the arena as well as on the altar, or the gods of the Aztecs who were still demanding bloody murder as the price of running the universe when the Spanish arrived on their shores?"

"Maybe we're asking the wrong question," I said finally. "Maybe blood does not matter to the gods. Maybe blood matters to us. Maybe we've made it the vehicle of Divine transmission. Maybe that's something which the world can move beyond. "

"Hmmm, it's not a mere anachronism," he said. "It's a genuine mystery. Why should the natives of ancient South America have but one word in their language for both flowers and blood?"



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