Merrick (The Vampire Chronicles 7) - Page 59

"Why? So you'd worry about it all the way across the Atlantic? I knew you were coming. I know you're the only one who can reason with her when she's in this state. "

"Whatever in the world makes you think so?" I argued. But it was true. Sometimes I could talk Merrick into ending her binges. But not always.

Whatever the case, I bathed, changed clothes, as the early winter weather was unseasonably warm, and set out in a drowsy evening shower, with the car and driver, for Merrick's house.

It was dark when I got there, but even so, I could see that the neighborhood had deteriorated beyond my wildest speculation. It seemed as if a war had been lost in the district, and the survivors had no choice but to live among hopeless wooden ruins tumbling down into the eternal giant weeds. Here and there was a wellkept shotgun house with a bright coat of paint and some gingerbread trim beneath its roof. But dim lights shone through heavily barred windows. Abandoned cottages were being dismantled by the rampant greenery. The area was derelict and obviously dangerous as well.

It seemed to me that I could sense people prowling about in the darkness. I detested the feeling of fear which had been so uncommon in me in my youth. Old age had taught me to respect danger. As I said, I hated it. I remember hating the thought that I wouldn't ever be able to accompany Merrick on this insane journey to the Central American jungles, and I'd be humiliated as the result.

At last the car stopped at Merrick's house.

The lovely old raised cottage, painted a fresh shade of tropical pink with white trim, appeared rather wonderful behind the high iron picket fence. The new brick walls were thick and very high as they embraced the property on either side. A bank of densely flowering oleander behind the iron pickets shielded the house somewhat from the squalor of the street.

I As the caretaker greeted me, and brought me up the front steps, I saw that Merrick's long windows were well barred also, in spite of their white lace curtains and shades, and that lights were on throughout the house.

The porch was clean; the old square pillars were solid; the leaded glass sparkled within the twin windows of the polished double doors. A wave of remembrance passed over me, nevertheless.

"She won't answer the bell, Sir," said the caretaker, a man I scarcely noticed in my haste. "But the door's unlocked for you. I took her some supper at five o'clock. "

"She asked for her supper?" I inquired.

"No, Sir, she never said anything. But she ate the food. I picked up the dishes at six. "

I opened the door and found myself in the comfortable aircooled front hall. I saw at once that the old parlor and dining room to my right had been splendidly refurnished with rather bright Chinese carpets. A modem sheen covered the old furniture. The old mirrors above the white marble mantels were as dark as they had ever been.

To my left lay the front bedroom; Great Nananne's bed was dressed with an ivory white canopy and a counterpane of heavy crocheted lace.

In a polished wooden rocking chair before the bed, facing the front windows, sat Merrick, a wobbling light easily illuminating her thoughtful face.

There was a bottle of Flor de Ca?a rum on the little candlestand table beside her.

She lifted the glass to her lips, drank from it, and then sat back, continuing to stare off as if she didn't know that I was there.

I stopped at the threshold.

"Darling," I said, "aren't you going to offer me a drink?"

Without so much as turning her head, she smiled.

"You never liked straight rum, David," she said softly. "You're a Scotch man like my old stepfather, Matthew. It's in the dining room. How about some Highland Macallan? Twentyfive years old. That good enough for my beloved Superior General?"

"I should say so, gracious lady," 1 replied. "But never mind that just now. May I step into your boudoir?"

She uttered a small pretty laugh. "Sure, David," she said, "come on in. "

I was startled as soon as I looked to my left. A large marble altar had been erected between the two front windows, and I saw there the old multitude of sizable plaster saints. The Virgin Mary wore her crown and the vestments of Mount Carmel, holding the radiant Baby Jesus beneath her innocent smile.

Some elements had been added. I realized they were the Three Magi of Christian scripture and lore. The altar was no Christmas cr¨¨che, you understand. The Magi or Wise Men had merely been included in a large panoply of sacred figures, more or less on their own terms.

I spied several of the mysterious jade idols among the saints, including one very mean little idol which held its scepter quite ready for duty or attack.

Two other rather vicious little characters flanked the large statue of St. Peter. And there before them lay the green jade hummingbird perforator, or knife, one of the most beautiful artifacts in Merrick's large cache.

The gorgeous axe of obsidian which I had seen years ago was given a place of prominence between the Virgin Mary and the Arc Angel Michael. It had a lovely luster in the dim light.

But perhaps the most surprising contents of the altar were the daguerreotypes and old photographs of Merrick's people, ranged thickly as any display upon a parlor piano, the multitude of faces lost in the gloom.

A double row of candles burned before the entire array, and there were fresh flowers aplenty, in numerous vases. Everything appeared dusted and quite clean. That is, until I realized that the shriveled hand had its place among the offerings. It stood out against the white marble, curled and hideous, very much as it had seemed when I first saw it long ago.

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