Blood And Gold (The Vampire Chronicles 8)

And then finally I roused myself and went down into Italy, afraid for the fate of all the world. I had to see the land I loved with my own eyes. I had to go back.

The city that drew me was one I had not known before in my life. It was a new city, in that it had not existed in the ancient time of the Caesars, and was now a great port. In fact, it was very likely the greatest city of all Europe. Venice was the name of it, and the Black Death had come to it by way of the ships in its harbor, and thousands were desperately sick.

Never had I visited it before. It would have been too painful, and now as I came into Venice, I found it a city of gorgeous palaces built upon dark green canals. But the Black Death had a hold of the populace who were dying in huge numbers daily, and ferries were taking the bodies out to be buried deeply in the soil of the islands in the city's immense lagoon.

Everywhere there was weeping and desolation. People gathered together to die in sickrooms, faces covered in sweat, bodies tormented by incurable swellings. The stench of the dead rose everywhere. Some were trying to flee the city and its infestation. Others remained with their suffering loved ones.

Never had I seen such a plague. And yet it was amid a city of such remarkable splendor, I found myself numb with sorrow and tantalized by the beauty of the palaces, and by the wonder of the Church of San Marco which bore exquisite testament to the city's ties with Byzantium to which it sent its many merchant ships.

I could do nothing but weep in such a place. It was no time for peering by torchlight at paintings or statues that were wholly new to me. I had to depart, out of respect for the dying, no matter what I was.

And so I made my way South to another city which I had not known in my mortal life, the city of Florence in the heart of Tuscany, a beautiful and fertile land.

Understand, I was avoiding Rome at this point. I could not bear to see my home, once more in ruin and misery. I could not see Rome visited by this plague.

So Florence was my choice, as I have said¡ªa city new to me, and prosperous, though not as rich as Venice perhaps, and not as beautiful, though full of huge palaces and paved streets.

And what did I find, but the same dreadful pestilence. Vicious bullies demanded payment to remove the bodies, often beating the dying or those who tried to tend them. Six to eight corpses lay at the doors of various houses. The priests came and went by torchlight, trying to give the Last Rites. And everywhere the same stench as in Venice, the stench that says all is coming to an end.

Weary and miserable, I made my way into a church, somewhere near the center of Florence, though I cannot say what church it was, and I stood against the wall, gazing at the distant tabernacle by candlelight, wondering as so many praying mortals wondered: What would become of this world?

I had seen Christians persecuted; I had seen barbarians sack cities; I had seen East and West quarrel and finally break with each other; I had seen Islamic soldiers waging their holy war against the infidel; and now I had seen this disease which was moving all through the world.

And such a world, for surely it had changed since the year when I had fled Constantinople. The cities of Europe had grown full and rich as flowers. The barbarian hordes had become settled people. Byzantium still held the cities of the East together.

And now this dreadful scourge¡ªthis plague.

Why had I remained alive, I wondered? Why must I endure as the witness to all these many tragic and wonderful things? What was I to make of what I beheld?

And yet, even in my sorrow, I found the church beautiful with its myriad lighted candles, and spying a bit of color far ahead of me, in one of the chapels to the right side of the high altar, I made my way towards it, knowing full well that I would find rich paintings there, for I could see something of them already.

None of those ardently praying in the church took any notice of me, a single being in a red velvet hooded cloak, moving silently and swiftly to the open chapel so that I might see what was painted there.

Oh, if only the candles had been brighter. If only I had dared to light a torch. But I had the eyes of a blood drinker, didn't I? Why complain? And in this chapel I saw painted figures unlike any I had seen before. They were religious, yes, and they were severe, yes, and they were pious, yes, but something new had been sparked here, something that one might almost call sublime.

A mixture of elements had been forged. And I felt a great joy even in my sorrow, until I heard a low voice behind me, a mortal voice. It was speaking so softly that I doubt another mortal would even have heard.

"He's dead," said the mortal. "They're all dead, all the painters who did this work. "

I was shocked with pain.

"The plague took them," said this man.

He was a hooded figure as I was, only his cloak was of a dark color, and he looked at me with bright feverish eyes.

"Don't fear," he said. "I've suffered it and it hasn't killed me and I can't pass it on, don't you see? But they're all dead, those painters. They're gone. The plague's taken them and all they knew. "

"And you? " I asked. "Are you a painter? "

He nodded. "They were my teachers," he said as he gestured towards the walls. "This is our work, unfinished," he said. "I can't do it alone. "

"You must do it," I said. I reached into my purse. I took out several gold coins, and I gave them to him.

"You think this will help?" he asked, dejectedly.

"It's all I have to give," I said. "Maybe it can buy you privacy and quiet. And you can begin to paint again. "

I turned to go.