The Vampire Armand (The Vampire Chronicles 6)

Look, had I not seen Riccardo's sword? They were all noblemen.

"Forget all that has gone before," said Riccardo. "Our Master is our Lord, and we are his princes, we are his royal court. You are rich now and nothing can hurt you. "

"We are not mere apprentices in the ordinary sense," said Albinus. "We are to be sent to the University of Padua. You'll see. We are tutored in music and dance and manners as regularly as in science and literature. You will have time to see the boys who come back to visit, all gentlemen of means. Why, Giuliano was a prosperous lawyer, and one of the other boys was a physician in Torcello, an island city nearby.

"But all have independent means when they leave the Master," explained Albinus. "It's only that the Master, like all Venetians, deplores idleness. We are as well off as lazy lords from abroad who do nothing but sample our world as though it were a dish of food. "

By the end of this first sunlighted adventure, this welcome into the bosom of my Master's school and his splendid city, I was combed, trimmed and dressed in the colors he would forever choose for me, sky blue for the stockings, a darker midnight blue velvet for a short belted jacket, and a tunic of an even fairer shade of azure embroidered with tiny French fleur-de-lis in thick gold thread. A bit of burgundy there might be for trimming and fur; for when the sea breezes grew strong in winter, this paradise would be what these Italians called cold.

By nightfall, I pranced on the marble tile with the others, dancing for a while to the lutes played by the younger boys, accompanied by the fragile music of the Virginal, the first keyboard instrument I had ever seen.

When the last of twilight had died beautifully into the canal outside the narrow pointed arched windows of the palazzo, I roamed about, catching random glances of myself in the many dark mirrors that rose up from the marble tile to the very ceiling of the corridor, the salon, the alcove, or whatever beautifully appointed room I should find.

I sang new words in unison with Riccardo. The great state of Venice was called the Serenissima. The black boats of the canals were gondolas. The winds that would come soon to make us all crazy were called the Sirocco. The most high ruler of this magical city was the Doge, our book tonight with the teacher was Cicero, the musical instrument which Riccardo gathered up and played with his plucking fingers was the lute. The great canopy of the Master's regal bed was a baldaquin trimmed each fortnight with new gold fringe.

I was ecstatic.

I had not merely a sword but a dagger.

Such trust. Of course I was lamblike to these others, and pretty much a lamb to myself. But ne

ver had anyone entrusted to me such bronze and steel weapons. Again, memory played its tricks. I knew how to throw a wooden spear, how to . . . Alas, it became a wisp of smoke, and there lay in the air around it that I'd been committed not to weapons, but to something else, something immense which exacted all I could give it. Weapons were forbidden for me.

Well, no more. No more, no more, no more. Death had swallowed me whole and thrown me forth here. In the palazzo of my Master, in a salon of brilliantly painted battle scenes, with maps upon the ceiling, with windows of thick molded glass, I drew my sword with a great singing sound and pointed it at the future. With my dagger, after examining the emeralds and rubies of its handle, I sliced an apple in two with a gasp.

The other boys laughed at me. But it was all friendly, kind.

Soon the Master would come. Look. From room to room the youngest fellows among us, little boys who had not come out with us, now moved quickly, lifting their tapers to torches and candelabra. I stood in the door, looking to yet another and another and another. Light burst forth soundlessly in each of these rooms.

A tall man, very shadowy and plain, came in with a tattered book in his hand. His long thin hair and plain wool robe were black. His small eyes were cheerful, but his thin mouth was colorless and belligerently set.

The boys all groaned.

High narrow windows were closed against the cooler night air.

In the canal below, men sang as they drove their long narrow gondolas, voices seeming to ring, to splash up the walls, delicate, sparkling, then dying away.

I ate the apple to the last juicy speck of it. I had eaten more in this day of fruit, meat, bread, sweets and candy than a human being could possibly eat. I wasn't human. I was a hungry boy.

The teacher snapped his fingers, then took from his belt a long switch and cracked it against his own leg. "Come now," he said to the boys.

I looked up as the Master appeared.

All the boys, big and tall, babyfied and manly, ran to him and embraced him and clung to his arms as he made his inspection of the painting they had done by the long day.

The teacher waited in silence, giving the Master a humble bow.

Through the galleries we walked, the entire company, the teacher trailing behind.

The Master held out his hands, and it was a privilege to feel the touch of his cold white fingers, a privilege to catch a part of his long thick trailing red sleeves.

"Come, Amadeo, come with us. "

I wanted one thing only, and it came soon enough.

They were sent off with the man who was to read Cicero. The Master's firm hands with their flashing fingernails turned me and directed me to his private rooms.

It was private here, the painted wooden doors at once bolted, the burning braziers scented with incense, perfumed smoke rising from the brass lamps. It was the soft pillows of the bed, a flower garden of stenciled and embroidered silk, floral satin, rich chenille, intricately patterned brocade. He pulled the scarlet bed curtains. The light made them transparent. Red and red and red. It was his color, he told me, as blue was to be mine.