They did not care one whit about the dead brother (his name was Fox, by the way, and the last name of my beautiful child is best left unmentioned).
In fact if this text ever sees the light of the real world, you're bound to change both her first name and that of Benjamin.
However, that's not my concern now. I can't think of the fate of these pages, except that they are very much for her, as I mentioned to you before, and if I'm allowed to title them I think it will be Symphony for Sybelle.
Not, please understand, that I love Benji no less. It's only that I haven't the same overwhelming protective feeling for him. I know that Benji will live out a great and adventurous life, no matter what should befall me or Sybelle, or even the times. It's in his flexible and enduring Bedouin nature. He is a true child of the tents and the blowing sands, though in his case, the house was a dismal cinder block hovel on the outskirts of Jerusalem where he induced tourists to pose for overpriced pictures with him and a filthy snarling camel.
He'd been flat out kidnapped by Fox under the felonious terms of a long-term lease of bondage for which Fox paid Benji's father five thousand dollars. A fabricated emigration passport was thrown into the bargain. He'd been the genius of the tribe, without doubt, had mixed feelings about going home and had learnt in the New York streets to steal, smoke and curse, in that order. Though he swore up and down he couldn't read, it turned out that he could, and began to do so obsessively just as soon as I started throwing books at him.
In fact, he could read English, Hebrew and Arabic, having read all three in the newspapers of his homeland since before he could remember.
He loved taking care of Sybelle. He saw to it that she ate, drank milk, bathed and changed her clothes when none of these routine tasks interested her. He prided himself on the fact that he could by his wits obtain for her whatever she needed, no matter what happened to her.
He was the front man for her with the hotel, tipping the maids, making normal talk at the front desk, which included remarkably finespun lies about the whereabouts of the dead Fox, who had become in Benji's never ending saga a fabulous world traveler and amateur photographer; he handled the piano tuner, who was called as often as once a week because the piano stood by the window, exposed to sun and cold, and also because Sybelle did indeed pound it with the fury that would indeed have impressed the great Beethoven. He spoke on the phone to the bank, all of whose personnel thought he was his older brother, David, pronounced Dahveed, and then made the requisite calls at the teller's window for cash as little Benjamin.
I was convinced within nights of talking with him that I could give him as fine an education as Marius had ever given me, and that he would end up having his choice of universities, professions or amateur pursuits of mind-engaging substance. I didn't overplay my hand. But before the week was out I was dreaming of boarding schools for him from which he might emerge a gold-buttoned blue blazer-wearing American East Coast social conquistador.
I love him enough to tear limb from limb anyone who so much as lays a finger on him.
But between me and Sybelle there lies a sympathy which sometimes eludes mortals and immortals for the space of their entire lives. I know Sybelle. I know her. I knew her when I first heard her play, and I know her now, and I wouldn't be here with you if she were not under the protection of Marius. I will during the space of Sybelle's life never be parted from her, and there is nothing she can ever ask of me that I shall not give.
I will endure unspeakable anguish when Sybelle inevitably dies. But that has to be borne. I have no choice now in the matter. I am not the creature I was when I laid eyes on Veronica's Veil, when I stepped into the sun.
I am someone else, and that someone else has fallen deeply and completely in love with Sybelle and Benjamin and I cannot go back on it.
Of course I am keenly conscious that I thrive in this love; being happier than I have ever been in my entire immortal existence, I have gained great strength from having these two as my companions. The situation is too nearly perfect to be anything but utterly accidental.
Sybelle is not insane. She is nowhere near it, and I fancy that I understand her perfectly. Sybelle is obsessed with one thing, and that is playing the piano. From the first time she laid her hands on the keys she has wanted nothing else. And her "career," as so generously planned for her by her proud parents and by the burningly ambitious Fox, never meant much of anything to her.
Had she been poor and struggling perhaps recognition would have been indispensable to her love affair with the piano, as it would have given her the requisite escape from life's dreary domestic traps and routines. But she was never poor. And she is truly, in the very root of her soul, indifferent as to whether people hear her play her music or not.
She needs only to hear it herself, and to know that she is not disturbing other people.
In the old hotel, mostly full of rooms rented by the day, with only a handful of tenants rich enough to be lodged there year by year, as was Sybelle's family, she can play forever without disturbing anyone.
And after her parents' tragic death, after she lost the only two witnesses who had been intimate to her development,, she simply could not cooperate with Fox's plans for her career any further.
Well, all this I understood, almost from the beginning. I understood it in her incessant repetition of the Sonata No. 23, and I think if you were to hear it, you would understand it too. I want you to hear it.
Understand, it will not at all faze Sybelle if other people do gather to listen to her. It won't bother her one whit if she's recorded. If other people enjoy her playing and tell her so, she's delighted. But it's a simple thing with her. "Ah, so you too love it," she thinks. "Isn't it beautiful?" This is what she said to me with her eyes and her smiles the very first time I ever approached her.
And I suppose before I go any further-and I do have more to put down about my children-I should address this question: How did I approach her? How did I come to be in her apartment on that fateful morning, when Dora stood in the Cathedral crying to the crowds about the miraculous Veil, and I, the blood in my veins having combusted, was in fact rocketing skyward?
I don't know. I have rather tiresome supernatural explanations that read like tomes by members of the Society for the Study of Psychic Phenomena, or the scripts for Mulder and Scully on the television show called The X-Files. Or like a secret file on the case in the archives of the order of psychic detectives called the Talamasca.
Bluntly, I see it this way. I have most-powerful abilities to cast spells, to dislocate my vision, and to transmit my image over distances, and to affect matter both at close range and matter which is out of sight. I must somehow, in this morning journey towards the clouds, have used this power. It might have been drawn from me in a moment of harrowing pain when I was for all purposes deranged and completely unaware of what was happening to me. It might have been a last desperate hysterical refusal to accept the possibility of death, or of the horrible predicament, so close to death, in which I found myself.
That is, having fallen on the roof, burnt and in unspeakable torment, I might have sought a desperate mental escape, projecting my image and my strength into Sybelle's apartment long enough to kill her brother. It certainly is possible for spirits to exert enough pressure on matter to change it. So perhaps that is exactly
what I did-project myself in spirit form and lay hands upon the substance that was Fox, and kill him.
But I don't really believe all this. I'll tell you why.
First off, though Sybelle and Benjamin are no experts, for all their savvy and seeming detachment, on the subject of death and its subsequent forensic analysis, they both insisted that Fox's body was bloodless when they got rid of it. The puncture wounds were apparent on his neck. In sum, they believe to this very hour that I was there, in substantial form, and that I did indeed drink Fox's blood.
Now that a projected image cannot do, at least not insofar as I know it. No, it cannot devour the blood of an entire circulatory system and then dissolve itself, returning to the cicatricula of the mind from which it came. No, that is not possible.
Of course, Sybelle and Benji could be wrong. What do they know about blood and bodies? But the fact is, they let Fox lie there, quite dead for some two days, or so they said, while they waited for the return of the Dybbuk or Angel whom they were sure would help them. Now in that time, the blood of a human body sinks down to the very lowest part of the carcass, and such a change would have been visible to these children. They noted no such thing.