Blackwood Farm (The Vampire Chronicles 9)

Aunt Queen paused, appealing to Lestat mutely to assure herself, I think, that she had an audience, and then when she saw that both of us were rapt, she went on.

"I remember all those words," she said, "and in my girl's heart I wanted the enchanting cameos, of course. I wanted them, the whole box! And so I held it tight as he went on, barking his words, or maybe even gnashing them out, it's hard to say. 'She grew to love the cameos,' the old beast said, 'as long as she could still dream and be content at the same time. But women aren't gifted with contentment. And it was he that killed her for me, a bloody sacrifice, that's what she was, an offering up to him, you might say and I would say, but I was the one who dragged her to it. And it wasn't the first time that I'd taken some poor misshapen soul to those bloody chains, to be sure. ' "

I shivered. These words sounded a deep dark chord in me. I had a passel of secrets that weighed on me like so many stones. I couldn't do anything except listen in a vague spell as she went on.

"I remembered those words 'to those bloody chains,' " said Aunt Queen, "and all his other words as he yammered away: 'She gave me no choice, if the truth be known. ' He was almost bellowing. 'Now you take those cameos and wear them, no matter what you think of me. I have something there sweet and costly to give you, and you're just a little girl and my grandchild, and that's what I wish it to be. ¡¯

"Of course, I didn't know how to answer him," Aunt Queen went on. "I don't think for a moment I believed he was a real murderer, and I certainly didn't know of this strange accomplice to whom he referred, this he, of whom he spoke with such mystery, and I never did find out who the man was, not to this very day. But he knew. And he continued as if I'd lanced a wound. 'You know, I confess it, over and over,' he said, 'to the priest and to the sheriff, and neither believes me, and the sheriff just says she's been gone some thirty-five years and I'm imagining, and as for him, what if his gold built this house; he's a liar and a cheat and he's left me this house as a prison, as a mausoleum, and I can't go any longer to him, though I know he's out there, he's out there on Sugar Devil Island, I can feel him, I can feel his eyes on me in the night when he comes near. I can't catch him. I never could. And I can't go out there anymore to curse him to his face, I'm too old now, and too weak.

"Oh, it was a powerful mystery," said Aunt Queen. " 'What if his gold built this house?' I kept it secret what he'd said. I didn't want my mother to take the cameos away. She wasn't a Blackwood, of course, and that's what they always said of her, 'She's not a Blackwood,' as though that explained her intelligence and common sense. But the point was, my room upstairs was full of clutter. It was an easy thing to hide the cameos away. I'd take them out at night and look at them and they bewitched me. And so my obsession began.

"Now, my grandfather did within a few months' time get right up out of this room and stagger down to the landing and put himself right into a pirogue and row off with a pole into Sugar Devil Swamp. Of course the farmhands were hollering at him to stop, but he went off and vanished. And no one ever saw

him again, ever. He was forever gone. "

A stealthy trembling had come over me, a trembling of the heart perhaps more than the body. I watched her, and her words ran as if written on ribbons being pulled through my mind.

She shook her head. She moved the cameo of Rebecca at the Well with her left hand. I could no more dare to read her mind than I would to strike her or say a cross word to her. I waited in love and full of old dread.

Lestat seemed quietly entranced, waiting on her to speak again, which she did:

"Of course eventually they declared him officially dead, and long before that, when they were still searching for him -- though no one knew how to get to the island, no one ever even found the island -- I told my mother all he'd said. She told my father. But they knew nothing of the old man's murder confession or his strange accomplice, the mysterious he, only that Grandfather left behind him plenty of money in numerous deposit boxes in various banks.

"Now maybe if my father had not been such a simple and practical man he would have looked into it, but he didn't and neither did my aunt, Manfred's only other child. They didn't see ghosts, those two. " She made this remark as if Lestat would naturally regard this as peculiar. "And they had a strong sense, both of them, that Blackwood Farm should be worked and should pay. They passed that on to my brother Gravier, Quinn's great-grandfather, and he passed it on to Thomas, Quinn's grandfather, and that was what those men did, the three of them, work, work, work Blackwood Farm all the time, and so did their wives, always in the kitchen, always loving you with food, that's what they were like. My father, my brother and my nephew were all real countrymen.

"But there was always money, money from the Old Man, and everybody knew he'd left a fortune, and it wasn't the milk cows and the tung oil trees that made the house so splendid. It was the money that my grandfather had left. In those days people really didn't ask where you got your money. The government didn't care as they do in this day and age. When this house finally fell to me, I searched through all the records, but I couldn't find any mention of the mysterious he, or a partner of any sort, in my grandfather's affairs. "

She sighed and then, glancing at Lestat's eager face, she continued, her voice tripping a little faster as the past opened up.

"Now, regarding the beautiful Rebecca, my father did have terrible memories of her, and so did my aunt. Rebecca had been a scandalous companion to my grandfather, brought into this very house, after his saint of a wife, Virginia Lee, had died. An evil stepmother if ever there was one, was this Rebecca, too young to be maternal, and violently mean to my father and my aunt, who were just little children, and mean as well to everyone else.

"They said that at the dinner table, to which she was allowed to come in all her obvious impropriety, she'd sing out my poor Aunt Camille's private verses just to show her she'd snuck into her room and read them, and one night, gentle though she was, Aunt Camille Blackwood rose up and threw an entire bowl of hot soup in Rebecca's face. "

Aunt Queen paused to sigh at this old violence and then went on:

"They all hated Rebecca, or so the story went. My poor Aunt Camille. She might have been another Emily Dickinson or Emily Bront? if that evil Rebecca hadn't sung out her poetry. My poor Aunt Camille, she tore it all up after those eyes had seen it and those lips had spoken it and never wrote another verse again. She cut off her long hair for spite and burnt it up in the grate.

"But one day, after many another agonizing dinner-table struggle, this evil Rebecca did disappear. And, with no one loving her, no one wanted to know why or how. Her clothes were found in the attic, Jasmine says, and so says Quinn. Imagine it. A trunk or two of Rebecca's clothes. Quinn's examined them. Quinn's brought down more cameos from them. Quinn insists we keep them. I'd never have had them brought down. I'm too superstitious for that. And the chains!. . . "

She stole an intimate and meaningful glance at me. Rebecca's clothes. The shiver in me was relentless.

Aunt Queen sighed, and, looking down and then up at me again, she whispered:

"Forgive me, Quinn, that I talk as much as I do. And especially of Rebecca. I don't mean to upset you with those old tales of Rebecca. We best have done with Rebecca perhaps. Why not make a bonfire of her clothes, Quinn? You think it's cold enough in this room, what with the air-conditioning, for us to light a real fire in the grate?" She laughed it off as soon as she'd uttered it.

"Does this talk upset you, Quinn?" Lestat asked in a small voice.

"Aunt Queen," I declared. "Nothing you say could ever sit wrong with me, don't be afraid of it. I talk all the time of ghosts and spirits," I continued. "Why should I be upset that anyone talks of real things, of Rebecca, when she was very much alive and cruel to everyone? Or of Aunt Camille and her lost poems. I don't think my friend here knows how much I came to know Rebecca. But I'll tell him if he wants to hear another tale or two later on. "

Lestat nodded and made some small sound of assent. "I'm very ready for it," he said.

"It seems when a person sees ghosts, for whatever reason, he has to talk of it," said Aunt Queen. "And surely I should understand. "

Something opened in me rather suddenly.

"Aunt Queen, you know my talk of ghosts and spirits more truly than anyone except Stirling Oliver," I said calmly. "I'm speaking of my old friend of the Talamasca because he did know too. And whatever your judgment of me, you've always been gentle and respecting, which I appreciate with all my heart --. "

"Of course," she said quickly and decisively.