"Good point. When Dolly Jean called her on the famous refrigerated telephone, she agreed to come to First Street if the car were sent, and she spent the afternoon with Dolly Jean and Michael regaling 'the Walking Babies' with stories, or with Miravelle or Oberon regaling them, I'm not quite sure which, but all of it has been reco
rded for posterity by me and by Michael. Miravelle was shocked by a great deal that the two old women had to say, but Oberon was in hysterics. He thought them the funniest human beings he'd ever met, and he was stomping his foot and slamming the table.
"Naturally I was enthralled merely watching this entire collection of beings, including Tante Oscar. " He drew on his cigarette. "She was indeed wearing some three or four dresses under her maroon fox-trimmed coat, and a black hat with roses on it and a little face veil, and she does have eyes like eggs. She entered the house making the Sign of the Cross over and over again, rosary beads running through her right hand, a battalion of exquisite twelve-year-old boys accompanying her up the marble steps and into the dining room. The boys soon discovered the swimming pool and were invited to swim and went to it with gusto. They might be still swimming now. Apparently they'd never been swimming in their lives before. "
Stirling stopped.
The Dazzling Duo had appeared. Both were tricked out in safari jackets and khaki slacks, Quinn with an open shirt, Mona with an olive green turtleneck-a startling contrast to the formal clothes they'd always worn before.
They were both pale and a little gaunt. They had no need to feed, thanks to last night's repast, but apparently the dark adventure had taken their energy. Quinn appeared to be fasting. Mona looked wounded and frail.
Just for a moment, I saw in her the gaunt dying girl she'd been when I first laid eyes on her. It frightened me.
Kisses and hugs for Stirling, who rose to his feet to receive them.
I clasped her hand and she bent low to kiss me on the mouth. I felt a fever in her, as though her body were consuming her past dreams. And an ashen sadness clouded her vision.
She came right to the point, even before she flopped into a wicker chair and put her feet up on the table.
"Rowan has to know whether they're alive or dead by now," she said.
"Darling, they're dead," said Stirling, "there's no question. They've been brought up to a temperature of perhaps forty degrees, and connected to every sort of monitor known to Rowan. There's no life in them whatsoever. Only a gold mine of tissue and blood and bone which Rowan wants to examine. "
"Oh, yeah, oh of course," said Mona in a low fast-running voice. She closed her eyes. She seemed so lost. "So the Mad Scientist must be overjoyed. "
"What about the poison?" I asked. "Oberon said that Ash and Morrigan had been slowly poisoned by the rebel children. "
Stirling nodded. "There were several compounds in their blood and tissue. Apparently they'd been given arsenic, Coumadin and some other rare chemical that strikes at the musculature. The doses would have been fatal to human beings. But it's a tricky matter. There might have been other poisons which didn't survive in the bodies. There were also huge amounts of benzodiazepines. "
"Evil Silas," whispered Mona.
"Has either Miravelle or Oberon said any more about the life of the Secret People?" Quinn asked. "I think the more Mona hears about that the better she will feel. "
"To Hell with it," said Mona in a low voice.
Stirling went on gently.
"Yes, they've both talked a lot. So did some of the New York lawyers who represented Ash. Their life was very good, and it lasted some four years before this villainous Rodrigo took over the island. Oberon enjoys describing their trips and their studies very much. Miravelle has reverted more and more to a childlike state. Oberon becomes impatient with her. "
"Where are they now?" asked Quinn.
"At Mayfair Medical. Rowan had them both admitted for tests earlier this evening. "
"Oh, splendid, and they agreed to it!" Mona said. "How could I not know that? The two dead ones are not enough! Lorkyn isn't enough. She has to have the live ones immediately as well! That's Rowan. Did she say the poor children looked a bit peaked? Or did she just shoot something into their veins and then throw them on the stretchers? I wish I could mount a conscientious opposition, but I haven't the spirit for it. So let them disappear into the laboratories and secret rooms of Mayfair Medical. Good-bye, sweet Miravelle! Will I ever lay eyes on you again? Farewell, oh, acid-tongued Oberon, may you not alienate too many of the nurses with your withering wit, for they can make your life miserable. And who am I, the Blood Child, to seek such a privilege as to see these odd, out-of-time beings, except perhaps to turn them loose into the workaday world where they'd undoubtedly fall victim to some insidious human equivalent to Rodrigo the Drug Lord!"
"Mona, Miravelle and Oberon won't be kept there," Quinn said. "We can see to it ourselves. Rowan won't make them prisoners. You're making Rowan the enemy again for no reason. We can go to Mayfair Medical now and see them, very likely, if you wish. Nobody can prevent us. "
"Listen to you!" Mona said, with a faint affectionate smile. "You think you know Rowan, and you don't know Rowan. And Beloved Boss here has fallen under her dark spell same as Ash Templeton apparently, who forswore her for his species and failed to save them for Morrigan's jealousy of her, Oh, Darkness, Oh, Piteous Darkness; Lestat, how can you find her glacial heart!"
"You're using Rowan as a lightning rod," said Quinn calmly. "What's the excuse now for hating Rowan? Because she pronounced Ash and Morrigan dead? Lestat told you they were dead. Let it go. Let it all go. "
Mona shook her head, words rushing. "Where's the wake? Where's the funeral? Where are the flowers? Where is the family with everyone kissing? Will they put Ash and Morrigan in the family tomb?"
I reached over and took her hand. "Ophelia," I said softly, "what need have they for flowers now, or kissing? 'Is't possible a young maid's wits should be as mortal as an old man's life?' Be still, my beauty. "
She answered me with Shakespeare:
" 'Thought and affliction, passion, hell itself, She turns to favour and to prettiness. ' "