"I mean, I really don't want to jump the gun and jinx things, but … I think so," I say. "We're so different, Connor and I."
"But don't you see? It's the couples who are the most different who make the best pairs. It's what happy ending are made of! Jump into any good book or movie and you'll see what I'm talking about."
"You're probably right. If people are too similar, they either bore each other to death, or they want to kill each other. Connor and I are opposites on so many levels—his wealth, ego, and liquid courage, but I feel so good around him—like I can take on the world, you know?"
"I'm so happy for you Natalie. You deserve to be happy."
"But even though I'm happy, and things are good—Connor is so different from all of the men I've dated in the past."
"No kidding," Christine laughs. "He's a prince … and a real man. No offense, but your past boyfriends were far from men. Like those spineless guys from the Harvard Porc club. I mean, how different can you get from a Prince?"
"It's not just that," I say. "I've just never dated around much, and I'm a bit more conservative with who I sleep with—case in point about those Harvard guys—and I definitely never considered that I'd be dating a playboy. But then Connor came along and he got me out of my shell. I've really opened up to him, and let down my guard."
"I'd say he got you out of more than just your shell … like maybe your clothes?" she laughs. "But in all seriousness, that's great, I just want you to be careful girl."
"What do you mean by that?" I ask.
"Just take it slow, okay? You're one of my best friends and I don't want to see you get hurt. Don't go too far too fast, you know what I mean?"
Christine's always been a worrier and over protective, so I dismiss her.
"Come on, you don't need to worry about me," I say. "I know what I'm doing. Connor is a good guy, I swear. I've really gotten to know him over these last few weeks."
"I'm just looking out for you," Christine says with a serious expression on her face.
"I appreciate that, but Connor and I are great," I reply.
The next morning I have a smile the size of a watermelon wedge on my face. This is possibly the happiest I've ever been in my life. I walk into the offices of Gage Price, but I quickly realize that everyone is looking at me. Instead of the usual office chatter, it's unusually quiet. The people who are talking, are now communicating in hushed tones. Is it just me, or are people trying hard not to stare?
I approach my desk, and settle in. I power up my computer and place my purse on my desk when I see a note.
It's from my manager, George Brown.
"Please come see me as soon as you get in. Thanks, George"
He never leaves me handwritten notes like this. What's going on?
My smile disappears and my pulse picks up as my heart feels like it's trying to kick a hole in my chest. I start growing dizzy with worry, so I take a deep breath to calm myself down, and I walk to George's office.
When I stand in front of his door, it's open, but I give it a quick knock to signal my arrival.
He looks up from his computer. "Natalie, please come in," he says. "We need to talk."
Now, I don't know about you, but for me, those four words raise my anxiety levels by about a thousand. Mark my words; it's never ever a good thing when someone suggests a sit-down conversation with those four words.
I walk in and take a seat.
"I received a letter today," George says. "It came from Nadia Scow, the press officer for Connor D’Avington.”
Now he really has my attention.
Why would Connor have Nadia send George a letter? He's been working with me from the beginning. I'm his point of contact at Gage Price. I'm his PR consultant.
"It's not good," George continues.
Now my pulse is really racing, but I try to keep my cool and just nod my head, urging him to go on. Maybe this is all just a misunderstanding.
"He's instructing the Royal Press Office to terminate his agreement with Gage Price," George says.