The Angel's Game (The Cemetery of Forgotten 2)

“I’m sure he hasn’t.”

Isaac lowered his voice, adopting a conspiratorial tone.

“Over the years, some members have occasionally seen the man in black in the tunnels of the labyrinth. They all describe him differently. Some even swear they have spoken to him. There was a time when it was rumored that the man in black was the ghost of a cursed author whom one of the members had betrayed after taking one of his books from here and not keeping the promise to protect it. The book was lost forever and the deceased author wanders eternally along the passages, seeking revenge—well, you know, the sort of Henry James touch people like so much.”

“You’re not saying you believe the rumors.”

“Of course not. I have another theory. The Cymerman theory.”

“Which is … ?”

“That the man in black is the master of this place, the father of all secret and forbidden knowledge, of wisdom and memory, the bringer of light to storytellers and writers since time immemorial. He is our guardian angel, the angel of lies and of the night.”

“You’re pulling my leg.”

“Every labyrinth has its Minotaur,” Isaac suggested. He smiled mysteriously and pointed toward the entrance to the stacks.

“It’s all yours.”

I set off along a footbridge then slowly entered a long corridor of books that formed a rising curve. When I reached the end of the curve the tunnel divided into four passages radiating out from a small circle from which a spiral staircase rose, vanishing upwards into the heights. I climbed the steps until I reached a landing that led into three different tunnels. I chose one of them, the one I thought would lead to the heart of the building, and entered. As I walked, I ran my fingers along the spines of hundreds of books. I let myself be imbued with the smell, with the light that filtered through the cracks or from the glass lanterns embedded in the wooden structure, floating among mirrors and shadows. I wandered aimlessly for almost half an hour until I reached a sort of closed chamber with a table and chair. The walls were made of books and seemed quite solid except for a small gap that looked as if someone had removed a book from it. I decided that this would be the new home for The Steps of Heaven. I looked at the cover for the last time and reread the first paragraph, imagining the moment when, many years after I was dead and forgotten, someone, if fortune would have it, would go down that same route and reach that room to find an unknown book into which I had poured everything I had. I placed it there, feeling that I was the one being left on the shelf. It was then that I felt the presence behind me and turned to find the man in black, his eyes fixed steadily on mine.

21

At first I didn’t recognize my own eyes in the mirror, one of the many that formed a chain of muted light along the corridors of the labyrinth. What I saw in the reflection was my face and my skin, but the eyes were those of a stranger. Murky, dark, and full of malice. I looked away and felt the nausea returning. I sat on the chair by the table, imagining that even Dr. Trías might be amused at the thought that the tenant lodged in my brain—the tumorous growth, as he liked to call it—had decided to deal me the final blow in that place, thereby granting me the honor of being the first permanent citizen of the Cemetery of Forgotten Books buried in the company of his last and most ill-fated work, the one that had taken him to the grave. Someone would find me there in ten months, or ten years, or perhaps never. A grand finale worthy of City of the Damned.

I think I was saved by my bitter laughter. It cleared my head and reminded me of where I was and what I’d come to do. I was about to stand up again when I saw it. It was a rough-looking volume, dark, with no visible title on the spine. It lay on top of a pile of four other books at the end of the table. I picked it up. The covers were bound in what looked like leather, some sort of tanned hide darkened as a result of much handling rather than by dye. The title, which seemed to have been branded onto the cover, was blurred, but on the fourth page it could be clearly read:

Lux Aeterna

D.M.

I imagined that the initials, the same as mine, were those of the author, but there was no other indication in the book to confirm this. I turned a few pages quickly and recognized at least five different languages alternating through the text—Spanish, German, Latin, French, and Hebrew. Reading a paragraph at random, I was reminded of a prayer in the traditional liturgy that I couldn’t quite remember. I wondered whether the notebook was perhaps some sort of missal or prayer book. The text was punctuated with numerals and verses, with the first words

underlined, as if to indicate episodes or thematic divisions. The more I examined it, the more I realized it reminded me of the Gospels and catechisms of my school days.

I could have left, chosen any other tome from among the hundreds of thousands, and abandoned that place, never to return. I almost thought I had done just that, as I walked back through the tunnels and corridors of the labyrinth, until I became aware of the book in my hands, like a parasite stuck to my skin. For a split second the idea crossed my mind that the book had a greater desire to leave the place than I did, that it was somehow guiding my steps. After a few detours, in the course of which I passed the same copy of the fourth volume of LeFanu’s complete works a couple of times, I found myself, without knowing how, by the spiral staircase, and from there I succeeded in locating the way out of the labyrinth. I had imagined Isaac would be waiting for me by the entrance, but there was no sign of him, although I was certain that somebody was observing me from the shadows. The large vault of the Cemetery of Forgotten Books was engulfed in silence.

“Isaac?” I called out.

My voice trailed off into the shadows. I waited in vain for a few seconds and then made my way toward the exit. The blue mist that filtered down from the dome began to fade until the darkness around me was almost absolute. A few steps farther on I made out a light flickering at the end of the gallery and realized that the keeper had left his lamp at the foot of the door. I turned to scan the dark gallery one last time, then pulled the handle that kick-started the mechanism of rails and pulleys. One by one, the bolts were released and the door yielded a few centimeters. I pushed it just enough to get through and stepped outside. A few seconds later the door began to close again, sealing itself with a sonorous echo.

22

As I walked away from that place I felt its magic leaving me and the nausea and pain took over once more. Twice I fell flat on my face, first in the Ramblas and the second time when I was trying to cross Vía Layetana, where a boy lifted me up and saved me from being run over by a tram. It was with great difficulty that I managed to reach my front door. The house had been closed all day and the heat—that humid, poisonous heat that seemed to suffocate the town a little more every day—floated on the air like dusty light. I went up to the study in the tower and opened the windows wide. Only the faintest of breezes blew and the sky was bruised by black clouds that moved in slow circles over Barcelona. I left the book on my desk and told myself there would be time enough to examine it in detail. Or perhaps not. Perhaps time was already coming to an end for me. It didn’t seem to matter much anymore.

At that point I could barely stand and needed to lie down in the dark. I salvaged one of the bottles of codeine pills from the drawer and swallowed two or three. I kept the bottle in my pocket and made my way down the stairs, not quite sure whether I would be able to get to my room in one piece. When I reached the corridor I thought I noticed a flickering along the line of light coming from beneath the main door. I walked slowly to the entrance, leaning on the walls.

“Who’s there?” I asked.

There was no reply, no sound at all. I hesitated for a moment, then opened the door and stepped out onto the landing. I leaned over to look down the stairs that descended in a spiral, merging into darkness. There was nobody there. When I turned back to face the door I noticed that the small lamp on the landing was blinking. I went back into the house and turned the key to lock the door, something I often forgot to do. Then I saw it. A cream-colored envelope with a serrated edge. Someone had slipped it under the door. I knelt down to pick it up. The paper was thick, porous. The envelope was sealed and had my name on it. The emblem on the wax was in the shape of the angel with its wings outspread.

I opened it.

Dear Señor Martín,

I’m going to spend some time in the city and it would give me great pleasure to meet up with you and perhaps take the opportunity to revisit the subject of my proposal. I’d be very grateful if, unless you’re otherwise engaged, you would care to join me for dinner this coming Friday the 13th at 10 o’clock, in a small villa I have rented for my stay in Barcelona. The house is on the corner of Calle Olot and Calle San José de la Montaña, next to the entrance to Güell Park. I trust and hope that you will be able to come.

Your friend,