Obsession in Death (In Death 40)

So she took off her coat, programmed her really good coffee, and sat to start her murder book and board.

Her vic deserved the routine, the procedure—and she’d work better when that routine and procedure were in place.

Once they were, she and Peabody would start the interviews at the law offices, connect with Morris at the morgue. She’d personally hound the sweepers and the lab.

And she’d carve out enough time, sometime, to follow orders and connect with Kyung.

Nadine, she thought, rubbing absently at the back of her neck. Nadine Furst—ace on-air reporter, and the best-selling writer of The Icove Agenda. She’d need to talk to Nadine.

If someone did their research—and Eve was confident the killer had—they’d know she and Nadine were personal friends. They might see Nadine as a conduit—the public figure, the on-air personality, and fierce reporter as an avenue to the cop.

In any case, when the lid tipped a fraction loose on the details at the crime scene, Nadine Furst would scent out the story like a cat scented a mouse.

Smarter to bring her in first.

Even as she considered the best approach, Eve heard the click of heels on their way to her office. Thinking Nadine, she started to get up, cover her murder board.

Mira walked in.

It wasn’t usual for Mira to come to her, or to walk into Eve’s office and close the door behind her.

“Sit,” Mira ordered.

More surprised than annoyed, Eve gestured to her desk chair. “Take this one.”

“Sit,” Mira snapped, and deliberately took Eve’s miserably uncomfortable visitor’s chair. “You’re a smart woman,” Mira began, “an exceptional cop. As both, you know you should pass this investigation on.”

“I’m a smart woman,” Eve agreed, “and an exceptional cop. As both, I’ll be damned if I’ll pass it on because someone’s using me as an excuse to kill.”

“That makes it personal.”

&nbs

p; Eve sat, breathed. “They’re all personal,” she tossed back, and had the dignified Mira scowling. “Murder is as personal as it gets. A good cop knows how to be objective about the personal.”

“Eve.” Mira stopped, patted a hand in the air to indicate she was taking a moment.

Eve gave it to her.

Mira wore a deep brick-red rather than her more customary soft colors, but the suit was—as always—perfection. Her sable hair—color and texture—swung in a bob, her newest do, around her lovely face, made her quiet blue eyes seem just a little deeper.

Or maybe that was just annoyance, Eve considered.

Now, as if drawing herself in, Mira sat back—winced as the chair likely pinched her ass—then crossed excellent legs.

“It’s personal for the killer—to you. This person sees himself—we’ll use the male pronoun for simplicity—as your friend, more your champion. He has fantasized a relationship with you, which has only become deeper to him now that he’s killed for you. He gave you a gift. At some point he’ll expect your appreciation.”

“He’ll be disappointed.”

“And when disappointed, he will strike out.”

“If I passed it on, if I said—essentially—this one’s not worth my time and effort? What then? Wouldn’t he have to kill again, do better, find someone I’d feel more worth my time and effort?”

Mira tapped the toe of her brick-red heel. “An exceptional cop,” she muttered. “Yes, that’s possible. What is clear is you are his focus.”

“I don’t know that’s clear—I say yeah, most likely. But it’s also possible this was really about Bastwick. I need to do my job, determine that or disprove that. It seems to me the question we should be asking—profiler-wise—is, Why am I the focus? Where did this fantasy friendship come from? How do I exploit it to stop him? Help me do that.”

On a long sigh, Mira glanced toward the AutoChef.