Butterfly (Orphans 1) - Page 39

He said it with his head down, his eyes on the floor.

"I'll think of something nice for us to do soon," he added, and left me crying tears into my pillow.

Josh's face dropped and actually turned ashen when I told him I couldn't go with him that Friday night. I tried to give him an explanation, but he just shook his head.

"What is it, your parents don't think I'm rich enough?" he shot back at me and then turned and left me standing alone in the school hallway before I could deny it.

I felt as if I were entering Celine's private world of shadows now. One of my girlfriends called to tease me and sang, "All work and no play make Janet a dull girl." The world that had become filled with sunshine and color began to turn shades of gray. Even when it was a clear sky, I felt as if clouds hung over me. My moodiness seeped into my performances at lessons. Madame Malisorf's eyes narrowed into slits of suspicion. Celine had made me promise never to tell Madame Malisorf how hard she and I worked on the weekends, but my master teacher was too perceptive.

"Aren't you resting your legs'?" she asked me directly one afternoon. Celine was in her usual corner observing. I glanced her way. Madame Malisorf followed the shift in my eyes and turned

"Celine, are you working this student seven days a week?" she demanded.

"On occasion, I go over something with her, Madame Malisorf. She's young and--"

"I want her to have a full twenty-four hours of rest. Those muscles need some time to rebuild. Every time we work out, we break them down. You, of all people, should know that," she said, shaking her head. "Make sure she has the rest required," she demanded.

Celine promised, but never kept her promise, and if I mentioned it, she would go into a rage and then a depression, backing herself into one of those dark corners in the house to stare sadly at the pictures of her former self. Sometimes, she simply read and reread a dance program and I'd find her asleep in her chair, the program in her lap, clutched tightly in her fingers. I didn't have the heart to put up any real resistance.

I tried to do better, to be sharp, to hit my marks. Now, without any friends calling me, I did my homework and went to bed early. I even did what she had asked me to do when I first enrolled in school. I pretended to have cramps and got myself excused from physical education class a number of times. I needed to conserve my energy. I had grown terrified of being tired or sluggish.

Summer was drawing closer and with it was the promise of attending a prestigious dance school. However, money couldn't buy someone a place in the school. Everyone had to audition and Celine's new obsession was getting me prepared for that audition. Madame Malisorf agreed to help win me a spot. She thought it was a good idea for me to go to the school because she was going to spend most of her summer in Europe as she usually did. My lessons became reviews of fundamentals. Dimitri rarely came to practice anymore. He had already been accepted to a school for dance in New York City and was preparing himself for the new training.

We had to travel to Bennington, Vermont, where the audition for the dance school was being held. I was actually excited about it because I would be spending eight weeks at the school and I had read the program and schedule and seen that there was more rest and recreation time than I now had. Of course, almost anywhere would give me more time. At the end of the school's brochure were testimonials written by former students and many of them talked about the social events, singing around the campfire, their weekly social dance, and short bus trips to museums and historic sights. Not everything had to do with dance. The school's philosophy was that a more rounded person makes a more complete artist. It was very expensive to go there and it amazed me that so many people would compete to spend so much money.

At my final lesson before the audition, Madame Malisorf put me through what she predicted would be the school's test. She stood back alongside Celine and tried to be an objective judge. At the end she and Celine spoke softly for a moment and then Madame Malisorf smiled

"I would give you a place in my school, Janet," she said. "You've made considerable improvement and you have reached a quality of performance that would justify the investment of further time and effort," she claimed. Celine beamed.

I was happy too because I really wanted to get into the school I think a part of me, a strong part of me, wanted to get away for a while, and not feel so guilty about every misstep. Before she left, Madame Malisorf warned Celine not to wear me out.

"She's a fragile commodity now, Celine. We've taken her far, too far too fast perhaps, but she's there. Now let's let her develop at a normal pace. Otherwise. ." She looked at me. "We'll ruin what we've created."

"Don't worry, Madame. I will cherish her as much as I cherished myself, if not more."

Despite the hard days and the difficult lessons, despite her critical eyes and often harsh comments, I had grown to appreciate and respect Madame Malisorf. I was even a bit afraid of what would happen without her o

verseeing everything, but she left assuring me that my teachers at the school would be of the highest quality.

"I'll see you in September," she told me and left.

"I knew it," Celine declared once we were alone. "I knew she would come to see you as I do. We must continue to prepare This is wonderful, wonderful," she said and for the next few days, she was as animated and excited as she had been when I first arrived.

Sanford, however, looked more troubled by it all. Problems at the factory took up more and more of his time and he continually apologized to me about it. It was as if he was sorry he was leaving me alone with Celine so much. Celine wasn't the least bit interested in the factory and didn't have the patience to listen to anything Sanford said. She was so focused on my audition, it seemed that she thought of nothing else from the moment she rose to the moment she fell asleep.

And then, the week before my audition, there was a new family crisis. Daniel had run off and married a woman he had gotten pregnant. My grandparents were overwrought. They held a family meeting at our house. I wasn't invited, but they spoke so loudly, I would have had to have been deaf not to hear.

"Both my children just go out and do impulsive things," Grandmother cried. "Neither of you thinks about the family name anymore'

I heard them all trying to calm her, but she was beside herself. They talked about Daniel's new wife and how she came from a lower class of people.

"What sort of a child would a woman like that produce?" Grandmother asked. "We should disown them both. We should."

If they did that, what would happen to the baby? I wondered. Would he or she become an orphan like I was?

The sound of discussion turned to the sounds of sobbing. Soon afterward, my grandparents emerged, my grandmother looking distraught, her eyes bloodshot, her makeup smudged. She gazed at me, then turned and hurried out of the house.

Daniel was the main subject of conversation at the beginning of dinner that night, but Celine put a quick, sharp end to it.

Tags: V.C. Andrews Orphans
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