The Vanished Man (Lincoln Rhyme 5)

No sign of the killer, no sign of a hostage.

A glance to her left, the other doorway, where Nancy Ausonio stood, doing the same frantic scan of the room. "Where?" the woman whispered.

Franciscovich shook her head. She noticed about fifty wooden folding chairs arranged in neat rows. Four or five of them were lying on their backs or sides. But they didn't seem to be a barricade; they were randomly kicked over. To her right was a low stage. On it sat an amplifier and two speakers. A battered grand piano.

The young officers could see virtually everything in the room.

Except the perp.

"What happened, Nancy? Tell me what happened."

Ausonio didn't answer; like her partner she was looking around frantically, three-sixty, checking out every shadow, every piece of furniture, even though it was clear the man wasn't here.

Spooky . . .

The room was essentially a sealed cube. No windows. The air-conditioning and heating vents were only six inches across. A wooden ceiling, not acoustic tile. No trapdoors that she could see. No doors other than the main one Ausonio had used and the fire door that Franciscovich had entered through.

Where? Franciscovich mouthed.

Her partner mouthed something back. The policewoman couldn't decipher it but the message could be read in her face: I don't have a clue.

"Yo," a loud voice called from the doorway. They spun toward it, drawing targets on the empty lobby. "Ambulance and some other officers just got here." It was the security guard, hiding out of sight.

Heart slamming from the fright, Franciscovich called him inside.

He asked, "Is it, uhm . . . I mean, you get him?"

"He's not here," Ausonio said in a shaky voice.

"What?" The man peeked cautiously into the hall.

Franciscovich heard the voices of the officers and EMS techs arriving. The jangle of equipment. Still, the women couldn't bring themselves to join their fellow cops just yet. They stood transfixed in the middle of the recital space, both uneasy and bewildered, trying vainly to figure out how the killer had escaped from a room from which there was no escape.

Chapter Two

"He's listening to music."

"I'm not listening to music. The music happens to be on. That's all."

"Music, huh?" Lon Sellitto muttered as he walked into Lincoln Rhyme's bedroom. "That's a coincidence."

"He's developed a taste for jazz," Thom explained to the paunchy detective. "Surprised me, I have to tell you."

"As I said," Lincoln Rhyme continued petulantly, "I'm working and the music happens to be playing in the background. What do you mean, coincidence?"

Nodding at the flat-screen monitor in front of Rhyme's Flexicair bed, the slim, young aide, dressed in a white shirt, tan slacks and solid purple tie, said, "No, he's not working. Unless staring at the same page for an hour is work. He wouldn't let me get away with work like that."

"Command, turn page." The computer recognized Rhyme's voice and obeyed his order, slapping a new page of Forensic Science Review onto the monitor. He asked Thom acerbically, "Say, you want to quiz me on what I've been staring at? The composition of the top five exotic toxins found in recent terrorist laboratories in Europe? And how 'bout we put some money on the answers?"

"No, we have other things to do," the aide replied, referring to the various bodily functions that caregivers must attend to several times a day when their patients are quadriplegics like Lincoln Rhyme.

"We'll get to that in a few minutes," the criminalist said, enjoying a particularly energetic trumpet riff.

"We'll get to that now. If you'll excuse us for a moment, Lon."

"Yeah, sure." Large, rumpled Sellitto stepped into the corridor outside the second-floor bedroom of Rhyme's Central Park West town house. He closed the door.

As Thom expertly performed his duties Lincoln Rhyme listened to the music and wondered: Coincidence?