The Vanished Man (Lincoln Rhyme 5)

"Yes?"

"Lincoln? It's Roland."

Mel Cooper turned gravely to look at him. They knew Bell was at the hospital with Christine Grady and her family.

"What's the word?"

"She's all right."

Cooper closed his eyes momentarily and if ever a Protestant came close to blessing himself this was the moment. Rhyme too felt a surge of relief.

"No poison?"

"Nothing. It was just candy. Not a lick of toxin anywhere."

"So that was misdirection too," the criminalist mused.

"Seems to be."

"But what the hell does it mean?" Rhyme asked in a faint voice, the question directed not so much to Bell but to himself.

The detective offered, "For my money, Weir pointing us to Grady? I'm thinking that means he's still going to try something else to spring Constable from detention. He's in the courthouse somewhere."

"You on your way to the safehouse?"

"Yup. Whole family. We'll sit it out there till you catch this fella."

Till?

How about if?

They hung up and Rhyme turned from the window and wheeled back to the evidence chart.

The hand is quicker than the eye.

Except that it's not.

What did master illusionist Erick Weir have in mind?

Feeling his neck muscles tense to the point of cramping, he gazed out the window as he considered the enigma they were facing:

Hobbs Wentworth, the hit man, was dead and Grady and his family were safe. Constable had clearly been preparing to escape from the interview room at the Tombs but there'd been no overt attempt by Weir to actually spring him. So it appeared that Weir's plans were falling apart.

But Rhyme couldn't accept that obvious conclusion. With the supposed attempt on Christine Grady he'd taken their attention away from downtown and Rhyme now leaned toward Bell's conclusion that there was soon going to be another attempt to rescue Constable.

Or there was something else going on--maybe an attempt to kill Constable to keep him from testifying.

The frustration seared him. Rhyme had long ago accepted that with his condition he would never physically capture a perp. But the compensation was the sinewy strength of a clever mind. Sitting motionless in his chair or bed, he could at least outthink the criminals he pursued.

Except that with Erick Weir, the Conjurer, he couldn't. This was a man whose soul was devoted to deception.

Rhyme considered if there was anything else to be done to find answers to the impossible questions raised by the case.

Sachs, Sellitto and ESU were scouring the detention center and courts. Kara was at the Cirque Fantastique awaiting Kadesky. Thom was placing calls to Keating and Loesser, the killer's former assistants, to see if the man had contacted them in the past day or if they'd happened to remember something else that could be helpful. A Physical Evidence Response Team, on loan from the FBI, was searching the scene of the office building where Hobbs Wentworth had shot himself, and technicians in Washington were still analyzing the fiber and fake-blood paint found by Sachs at the detention center.

What else could Rhyme do to find out what Weir had in mind?

Only one thing.