The Vanished Man (Lincoln Rhyme 5)

ts to contact her and we are fully prepared to take whatever steps are necessary to put an end to this alarming behavior.

Samuel King, Esq.

Crowell, Smith & Wendall, Attorneys-at-Law *

Subject: See you soon!!!

From: [email protected] To: [email protected] 5 September 11:43 p.m.

Hi, Kayleigh--

Got your new email address. I know what they're up to but DON'T worry, it'll be all right.

I'm lying in bed, listening to you right now. I feel like I'm literally your shadow . . . And you're mine. You are so wonderful!

I don't know if you had a chance to think about it--you're sooooo busy, I know!--but I'll ask again--if you wanted to send me some of your hair that'd be so cool. I know you haven't cut it for ten years and four months (it's one of those things that makes you so beautiful!!!) but maybe there's one from your brush. Or better yet your pillow. I'll treasure it forever.

Can't WAIT for the concert next Friday. C U soon.

Yours forever,

XO, Edwin

Chapter 1

THE HEART OF a concert hall is people.

And when the vast space is dim and empty, as this one was at the moment, a venue can bristle with impatience, indifference.

Even hostility.

Okay, rein in that imagination, Kayleigh Towne told herself. Stop acting like a kid. Standing on the wide, scuffed stage of the Fresno Conference Center's main hall, she surveyed the place once more, bringing her typically hypercritical eye to the task of preparing for Friday's concert, considering and reconsidering lighting and stage movements and where the members of the band should stand and sit. Where best to walk out near, though not into, the crowd and touch hands and blow kisses. Where best acoustically to place the foldback speakers--the monitors that were pointed toward the band so they could hear themselves without echoes or distortion. Many performers now used earbuds for this; Kayleigh liked the immediacy of traditional foldbacks.

There were a hundred other details to think about. She believed that every performance should be perfect, more than perfect. Every audience deserved the best. One hundred ten percent.

She had, after all, grown up in Bishop Towne's shadow.

An unfortunate choice of word, Kayleigh now reflected.

I'll be your shadow. Forever. . . .

Back to the planning. This show had to be different from the previous one here, about eight months ago. A retooled program was especially important since many of the fans would have regularly attended her hometown concerts and she wanted to make sure they got something unexpected. That was one thing about Kayleigh Towne's music; her audiences weren't as big as some but were loyal as golden retrievers. They knew her lyrics cold, knew her guitar licks, knew her moves onstage and laughed at her shtick before she finished the lines. They lived and breathed her performances, hung on her words, knew her bio and likes and dislikes.

And some wanted to know much more . . .

With that thought, her heart and gut clenched as if she'd stepped into Hensley Lake in January.

Thinking about him, of course.

Then she froze, gasping. Yes, someone was watching her from the far end of the hall! Where none of the crew would be.

Shadows were moving.

Or was it her imagination? Or maybe her eyesight? Kayleigh had been given perfect pitch and an angelic voice but God had decided enough was enough and skimped big-time on the vision. She squinted, adjusted her glasses. She was sure that someone was hiding, rocking back and forth in the doorway that led to the storage area for the concession stands.

Then the movement stopped.

She decided it wasn't movement at all and never had been. Just a hint of light, a suggestion of shading.