The Coffin Dancer (Lincoln Rhyme 2)

He glanced down to see Jodie scrambling to safety behind a car. Stephen threw the Model 40 into the case, slung the backpack over his shoulder, and slid down the fire escape into the alley.

The second tragedy.

Percey Clay had changed her clothes and stepped into the corridor, slumped against the strong figure of Roland Bell. He put his arm around her.

The second of three. It hadn't been their mechanic quitting or problems with the charter. It had been the death of her dear friend.

Oh, Brit . . .

Imagining him, eyes wide, mouth open in a soundless shout, charge toward the terrible man. Trying to stop him, appalled that someone would actually be trying to kill him, to kill Percey. More indignant and betrayed than scared. Your life was so precise, she thought to him. Even your risks were calculated. The inverted flight at fifty feet, the tailspins, the skydiving. To spectators, it looked impossible. But you knew what you were doing and if you thought about the chance of an early death, you believed it would be from a bum linkage or a clogged fuel line or some careless student who intruded into your airspace.

The great aviation writer Ernest K. Gann wrote that fate was a hunter. Percey'd always thought he meant nature or circumstance--the fickle elements, the faulty mechanisms that conspire to send airplanes hurtling into the ground. But fate was more complicated than that. Fate was as complicated as the human mind. As complicated as evil.

Tragedies come in threes . . . And what would the last one be? Her death? The Company's? Someone else's?

Huddling against Roland Bell, she shivered with anger at the coincidence of it all. Thinking back several weeks: she and Ed and Hale, groggy from lack of sleep, standing in the glare of the hangar lights around Learjet Charlie Juliet, hoping desperately they'd win the U.S. Medical contract, shivering in the damp night as they tried to figure out how best to outfit the jet for the job.

Late, a misty night. The airport deserted and dark. Like the final scene in Casablanca.

Hearing the squeal of brakes and glancing outside.

The man lugging the huge duffle bags out of the car on the tarmac, flinging them inside, and firing up the Beechcraft. The distinctive whine of a piston engine starting.

She remembered Ed saying, incredulous, "What's he doing? The airport's closed."

Fate.

That they happened to be there that night.

That Phillip Hansen had chosen that exact moment to get rid of his damaging evidence.

That Hansen was a man who would kill to keep that flight a secret.

Fate . . .

Then she jumped--at a knocking on the door of the safe house.

Two men stood there. Bell recognized them. They were from the NYPD Witness Protection Division. "We're here to transport you to the Shoreham facility on Long Island, Mrs. Clay."

"No, no," she said. "There's a mistake. I have to go to Mamaroneck Airport."

"Percey," Roland Bell said.

"I have to."

"I don't know about that, ma'am," one of the officers said. "We've got orders to take you to Shoreham and keep you in protective confinement until a grand jury appearance on Monday."

"No, no, no. Call Lincoln Rhyme. He knows about it."

"Well . . . " One of the officers looked to the other.

"Please," she said, "call him. He'll tell you."

"Actually, Mrs. Clay, it was Lincoln Rhyme who ordered you moved. If you'll come with us, please. Don't you worry. We'll take good care of you, ma'am."

. . . Chapter Twenty-seven

Hour 28 of 45