The Kill Room (Lincoln Rhyme 10)

"Upload a picture of Shales, DMV or military."

"Sure. I'll do it when we hang up." Then in a somber voice she told him in detail about the death of Moreno's interpreter, Lydia.

"Torture?"

She described the knife work.

"Distinctive technique," he assessed. "That might be helpful."

He'd be referring to the fact that perps who use knives or other mechanical weapons, like clubs, tended to leave wounds that were consistent from one victim to another, which can often identify them. She noted too that this detached, clinical comment was his only reaction to the horrific attack.

But this was just Lincoln Rhyme. She knew it; she accepted it. And wondered in passing why the same attitude in Nance Laurel set her so on edge.

She asked, "How's it going down in the balmy Caribbean?"

"Not making much headway, Sachs. We're under house arrest."

"What?"

"One way or the other, it'll be resolved tomorrow." He clearly wasn't going to say any more, maybe concerned that his line was tapped. "I should go. Thom's making something for dinner. I think it's ready. And you really should try dark rum sometime. It's quite good. Made from sugar, you know."

"I may pass on the rum. There are some unpleasant memories. Though I guess they're not memories if you can't remember them."

"What do you think of the case now, Sachs? You still in the policy and politics camp? Leaving it all to Congress?"

"Nope. Not anymore. One look at the crime scene at Lydia Foster's convinced me. There're some real bad sons of bitches involved in this. And they're going down. Oh, and Rhyme, by the way: If you hear something about an IED blast up here, don't worry, I'm fine." She explained about the explosion that took out the computer at the coffee shop, without going into the details of the near miss.

He then said, "It's rather pleasant down here, Sachs. I'm thinking we might want to come back some time--unofficially."

"A vacation. Yeah, Rhyme, let's do it."

"You couldn't drive very fast. Traffic's terrible."

She said, "I've always wanted to try a Jet Ski. And you could go to a beach."

"I've already been in the water," he told her.

"Seriously?"

"Yes, indeed. I'll tell you about it later."

She said, "Miss you." She disconnected before he had a chance to say the same.

Or not.

Nance Laurel received a call on her own mobile. Sachs was aware of her reacting stiffly as she glanced at caller ID. When she answered, the tone in the ADA's voice told Sachs immediately that this was a private matter, unrelated to the case. "Well, hi...How are you?"

The woman turned away from Sachs and Cooper, turned as far as she could. But Sachs could still hear. "You need them? I didn't think you did. I packed them up."

Odd. Sachs had not thought of the prosecutor as having a personal life. She wore no wedding or engagement ring--very little jewelry at all. Sachs could imagine her vacationing with her mother or sister; Nance Laurel as a wife or lover was hard to picture.

Still coddling her conversation, Laurel said into the phone, "No, no. I know where they are."

What was that tone?

Sachs realized: She's vulnerable, defenseless. Whoever she was talking to had some kind of personal power over her. A breakup that isn't completely broken yet? Probably.

Laurel disconnected, sat for a moment, as if collecting her thoughts. And then she rose, picked up her purse. "There's something I have to take care of."