The Broken Window (Lincoln Rhyme 8)

Pulling into traffic, Sachs gave a wry laugh. "Yup."

It seemed an odd question from a girl this age, most of whom would know all about boys and sports. But Pam Willoughby wasn't like most girls. When she was very young her father died on a U.N. peacekeeping mission and her unstable mother had flung herself into the political and religious right-wing underground, growing more and more militant. She was now serving a life sentence for murder (she was responsible for the U.N. bombing some years ago in which six people died). Amelia Sachs and Pam had met back then, when the detective had saved the girl from a serial kidnapper. She then disappeared but, by sheer coincidence, Sachs had rescued her again, not long ago.

Liberated from her sociopath family, Pam had been placed with a foster family in Brooklyn--though not before Sachs had checked out the couple like a Secret Service agent planning a presidential visit. Pam enjoyed life with the family. But she and Sachs continued to hang out together

and were close. With Pam's foster mother often fully occupied with taking care of five younger children, Sachs took on the role of older sister.

This worked for them both. Sachs had always wanted children. But complications existed. She'd planned on a family with her first serious live-in boyfriend, though he, a fellow cop, proved to be about the worst choice in the world (extortion, assault and eventually prison, for a start). After him she'd been alone until she'd met Lincoln Rhyme and had been with him ever since. Rhyme didn't quite get children, but he was a good man, fair and smart, and could separate his stony professionalism from his home life; a lot of men couldn't.

But starting a family would be difficult at this point in their lives; they had to contend with the dangers and demands of policing and the restless energy they both felt--and the uncertainty about Rhyme's future health. They also had a certain physical barrier to be overcome, though the problem, they'd learned, was Sachs's, not Rhyme's (he was perfectly capable of fathering a family).

So, for now, the relationship with Pam was enough. Sachs enjoyed her role and took it seriously; the girl was lowering her reticence to trust adults. And Rhyme genuinely enjoyed her company. Presently he was helping her outline a book about her experiences in the right-wing underground to be called Captivity. Thom had told her that she had a chance of getting on Oprah.

Speeding around a taxi, Sachs now said, "You never answered. How was studying?"

"Great."

"You set for that test on Thursday?"

"Got it down. No problem."

Sachs gave a laugh. "You didn't even crack a book today, did you?"

"Amelia, come on. It was such a neat day! The weather's been sucky all week. We had to get outside."

Sachs's instinct was to remind her of the importance of getting good scores on her finals. Pam was smart, with a high IQ and a voracious appetite for books, but after her bizarre schooling she'd find it tough to get into a good college. The girl, though, looked so happy that Sachs relented. "So what'd you do?"

"Just walked. All the way up to Harlem, around the reservoir. Oh, and there was this concert by the boathouse, just a cover band, you know, but they totally nailed Coldplay. . . ." Pam thought back. "Mostly, like, Stuart and I just talked. About nothing. That's the best, you ask me."

Amelia Sachs couldn't disagree. "Is he cute?"

"Oh, yeah. Way cute."

"Have a picture?"

"Amelia! That'd be so uncool."

"After this case is over, how 'bout we have dinner, the three of us?"

"Yeah? You really want to meet him?"

"Any boy going out with you better know that you've got somebody watching your back. Somebody who carries a gun and handcuffs. Okay, hold on to the dog; I'm in the mood to drive."

Sachs downshifted hard, pumped the gas and left two exclamation points of rubber on the dull black asphalt.

Chapter Eight Since Amelia Sachs had begun spending occasional nights and weekends here at Rhyme's, certain changes had occurred around the Victorian town house. When he'd lived here alone, after the accident and before Sachs, the place had been more or less neat--depending on whether or not he'd been firing aides and housekeepers--but "homey" wasn't a word that described it. Nothing personal had graced the walls--none of the certificates, degrees, commendations and medals he'd received during his celebrated tenure as head of the NYPD crime-scene operation. Nor any pictures of his parents, Teddy and Anne, or his uncle Henry's family.

Sachs hadn't approved. "It's important," she lectured, "your past, your family. You're purging your history, Rhyme."

He'd never seen her apartment--the place wasn't disabled accessible--but he knew that the rooms were chockablock with evidence of her history. He'd seen many of the pictures, of course: Amelia Sachs as a pretty young girl (with freckles that had long since vanished) who didn't smile a lot; as a high school student with mechanics tools in hand; as a college-age daughter flanked on holidays by a grinning cop father and a stern mother; as a magazine and advertising model, her eyes offering the chic frigidity that was au courant (but which Rhyme knew was contempt for the way models were considered mere coat hangers).

Hundreds of other pix too, shot mostly by her father, the man with a quick-draw Kodak.

Sachs had studied Rhyme's bare walls and had gone where the aides--even Thom--did not: the boxes in the basement, scores of cartons containing evidence of Rhyme's prior life, his life in the Before, artifacts hidden away and as unmentioned as first wife to second. Many of these certificates and diplomas and family pictures now filled the walls and mantelpiece.

Including the one he was presently studying--of himself as a lean teenager, in a track uniform, taken after he'd just competed in a varsity meet. It depicted him with unruly hair and a prominent Tom Cruise nose, bending forward with his hands on his knees, having just finished what was probably a mile run. Rhyme was never a sprinter; he liked the lyricism, the elegance of the longer distances. He considered running "a process." Sometimes he would not stop running even after crossing the finish line.

His family would have been in the stands. Both father and uncle resided in suburbs of Chicago, though some distance apart. Lincoln's home was to the west, in the flat, balding sprawl that was then still partly farmland, a target of both thoughtless developers and frightening tornados. Henry Rhyme and his family were somewhat immune to both, being on the lakefront in Evanston.