There was no way of telling, of course, where the bitch was going. Or when-even if-she was coming back. If he continued to wait in the shadow of the tree, somebody might see him. And if he went back and waited in the Voyager, the cops might drive by and wonder what someone was doing sitting in a car at quarter to three in the morning.
When he got back to Willow Grove and the rig, he loaded DEN into the computer, and watched the sixteen pictures he’d taken three months before of an arrogant bitch named Delores in Denver. A not-so-arrogant bitch anymore, which was nice to look at and remember. But Delores was not nearly as pretty as Cheryl, and Delores didn’t look nearly as much like Bonnie the Bitch as Cheryl did.
Tonight, Homer had the feeling everything was going to fall into place. Willow Grove Automotive had loaned him a dark gray De Ville-not the one he’d had before-and when he got to Halligan’s, the minute he pulled into the parking lot, he saw Cheryl’s Sebring, and didn’t even have to go into the lounge.
He just sat in the De Ville and waited for her to come out. When she did, a guy came out after her, and they had a little argument in the doorway. The bitch was obviously telling the guy she’d been cock-teasing for the last hour, at least, that he had it wrong, that not only was she not that kind of girl, but even if she was, she wouldn’t give any to a jerk like him.
The guy went back in Halligan’s Pub, Cheryl got in her Sebring, and when she was out of sight, Homer started the De Ville. He knew where she lived and he didn’t even have to follow her. And when he got near Independence Street, he saw-on Sixty-seventh Avenue, North-a dark place where he could park the De Ville where it wouldn’t attract attention, and where he could change into the costume without being seen.
And when he got to the tree and looked up at Cheryl’s apartment, the lights were on. He figured she had been there no more than four, five minutes at most.
The light came on a minute or so later in a little window he was sure was the bathroom, and he thought about what Cheryl would look like in the shower while he waited for the light to go out.
Ten minutes later, it went out, and no more than a minute after that, so did the lights in her bedroom.
Homer checked the pockets of the coveralls to make sure he had the Jim Bowie replica knife, the camera, and the plastic thingamajigs he would use to tie her spread-eagled on her bed.
As he pulled on a pair of disposable rubber gloves, Homer started to get a hard-on thinking about what he was going to do, and told himself to cool it. He didn’t want it to be over too soon.
Outside wooden stairs, with a narrow platform, had been added to the old building to provide a rear entrance to the second-floor apartments.
He went up them quickly, putting his feet on the outside of each step. If you stepped in the middle, sometimes the stairs would squeak, and the last thing he wanted to do was to have some yapping dog hear him and start barking.
When he got to the platform and her back door, he pulled the black ski mask from his pocket and pulled it over his head, then took a close look at the door. There were actually two doors, an outer combination screen and winter door. The screen thing was in place.
He put the blade of the Jim Bowie replica in the crack between the screen and the frame, and carefully pried it open wide enough so that he could get his hand inside to unlatch it. Then he very carefully pulled it open. It came easy, without squeaking.
Once he had the screen door open, he made sure that the screen was back in place. He was pleased when he saw that he hadn’t even
scratched the sonofabitch.
The inner door wasn’t much more trouble. There was a pretty good lock, but the construction was cheesy, and all it took to pop the lock was to force the blade of the Jim Bowie replica into the frame and lean on it a little.
Homer opened the door wide enough to get the blade inside and ran it up and down, checking for a chain or whatever, and when there was none, opened the door all the way, stepped into the kitchen, and then closed it behind him.
After a minute, there was enough light for him to see pretty good. He was glad he’d waited. There was a little table in the kitchen he probably would have bumped into.
This was the hairy part of the operation, making it from just being inside into the bedroom and to the bed itself without making any kind of racket.
Homer made his way slowly and carefully through the kitchen, into the living room, and then to a door he was pretty sure was the bedroom door. This sometimes was a problem; if there was a lock on the bedroom door and it had to be popped, it sometimes woke the bitches up.
No lock.
The door opened smoothly inward.
There was more light in the room, two of those go-to-the-bathroom little lights plugged into sockets near the floor.
Cheryl was in bed, lying on her stomach. She was wearing pajamas.
Homer walked to the bed, very carefully reached out for Cheryl’s shoulder, and then suddenly grabbed it, jerked her over on her back, then pushed her hard down on the bed with his hand on her throat.
“One fucking sound and you get your throat cut!” he said, waving the Jim Bowie replica in front of her face.
Cheryl whimpered.
“Please don’t hurt me,” she said. Scared shitless.
“I’m going to fuck you, bitch,” Homer said. “It’s up to you whether you get hurt or not.”