"You were in Las Vegas, somebody said?" Marchessi asked. "Win any money?"
Vito pulled the wad of bills from his pocket and let Marchessi have a look.
"Can't complain. Can't complain a goddamn bit," Vito said. He saw the little Spic's eyes widen when he saw his roll.
Vito stuffed the money back in his pocket.
"What was going on just now on the ramp?" he asked.
From the looks on their faces, it was apparent to Corporal Vito Lanza that neither Officer Joseph Marchessi nor Officer Whatsisname Martinez had a fucking clue what he was talking about.
"Lieutenant Ardell come on the plane, American from Vegas, Gate 23, and took a good-looking blonde and some Main Line asshole off it," Lanza explained. "There was a limousine, one of our cars, and a detective car on the ramp."
"Oh," Marchessi said. "Yeah. That must have been theWhatsername?-Detweilergirl. You remember, three, four months ago, when the mob hit Tony the Zee DeZego in the parking garage downtown?"
Vito remembered. DeZego had been taken down with a shotgun in a mob hit. The word on the street was that the doers were a couple of pros, from Chicago or someplace.
"So?"
"She got wounded or something when that happened. She's been in a hospital out west. They didn't want the press getting at her."
"Who's they?"
"Chief Lowenstein himself was down here a couple of hours ago," Marchessi said.
Vito knew who Chief Lowenstein was. Of all the chief inspectors, it was six one way and half a dozen the other if Lowenstein or Chief Inspector Dennis V. Coughlin had the most clout. It was unusual that Lowenstein would personally concern himself with seeing that some young woman was not bothered with the press. "How come the special treatment?"
Marchessi said, more than a little sarcastically, "I guess if your father runs and maybe owns a big piece of Nesfoods, you get a little special treatment."
The bell rang, signaling that the luggage conveyor was about to start moving. Vito nodded at Marchessi and Martinez and walked to the conveyor and waited until his luggage appeared. He grabbed it, then went back into the terminal and walked through it to the Airport Unit office. He walked past without going in, and went to the parking area reserved for police officers either working the Airport Unit or visiting it, where he had left his car.
His car, a five-year-old Buick coupe, gave him a hard time starting. He had about given up on it when it finally gasped into life.
"Piece of shit!" he said aloud, and then had a pleasant thought: When he was finished work tomorrow, he would get rid of the sonofabitch. What he would like to have was a four-door Cadillac. He could probably make a good deal on one a year, eighteen months old. That would mean only twelve, fifteen thousand miles. A Caddy is just starting to get broken in with a lousy fifteen thousand miles on the clock, and you save a bunch of money.
Just because you did all right at the tables, Vito Lanza thought, is no reason to throw money away on a new car. Most people can't tell the fucking difference between a new one and one a year, eighteen months old, anyway.
****
Corporal Vito Lanza lived with his widowed mother, Magdalena, a tiny, intense, silver-haired woman of sixty-six in the house in which he had grown up. She managed to remind him at least once a day that the row house in the 400 block of Ritner Street in South Philadelphia was in her name, and that he was living there, rent free, only out of the goodness of her heart.
When he finally found a place to park the goddamned Buick and walked up to the house, Magdalena Lanza was sitting on a folding aluminum and plastic webbing lawn chair on the sidewalk, in the company of Mrs. D'Angelo (two houses down toward South Broad Street) and Mrs. Marino (the house next door, toward the Delaware River). She had an aluminum colander in her lap, into which she was breaking green beans from a paper bag on the sidewalk beside her.
Vito nodded at Mrs. D'Angelo and Mrs. Marino and kissed his mother and said, "Hi, Ma" and handed her a two-pound box of Italian chocolates he had bought for her in the gift shop at the Flamingo in Vegas.
She nodded her head, but that was all the thanks he got.
"The toilet's running again," Mrs. Lanza said. "And there's rust in the hot water. You either got to fix it, or give me the money to call the plumber."
"I'll look at it," Vito said, and went into the house.
To the right was the living room, a long, dark room full of heavy furniture. A lithograph of Jesus Christ with his arms held out in front of him hung on the wall. Immediately in front of him was the narrow stairway to the second floor, and the equally narrow passageway that led to the kitchen in the rear of the house. Off the kitchen was the small dark dining room furnished with a table, six chairs, and a china cabinet.
He went up the stairs and a few steps down the corridor to his room. It was furnished with a single bed, a dresser, a small desk, and a floor lamp. There were pictures on the wall, showing Vito when he made his first communion at Our Lady of Mount Carmel Church, his graduation class at Mount Carmel Parochial School, Vito in his graduation gown and tasseled hat at Bishop John Newmann High School, and Vito in police uniform and his father the day he graduated from the Philadelphia Police Academy. There was also an eighteen-inch-long plaster representation of Jesus Christ on his crucifix.
Vito tossed his bags on the bed and went down the corridor to the bathroom. He voided his bladder, flushed the toilet, and waited to see if the toilet was indeed running.
It was, and he took the top off the water box and looked at the mechanism.