His only family had been a mother who died ten years ago. His father was supposed to have died before he was born. There was no record of the father's death. In fact, the father didn't seem to exist.
An illegitimate birth, carefully disguised? Maybe. So Gaynor was a bastard in the original definition of the word. So what? I'd already known he was one in spirit.
I propped Wheelchair Wanda's picture against the coffeepot. She was smiling, almost like she'd known the picture was being taken. Maybe she was just photogenic. There were two pictures with her and Gaynor together. In one they were smiling, holding hands as Tommy pushed Gaynor's wheelchair and Bruno pushed Wanda. She was gazing at Gaynor with a look I had seen in other women. Adoration, love. I'd even experienced it myself for a brief time in college. You get over it.
The second picture was almost identical to the first. Bruno and Tommy pushing them. But they weren't holding hands. Gaynor was smiling. Wanda wasn't. She looked angry. Cicely of the blond hair and empty eyes was walking on the other side of Gaynor. They were holding hands. Ah-ha.
So Gaynor had kept both of them around for a while. Why had Wanda left? Jealousy? Had Cicely arranged it? Had Gaynor tired of her? The only way to know was to ask.
I stared at the picture with Cicely in it. I put it beside the laughing close-up of Wanda's face. An unhappy young woman, a scorned lover. If she hated Gaynor more than she feared him, Wanda would talk to me. She would be a fool to talk to the papers, but I didn't want to publish her secrets.
I wanted Gaynor's secrets, so I could keep him from hurting me. Barring that, I wanted something to take to the police.
Mr. Gaynor would have other things to worry about if I could get him in jail. He might forget all about one reluctant animator. Unless, of course, he found out I'd had something to do with him being arrested. That would be bad. Gaynor struck me as vengeful. I had Dominga Salvador mad at me. I didn't need anyone else.
I closed the drapes and left a wake-up call for noon. Irving would just have to wait for his file. I had unintentionally given him the interview with the new Master of the City. Surely that cut me a little slack. If not, to hell with it. I was going to bed.
The last thing I did before going to bed was call Peter Burke's house. I figured that John would be staying there. It rang five times before the machine kicked on. "This is Anita Blake, I may have some information for John Burke on a matter we discussed Thursday." The message was a little vague, but I didn't want to leave a message saying, "Call me about your brother's murder." It would have seemed melodramatic and cruel.
I left the hotel's number as well as my own. Just in case. They probably had the ringers turned off. I would. The story had been front page because Peter was, had been, an animator. Animators don't get murdered much in the run-of-the-mill muggings. It's usually something more unusual.
I would drop off Gaynor's file on the way home. I wanted to drop it off at the receptionist desk. I didn't feel like talking to Irving about his big interview. I didn't want to hear that Jean-Claude was charming or had great plans for the city. He'd be very careful what he told a reporter. It would look good in print. But I knew the truth. Vampires are as much a monster as any zombie, maybe worse. Vamps usually volunteer for the process, zombies don't.
Just like Irving volunteered to go off with Jean-Claude. Of course, if Irving hadn't been with me the Master would have left him alone. Probably. So it was my fault, even if it had been his choice. I was achingly tired, but I knew I'd never be able to sleep until I heard Irving's voice. I could pretend I'd called to tell him I was dropping the file off late.
I wasn't sure if Irving would be on his way to work or not. I tried home first. He answered on the first ring.
"Hello."
Something tight in my stomach relaxed. "Hi, Irving, it's me."
"Ms. Blake, to what do I owe this early morning pleasure?" His voice sounded so ordinary.
"I had a bit of excitement at my apartment last night. I was hoping I could drop the file off later in the day."
"What sort of excitement?" His voice had that "tell me" lilt to it.
"The kind that's police business and not yours," I said.
"I thought you'd say that," he said. "You just getting to bed?"
"Yeah."
"I guess I can let a hardworking animator sleep in a little. My sister reporter may even understand."
"Thanks, Irving."
"You alright, Anita?"
No, I wanted to say, but I didn't. I ignored the question. "Did Jean-Claude behave himself?"
"He was great!" Irving's enthusiasm was genuine, all bubbly excitement. "He's a great interview." He was quiet for a moment. "Hey, you called to check up on me. To make sure I was okay."
"Did not," I said.
"Thanks, Anita, that means a lot. But really, he was very civilized."
"Great. I'll let you go then. Have a good day."
"Oh, I will, my editor is doing cartwheels about the exclusive interview with the Master of the City."
I had to laugh at the way he rolled the title off his tongue. "Good night, Irving."
"Get some sleep, Blake. I'll be calling you in a day or two about those zombie articles."
"Talk to you then," I said. We hung up.
Irving was fine. I should worry more about myself and less about everyone else.
I turned off the lights and cuddled under the sheets. My penguin was cradled in my arms. The Browning Hi-Power was under my pillow. It wasn't as easy to get to as the bed holster at home, but it was better than nothing.
I wasn't sure which was more comforting, the penguin or the gun. I guess both were equally comforting, for very different reasons.
I said my prayers like a good little girl. I asked very sincerely that I not dream.