But when I opened my wallet I had no money.
"You all right, Lieutenant?" Little Mack asked.
"Sure."
"I mean, you're listing pretty bad," he said.
"I'm okay."
"You got to be careful out there in the fog and all," he said. "There's crazy people on the highway, drunks and such. You going to be safe?"
"Sure," I said. "Believe me."
I started walking in the gray dawn toward the shining black outline of the Huey Long Bridge. I could hear car tires whir on the steel grid of the bridge. The air was cool and damp and smelled of the wet earth along the river-banks. I began the long walk up toward the apex of the bridge, my breath coming hard in my throat, my heart swelling with exertion. Far down below in the dark waters, a Standard Oil barge was headed north to the refineries in Baton Rouge. The spires, cables, and girders of the bridge seemed to sing and whip and groan in the wind. Then the sun broke through the clouds in a yellow ball, flooding the bridge with light, and for some reason I saw deep down in my mind a black cluster of jungle birds rise clattering into a hot tropical sky.
Late that afternoon I sat under an umbrella on the deck of my houseboat and tried to mend my day and mind back together with a bottle of Jax. I wasn't having much luck. The sun reflected off the water and struck my eyes like broken shards from a mirror. I wanted to call Annie and apologize, but how do you explain that your craving for alcohol can be stronger than your need for someone's love? And in truth, at that moment I didn't have either the courage or the energy to face my own irresponsibility and weakness. Instead, I brooded on the relativity of time, the stark realization that no amount of years could successfully separate me from my nightmarish alcoholic past, that Philip Murphy's cocktail had launched me totally back into a surreal world where the dragons and monsters frolicked.
I also brooded on my drowned father and wondered what he would have done in my situation. He was a big, powerful man, a dark laughing Cajun with white teeth and turquoise eyes who had been raised on boudin, cush-cush, and garfish balls. He had been a fur trapper on Marsh Island and a derrick man on oil rigs, working high up on the monkey board, and he had done his best to take care of Jimmie and me after my mother ran away with a bourée dealer from Morgan City. But when he was out of work he drank hard and sometimes brawled in bars and got thrown in the parish jail; the white streak in Jimmie's and my hair was caused by a vitamin deficiency associated with malnutrition. However, during those bad times he could be imaginative and kind in ways that we would never forget. On a Halloween evening, when the pecan trees stood full and black against the orange sky, he would come home with carved pumpkins, chopped lengths of sugar cane, and blocks of hot gingerbread, or at our birthday breakfasts we would find by our plates of cush-cush and boudin a dozen Civil War minié balls or rose quartz Indian arrowheads, and one time a rusty Confederate revolver he had dug out of the bank on Bayou Teche.
He usually spoke to us in French, and he entertained us for years with an endless number of admonitions, observations, and folk stories that he said he'd learned from his father but that I think he made up as the situation demanded. An English paraphrase of a few:
Never do anything you don't want to, you.
If everybody agrees upon it, it's got to be wrong.
Rather than the eagle, the crawfish should be the symbol of the United States. If you put an eagle on a rail road track and a train comes along, what's that eagle going to do? He's going to fly, him. But you put a crawfish on that railroad track and what's he going to do? He's going to put up his claws to stop that train, him.
But there was a piece of serious advice that he used to give us, and I could almost hear him whispering it to me now from below the green depths far out in the Gulf: When you've hunted through the whole marsh for the bull 'gator that ate your hog and you come up empty, go back where you started and commence again. You walked right over him.
A cop had never been given a better suggestion.
I slept through the rest of the afternoon and woke in the cooling dusk when the cicadas were loud in the purple haze and the fireflies were lighting in the trees. I showered and felt some of the misery begin to go out of my mind and body, then I took a taxi to the Hertz agency and rented a small Ford.
Because most of the Quarter was closed to automobile traffic at night, I parked the car near the French Market, by the river, and walked back to Bourbon. The street was loud with music from the bars and strip houses, and the sidewalks were filled with tourists, drunks, and street people who were trying to hold on to their last little piece of American geography. My favorite bunch of hustlers and scam artists, the black sidewalk tap dancers, were out in force. They wore enormous iron taps that clipped onto their shoes, and when they danced to the music from the bars, their feet rang on the concrete like horseshoes. A tap dancer would stop a tourist, rivet him in the eyes, and say, "I bet you a half-dollar I can tell you where you got yo' shoes." If the tourist accepted the wager, the dancer would then say, "You got yo' shoes on yo' feet, and yo' feet is on Bourbon Street. You ain't the kind, now, to back out on yo' bet, is you?"
I went inside Plato's Adult Theater, stopped in the men's room, and removed the clip from my .45 automatic. I dropped the empty pistol in one coat pocket, the clip in the other, and opened Wesley Potts's office door without knocking.
"What's happening Wes? Community Outreach here," I said.
He sat behind the desk in his powder-blue polyester slacks, with his feet up in a chair, watching the baseball game on television and eating fried chicken out of a box propped on his stomach. His pate shone with hair oil, and his eyes looked at me like uncertain blue marbles. He resumed chewing, and swallowed the chicken in his mouth.
"I'm looking for a fellow named Bobby Joe Starkweather," I said. "I suspect he's a fan of the Tijuana visual arts."
His eyes clicked back and forth.
"I hear they pulled your ticket, Lieutenant," he said.
"You hear a lot of rumors in troubled times."
"This is more like the Times-Picayune. "
"Those are bureaucratic matters that guys like you and me don't need to pay much attention to."
"I think I already went on the line once for you, Lieutenant. I didn't get nothing for it, either, except my films smashed up by Purcel. I could've got into some real ugly shit because of that."
"I'm temporarily disconnected from the snitch fund, so we're operating on good faith here."
"I went through a lot of anxiety because of that day. I think you ought to understand that. No matter what you think about me, I'm not some kind of geek for the mob that hops around in the pan like a piece of popcorn. I got a family, my kids go to Sunday school, I pay a lot of taxes. Maybe my IRS records are a little creative, but how about Nixon's? A guy wants a little respect, a little recognition that he's got his own space, his own problems."