Heaven's Prisoners (Dave Robicheaux 2)

When I got back home the rain was still dancing on the bayou, and Annie had walked Alafair down to the dock to help Batist take care of the fishermen who were drinking beer and eating boudin under the canvas awning. I went up to the house and called New Orleans information for Robin's number, but she had no listing. Then I called Smiling Jack's. The man who answered didn't identify himself, but the voice and the manner were unmistakable.

"She isn't here. She don't come in till six," he said.

"Do you have her home number?"

"Are you kidding? Who is this?"

"What's her number, Jerry?"

"Oh yeah, I should have known. It's Fearless Fosdick, isn't it?" he said. "Guess what? She don't have a phone. Guess what again? This isn't an answering service."

"When'd you see her last?"

"Throwing up in the toilet at three o'clock this morning. I just got finished cleaning it up. Look, fun guy, you want to talk to that broad, come down and talk to her. Right now I got to wash out my mops. You two make a great couple."

He hung up the phone, and I looked out into the rain on the bayou. Maybe she would be all right, I thought. She had survived all her life in a world in which male use of her body and male violence against it had been as natural to her as the vodka collins and speed on the half-shell that started each of her days. Maybe it was just a vanity that I felt a conversation with me could bring additional harm into her life. Also, I didn't know for sure that the driver of the Corvette was some Brooklyn character named Eddie Keats.

Saints don't heed warnings because they consider them irrelevant. Fools don't heed them because they think the lightning dancing across the sky, the thunder rolling through the woods, are only there to enhance their lives in some mysterious way. I had been warned by both Robin and Minos P. Dautrieve. I saw a solitary streak of lightning tremble like a piece of heated wire on the southern horizon. But I didn't want to think anymore that day about dope runners and local wiseguys, federal agents and plane crashes. I listened to the rain dripping through the pecan trees, then walked down to the dock in the flicker of distant lightning to help Annie and Batist get ready for the late-afternoon fishermen.

* * *

3

IF, AS A child, I had been asked to describe the world I lived in, I'm sure my response would have been in terms of images that in general left me with a sense of well-being about myself and my family. Because even though my mother died when I was young and we were poor and my father sometimes brawled in bars and got locked in the parish jail, he and my little brother and I had a home—actually a world—on the bayou that was always safe, warm in the winter from the woodstove, cool in the summer under the shade of the pecan trees, a place that was ours and had belonged to our people and a way of life since the Acadians came to Louisiana in 1755. In describing that world I would have told my questioner about my pet three-legged coon, my pirogue tied to a cypress into which was driven a rusty spike with a chain supposedly used by jean Lafitte, the big, black iron pot in the backyard where my father fried us sac-a-lait and bream almost every night in the summer, the orange and purple sunsets in the fall when the ducks would cover the sky from horizon to horizon, the red leaves spinning out of the trees onto the water in that peculiar gold October light that was both warm and cold at the same time, and the dark, wet layers of leaves deep in the woods where we dug for night-crawlers, the smokehouse in back that glistened in the morning frost and always smelled of pork dripping into smoldering ash, and most of all my father—a big, dark, laughing Cajun who could break boards into kindling with his bare hands, throw a washtub full of bricks over a fence, or pull a six-foot 'gator out of the water by his tail.

But what images would you find if you unlocked the mind of a six-year-old child who had been flown out of a virtual Stone Age, a Central American village, where the twentieth century intruded itself in the form of the most sophisticated and destructive infantry weapons in the world?

The only Spanish-speaking person I knew in New Iberia was a pari-mutuel window seller named Felix who worked at Evangeline Downs in Lafayette and the Fairgrounds in New Orleans. He had been a casino card dealer in Havana during the Batista era, and his lavender shirts and white French cuffs, crinkling seersucker suits and pomade-scented hair gave him the appearance of a man who still aspired to a jaded opulence in his life. But like most people I knew around the track, his chief defect was that he didn't like regular work or the world of ordinary people.

The skies had cleared almost completely of rain clouds an hour after I had returned from Lafayette and my visit to the DEA, and now the western horizon was aflame with the sunset, cicadas droned in the trees, and fireflies were starting to light in the dusk. We sat in the living room while Felix spoke quietly to Alafair in Spanish about her parents, her village, the small geographic, tropical postage stamp that constituted the only world she had ever known but that sent my own mind back across the seas, back across two decades, to other villages that smelled of fish heads, animal dung, chicken yards, sour mud, stagnant water, human feces, ulcerated children with no pants on who urinated in the road; and then there was that other smell, the reek of soldiers who hadn't bathed for days, who lived enclosed in their own fetid envelope, whose fantasies vacillated from rut to dissolving their enemies and the source of their discomfort into a bloody mist.

But I digress into my own historical myopia. Her story is more important than mine because I chose to be a participant and she did not. I chose to help bring the technology of napalm and the M-16 and AK-47 meat-cutters to people who harvested rice with their hands. Others elected Alafair and her family to be the recipients of our industrial gifts to the Third World.

She spoke as though she were describing the contents of a bad picture show of which she understood only parts, and Annie and I had trouble looking at each other's eyes lest we see reflected there the recognition of the simian creature that was still alive and thriving in the human race. Felix translated:

—The soldiers carry knives and pliers to steal the faces of the people in the village. My uncle ran away into the cane, and the next day we found him where they had left him. My mother tried to hide my eyes but I saw anyway. His thumbs were tied together with wire, and they had taken away his face. It was hot in the cane and we could hear the flies buzzing. Some of the people got sick because of the smell and vomited on themselves.

—That was when my father ran away, too. My mother said he went into the hills with the other men from the village. The helicopters chased them sometimes, I think, because we saw the shadows go across our house and then across the road and the fields, then they would stop in the air and begin shooting. They had tubes on their sides that made puffs of smoke, and the rocks and trees on the hillside would fly in the air. The grass and bushes were dry and caught fire, and at night we could see them burning high up in the darkness and smell the smoke in the wind—

"Ask her what happened to her father," I said to Felix. "Dondé está tu padre ahora?"

—Maybe he went away with the trucks. The trucks went into the hills, then came back with many men from the village. They took them to a place where the soldiers live, and we did not see them again. My cousin said the soldiers have a prison far away and they keep many people there. Maybe my father is with them. The American priest said he would try to find out but that we had to leave the village. He said they would hurt my mother the way they hurt the other lady because of the clinic—

She went silent on the couch and stared out the screen door at the fireflies' lightning in the dusk. Her tan face was now discolored with the same pale, bloodless spots it had had when I pulled her out of the water. Annie stroked her close-cropped hair with her palm and squeezed her around the shoulders.

"Dave, maybe that's enough," she said.

"No, she's got to t

ell it all. She's too little a kid to carry that kind of stuff around by herself," I said. Then, to Felix, "What other lady?"

"Quién es la otra señora?" he asked.

—She worked at the clinic with my mother. Her stomach was big and it made her walk like a duck. One day the soldiers came and pulled her out in the road by her arms. She was calling the names of her friends to help her, but the people were afraid and tried to hide. Then the soldiers made us go outside and watch the thing they did to her in the road—

Her eyes were wide and had the empty, dry, glazed expression of someone who might be staring into a furnace. "Qué hicieron los soldados?" Felix said softly.

—They went to the woodcutter's house and came back with his machete. They were chopping and the machete was wet and red in the sunlight. A soldier put his hands in her stomach and took out her baby. The people were crying now and covering their faces. The priest ran to us from the church, but they knocked him down and beat him in the road. The fat lady and her baby stayed out there by themselves in the sun. The smell was like the smell in the cane when we found my uncle. It was in all the houses, and when we woke up in the morning it was still there but worse—