Heaven's Prisoners (Dave Robicheaux 2) - Page 52

I shook hands with him and walked out into the hazy noon-day heat and humidity. In the meadows along the road, cattle were bunched in the hot shade of the oak trees, and white egrets were pecking in the dried cow flop out in the grass. I pulled my tie loose, wiped my forehead on my shirt sleeve, and looked at the long wet streaks on the cloth.

Fifteen minutes later I was in a dark, cool bar south of town, a cold, napkin-wrapped collins glass in my hand. But I couldn't stop perspiring.

Vodka is an old friend to most clandestine drunks. It has neither odor nor color, and it can be mixed with virtually anything without the drinker being detected. But its disadvantage for a whiskey drinker like me was that it went down so smoothly, so innocuously, in glasses filled with crushed ice and fruit slices and syrup and candied cherries, that I could drink almost a fifth of it before I realised that I had gone numb from my hairline to the soles of my feet.

"Didn't you say you had to leave here at four?" the bartender asked.

"Sure."

He glanced up at the illuminated clock on the wall above the bar. I tried to focus my eyes on the hands and numbers. I pressed my palm absently to my shirt pocket.

"I guess I left my glasses in my truck," I said.

"It's five after."

"Call me a cab, will you? You mind if I leave my truck in your lot awhile?"

"How long?" He was washing glasses, and he didn't look at me when he spoke and his voice had the neutral tone that bartenders use to suppress the disdain they feel for some of the people whom they serve.

"I'll probably get it tomorrow."

He didn't bother to answer. He called a cab and went back to washing glasses in the aluminum sink.

Ten minutes later my cab arrived. I finished my drink and set it on the bar.

"I'll send somebody for my truck, podna," I said to the bartender.

I rode back to my house in the cab, packed two changes of clothes in my suitcase, got Batist to drive me to the airport in Lafayette, and by six-thirty I was aboard a commercial flight to Key West, by way of Miami, the late red sun reflecting like pools of fire among the clouds.

I sipped from my second double Beam and soda and looked down at the dark blue and turquoise expanse of water off the western tip of the island, where the Gulf and the Atlantic met, and at the waves sliding across the coral reefs below the surface and breaking against the beaches that were as white as ground diamond. The four-engine plane dipped, made a wide turn out over the water, then flattened out for its approach to the airport, and I could see the narrow strip of highway that ran from Key West to Miami, the coconut palms along the beaches, the lagoons full of sailboats and yachts, the kelp rising in the groundswell, the waves bursting in geysers of foam at the ends of the jetties, and t

hen suddenly the tree-lined and neon-lit streets of Key West in the last red wash of sunset.

It was a town of ficus, sea grape, mahogany and umbrella trees, coconut and royal palms, hanging geraniums, Confederate jasmine, and bougainvillea that bloomed as brightly as blood. The town was built on sand and coral, surrounded by water, the wooden buildings eventually made paintless and gray by salt air. At one time or another it has been home to Indians, Jean Lafitte's pirates, salvagers who deliberately lured commercial ships onto the reefs so they could gut the wrecks, James Audubon, rum runners, Cuban political exiles, painters, homosexuals, dope smugglers, and burnt-out street people who had been pushed so far down in the continent now that they had absolutely no place else to go.

It was a town of clapboard and screened-in beer joints, raw-oyster bars, restaurants that smelled of conch fritters and boiled shrimp and deep-fried red snapper, clearings in the pine trees where fishermen stacked their lobster traps, nineteenth-century brick warehouses and government armories, and shady streets lined with paintless shotgun houses with wooden shutters and sagging galleries. The tourists were gone now because of the summer heat, and the streets were almost empty in the twilight; the town had gone back into itself. The cabdriver had to buy gas on the way to the motel, and I looked out the window at some elderly Negro men sitting on crates in front of a tiny grocery store, at the ficus roots that cracked the sidewalks into concrete peaks, at the dusky purple light on the brick streets and the darkening trees overhead, and for just a moment it was as though I had not left New Iberia, had not taken another step deeper into my problems.

But I had.

I checked into a motel on the southern tip of the island and had a fifth of Beam and a small bucket of ice sent to the room. I had a couple of hits with water, then showered and dressed. Through my window I could see the palm trees thrashing on the deserted beach and the light dying on the horizon. The water had turned as dark as burgundy, and waves were pitching upward against a coral reef that formed a small harbor for a half-dozen sailboats. I opened the glass jalousies wide to let the cool breeze into the room, then I walked downtown to Duval Street and my friend's restaurant where Robin worked as a waitress.

But my metabolism was on empty before I made it to the foot of Duval. I stopped in at Sloppy Joe's and had a drink at the bar and tried to examine all the vague thoughts and strange movements of my day. True, not everything I had done had been impetuous. Robin was still the best connection I had to the collection of brain-fried New Orleans people who served Bubba Rocque, and I had called my friend longdistance to make sure she was working at the restaurant, but I could have questioned her on the phone, or at least tried, before deciding I would have to fly to Key West.

Which made me confront, at least temporarily, the real reason I was there: it's lousy to be alone, particularly when you're not handling anything properly. Particularly when you're drunk and starting to fuck up your life again on an enormous scale. And because somebody was playing "Baby Love" on the jukebox.

"Why don't you put some records on that jukebox that aren't twenty years old?" I said to the bartender.

"What?"

"Put some new music on there. It's 1987."

"The jukebox is broken, pal. You better slip your transmission into neutral."

I walked back out onto the street, my face warm with bourbon in the wind blowing off the backside of the island. On the dock by the restaurant I watched the waves slide through pilings, small incandescent fish moving about like smoky green lights below the surface. The restaurant was crowded with customers, and the bar was a well-lighted and orderly place where people had two drinks before dinner. When I walked inside I felt like a diver stepping out of a bathysphere into a hostile and glaring brilliance.

The maitre d' looked at me carefully. I had fixed my tie and tried to smooth the wrinkles in my seersucker coat, but I should have put on sunglasses.

"Do you have a reservation, sir?" he said.

Tags: James Lee Burke Dave Robicheaux Mystery
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