The room was quiet. There was no movement upstairs. Particles of dust and threads of fiberboard floated in the light from the broken ceramic lamp that swung back and forth on its cord against the wall. Down the street I heard sirens.
I had every reason to believe that he was trapped—even though Victor Romero had survived Vietnam, thrived as a street dealer and pimp, gotten out from under federal custody after he probably killed the four people in the plane at Southwest Pass, escaped unhurt in the Toyota when I punched it full of holes with the .45, and managed in all probability to blow away Eddie Keats. It wasn't a record to ignore.
For the first time I glanced through the side window and saw a flat, tarpa
pered roof outside. There were air vents on it from the laundry, a lighted neon sign, two peaked enclosures with small doors that probably housed ventilator fans, the rusted top of an iron ladder that dropped down to ground level.
Then I saw the boards at the edge of the attic entrance bend with his weight as he moved quietly toward the wall and a probable window that overlooked the roof. I raised the .45 and waited until one board eased back into place and the edges of the next one moved slightly out of the flat, geometric pattern that formed the ceiling, then I aimed just ahead of the spread between his two feet and began firing. I pulled the trigger five times, deliberately and with calculation, saving three shells in the clip, and let the recoil bring each round farther back from the point of his leading foot and the attic entrance.
I think he screamed at one point. But I can't be sure. I didn't really care, either. I've heard that scream before; it represents the failure of everything, particularly of hope and humanity. You hear it in your dreams; it replays itself even when they die silently.
He fell back through the attic opening and crashed on the floor by the foot of the ladder. He lay on his back, one leg bent under him, his eyes filled with black light, his mouth working for air. A round had cut off three fingers of his right hand. The hand trembled with shock on the floor, the knuckles rattling on the wood. There was a deep sucking wound in his chest, and the wet cloth of his shirt fluttered in the wound each time he tried to breathe. Outside, the street was filled with sirens and the revolving blue and red lights of emergency vehicles.
He was trying to speak. His mouth opened, his voice clicked in the back of his throat, and blood and saliva ran down his cheek into his black curls. I knelt by him, as a priest might, and turned my ear toward his face. I could smell his dried sweat, the oil in his hair.
"… did her," he rasped.
"I can't understand."
He tried again, but he choked on the saliva in his throat. I turned his face to the side with my fingers so his mouth would drain.
His lips were bright red, and they formed a wet smile like a clown's. Then the voice came out in a long whisper, smelling of bile and nicotine: "I did your wife, motherfucker."
He was dead two minutes later when three uniformed cops came through the apartment door. A flattened round had caught him in the lower back, tunneled upward through his trunk, and torn a hole in his lung. The coroner told me that the spine had probably been severed and that he was paralyzed when he crashed down the ladder. After the paramedics had lifted him on a stretcher and taken him away, his blood left a pattern like horsetails on the wooden floor.
I spent the next half hour in the apartment answering questions asked by a young homicide lieutenant named Magelli. He was tired and his clothes were wilted with perspiration, but he was thorough and he didn't cut corners. His brown eyes seemed sleepy and expressionless, but when he asked a question, they remained engaged with mine until the last word of my answer was out of my mouth, and only then did he write on his clipboard.
Finally he put a Lucky Strike in his mouth and looked around again at the litter in the kitchen and the buckshot holes in the walls. A drop of perspiration fell out of his hair and spotted the cigarette paper.
"You say this guy worked for Bubba Rocque?" he said.
"He did at one time."
"I wish he'd made enough to buy an air conditioner."
"Bubba has a way of dumping people after their function is over."
"Well, you might have a little trouble about jurisdiction and not calling us when you made the guy, but I don't think it'll be serious. Nobody's going to mourn his passing. Come down to the district and make a formal statement, then you're free to go. Does any of his stuff help you out?"
In the other room the bed was covered with bagged articles of evidence and clothing and personal items taken by the scene investigator from the attic, kitchen, bedroom floor, dressers, and closets: Romero's polyester suits, loud shirts, and colored silk handkerchiefs; the chrome-plated .45 that he had probably used to kill Eddie Keats; a twelve-gauge Remington sawed off at the pump, with a walnut stock that had been cut down, tapered, and sanded until it was almost the size of a pistol grip; the spent shell casings; a whole brick of high-grade reefer; a glass straw with traces of cocaine in it; an Italian stiletto that could cut paper as easily as a razor blade; a cigar box full of pornographic photographs; a bolt-action, scoped .30-06 rifle; a snapshot of him in uniform and two other marines with three Vietnamese bar girls in a nightclub; and finally a plastic bag of human ears, now withered and black, laced together on a GI dogtag chain.
His life had been used to till a garden of dark and poisonous flowers. But in all his memorabilia of cruelty and death, there wasn't one piece of paper or article of evidence that would connect him with anyone outside his apartment.
"It looks like a dead end," I said. "I should have called you all."
"It might have come out the same way, Robicheaux. Except maybe with some of our people hurt. Look, if he'd gotten out on that roof, he'd be in Mississippi by now. You did the right thing."
"When are you going to pick up his cousin?"
"Probably in the morning."
"Are you going to charge him with harboring?"
"I'll tell him that, but I don't think we can make it stick. Take it easy. You did enough for one night. All this shit eventually gets ironed out one way or another. How do you feel?"
"All right."
"I don't believe you, but that's all right," he said, and put his unlit, sweat-spotted cigarette back in his shirt pocket. "Can I buy you a drink later?"