Crusader's Cross (Dave Robicheaux 14)

"Want me to bring you a cup of coffee or tea?" he asked.

"No, thank you," she replied.

"You're a prissy thing."

His words were spoken in such a way that they could have contained either an insult or a compliment. But she let no reaction to them register in her face.

"When's Lou coming back?" she asked.

"How the hell should I know?" he replied.

Later, she heard a starter grind on a car, then saw the teenage boy drive past the window onto the county road. Dale Bordelon opened the bedroom door without knocking and leaned inside, his hand fitted like a starfish on the glass knob. "Want me to fix some sandwiches?" he said.

"I'm not hungry."

"Bob Cobb says he didn't hurt you. Says you liked it just fine," he said.

She scratched her neck and stared idly at a horsefly sitting on the windowsill. She could hear the detective breathing heavily in the silence. He stepped into the room and shut the door behind him, then walked within two feet of her, his belt buckle almost eye-level with her. He lifted a strand of hair off her head and rubbed it between his fingers. She could see whorls of dirt in the ball of his thumb.

"I kept a man from going in your room last night," he said.

"Thank you."

"You talk like a goddamn phonograph," he said.

His knuckles were as big as quarters, his odor like a damp locker room. The gold-embossed outline of the state of Texas glittered on his silver belt buckle, inches from her eyes. He clamped his hand over the top of her head. Where was Lou?

"I didn't mean to hurt your feelings," she said.

"I 'preciate it. But a verbal apology is kind of like getting served ice cream in hell. It don't really address the problem."

"I got my period this morning."

But he didn't even acknowledge her deceit. "I sent the boy on an errand in Orange. He's gonna bring us back some fried-chicken dinners and blackberry cobbler. You'll like them dinners, believe me. But no more excuses. One way or another, you're gonna take care of ole Dale."

The nakedness of his desire made his face feral. He put a breath mint in his mouth and cracked it between his molars, chewing hard, as though he could relieve himself of the passion that made him rotate his neck against his collar. "Don't just sit there, woman. You know what you got to do," he said.

"I got my period at three o'clock this morning," she said, ignoring the implication of his last words.

That's when he ripped her out of the chair and hit her with the flat of his hand across the face, breaking her upper lip, streaking blood from her nose on the wall. Then he smashed her mandolin on the chair and threw it to the floor, grinding the delicate wood of the sound chamber into splinters with his heel, snapping the tuning pegs from the head like broken teeth.

Lou Kale returned to the farmhouse that afternoon and put ice on her face and brought her strawberry ice cream from the kitchen. He swept the broken pieces of her mandolin and the tangle of strings into a dustpan, sliding them into a garbage sack. Outside, the men were popping skeet with a shotgun, the clay disks exploding into puffs of orange smoke above the sawgrass.

"I'll buy you a new one. Or a guitar. You're always talking about a Martin guitar," he said.

/> "Why'd you leave me alone, Lou?"

He sat next to her on the bed and spoke to her with his hands clenched between his knees, his voice lowered. His hair was shiny and black, combed in a wet curl on the back of his neck. His profile looked like a sheep's. "I heard some talk, Ida. They know you're smart. You've seen important people at the house and you know their names and who they are. They think you'll run off again. They think you're gonna cause a shitload of trouble. They make examples, Ida. Sometimes it's out there in the Gulf with the crabs."

"Just give me some money and get me to a train station or airport," she said.

"You're not hearing me. It takes guts to be a whore or a pimp. I'm proud of what I am. We were born on the hard road, Ida. Them cops out there couldn't hack it. I'm not gonna let them push us around. I got us a way out."

"How?" she said.

"I called this big plantation man over in Louisiana. I used to chop bait on his old man's boat when I was a kid. He's got money with the Giacanos, but he's not like the Giacanos. His name is Raphael Chalons. He's a classy guy and those Vice roaches know it. One thing, though?"

"What?"