Feast Day of Fools (Hackberry Holland 3)

In his haste, he knocked the flashlight off the table rock, and the inside of the cave went black. He groped in the dirt until he felt the aluminum cylinder with his fingers, but when he pushed the switch on and off, nothing happened. The inside of the cave contained a level of darkness that only a blind man would understand. Jack felt as though his eyes had been scooped out of his head with a spoon. He stared up the shaft, hoping to see a glimmer of starlight through the opening, but there was both a bend and a drop in the floor, and the darkness was so absolute that it seemed to flow like liquid through his eyes into his skull.

It was not unlike the inside of a cargo trunk his mother had kept in the boxcar where they had lived. “You cost me the trick, Jack. That’s the only way Ma and you can get by,” she would say. “It hurts me to do this. Why are you such a headstrong little boy? Why do you force Ma to do this to her only begotten?”

He dragged the bag behind him, feeling above with one hand to protect his head, the weight inside the bag slapping across the cave floor. Then he rounded the bend and saw the stars in the sky and felt a sense of release that was like an infusion of pure oxygen into his soul. He climbed through the cave opening into the breeze and the smell of creek water and wet grass and desert bloom, then pulled the bag through the hole after him. When he sat down on the incline, sweat was leaking out of his hat and drying on his face. He waited until he had caught his breath, then tore the garbage bag away from the hard outline. His hands were shaking when he unsnapped the series of latches on the top of the guitar case and pried the top up on its hinges. Set inside the velvet pink liner, just as he had left them one year ago, were his Thompson .45 submachine gun, a box magazine, two fifty-round ammunition pans, and six boxes of cartridges. He touched the cold blue oiled smoothness of the frame and saw the vaporous whorls of his fingertips clouding on the steel and evaporating, like the melting of dry ice or hailstones. Did the ancient gods give power with the touch of a finger? he asked himself. Or did they absorb it from the beings they touched? Didn’t Death depend on his victims in order to sustain his own existence? Jack wondered what Ma would think if she saw him now. He wondered if she would smile in awe when the electric arc leaped from the muzzle of his Thompson, when he cut down his enemies like a harvester ripping a scythe through wheat. Would she believe her son had become the left hand of God and be proud of him? Or would she run squeaking and skittering like a dormouse squeezing through its hidey-hole?

He entered the back of the cabin and removed fresh underwear and socks from a dresser, and a white dress shirt and an unpressed clean brown suit from the closet. He stripped off his soiled clothes and let them drop to the floor and wrapped his body in a quilt. Then he carried the guitar case and his razor and a bar of soap and the change of clothes down to the creek. He laid out his suit and underwear on a rock and sat down in the center of the creek, the current frothing around his chest, a cluster of deer watching him from an arroyo. He washed his hair and face and body and lathered his throat and cheeks and shaved by touch. Even though he climbed dripping wet onto the bank and dressed without drying off, his skin was as warm as a heated lampshade. The light had started to go out of the sky, but the evening star still hung low in the west, just above the hills, twinkling like a harbinger of a fine day.

He slipped on his boots and lay down on the quilt, the Thompson at his side, his head cushioned on his arm. The ground was patinaed with tiny wildflowers, and as he breathed their fragrance, he thought he could hear the wind whispering through the grass. The whispering grew in volume until it sounded like bees buzzing in a hive, or the whisperings of desperate girls and young women who had been trapped unfairly underground long before their time, all of them Asian girls whose sloe eyes pleaded for mercy and whose voices asked, Why did you do this to us?

I freed you from a life of degradation, he replied.

But his words were like the weighted tips of a flagrum whipped across his soul.

EARLY THE NEXT morning, Maydeen Stoltz walked into Hackberry’s office. She had a pink memo slip in her hand. “That was Bedford at the firehouse. He said he had a call maybe we should kn

ow about.”

“Concerning what?”

Maydeen looked at the memo slip. “The caller gave his name as Garland Roark. He said he was an arson investigator with the Texas Department of Public Safety. He said he was compiling information about the incidence of arson along the border.”

“Say that name again.”

“Garland Roark.”

Hackberry wrote it on a legal pad.

“So Bedford told him about the shack burning down, the one maybe Collins was living in,” Maydeen said.

“Go on.”

“The caller wanted to know how Bedford knew it was arson. Bedford told him the whole place stunk of kerosene. Then the caller asked if Bedford had any suspects in mind. Bedford goes, ‘Not unless you count the FBI.’”

“Wait a minute,” Hackberry said. “When did Bedford get this call?”

“A week ago, right after the fire.”

“Bedford suspected the feds did it but didn’t tell us?”

“Hold your water two seconds and I’ll try to finish,” Maydeen said.

“Excuse me.”

“I asked Bedford the same question. He said a trucker saw a car with a government tag parked by the shack just before the flames went up. Bedford figured if the feds set fire to it, there was a reason. He thought maybe it was a stopover place for illegals.”

“So why is Bedford calling us now?”

“He started wondering why this guy Roark didn’t ask about the arson incidents involving wildfires. Like what was the big deal with a shack? This morning he called Austin and was told nobody by the name of Garland Roark worked at the Department of Public Safety.”

“That’s because he’s dead,” Hackberry said.

“You knew him?”

“Garland Roark was the author of Wake of the Red Witch. Jack Collins likes to appropriate the names of famous writers. He used the name of B. Traven, the author of The Treasure of the Sierra Madre, on several legal documents. Jack is quite the jokester when he’s not murdering people.”

“You want me to get Bedford on the phone?”

“Forget Bedford. Call Ethan Riser and fill him in. If he’s not in, leave the information on his voice mail.”