Narcissus in Chains (Anita Blake, Vampire Hunter 10)

Chapter 40

EVERYONE FROZE, AS if we'd all taken a collective breath and held it. "No one has to die here," the snake man said. He looked at me with a huge copper-colored eye. The strong black stripe that edged the eyes looked like dramatic makeup. There were no scars on this one's face. He was shorter and seemed younger. His scaled face almost managed a smile, but the jaw of a snake is just not made for smiling. His eyes were as empty and alien as the rest of him. "Our boss just wants to talk to Ms. Blake, that's all."

"Have him pick up the damn phone and make an appointment," I said. I was staring down the barrel of the Browning at a point near the center of his chest, far enough up from Caleb's head that I wasn't worried about shooting him, but close enough to the throat that with the ammo I had in the gun it might pretty much decapitate him. If he ever moved the gun barrel out of Caleb's jaw. A sawed-off shotgun, with silver shot at touching range, and Caleb would be gone. I didn't much like him, but I couldn't let the bad guys blow his head off, could I?

"He didn't think you'd come," the snake man said.

"You go away, have him call, and I promise to give it the consideration it deserves." My voice was quiet because I was stilling my breath as much as I could, waiting for that one shot, if it ever came.

The snake man ground the barrel into Caleb's neck, until he forced a small pain sound from him. "This is silver shot, Ms. Blake. At this range it'll take his head."

"The second after he dies, so do you." Claudia said it, her voice as quiet and steady as the arm that held the gun that was pointed at the snake man's head.

He gave a hissing laugh, and it was echoed from behind him. More of the things started to move up in the open doorway. I caught a flash of silver metal, more guns. "No one else comes through that doorway, or I'll blow you away and let Caleb take his chances."

He pushed the barrel of the shotgun into Caleb's jaw until the smaller man had to rise on tiptoe, and I saw the first hints of panic on his face. "I don't think she likes you very much," the snake man hissed.

"Doesn't matter," I said. "I'm not letting you bring more guns into this room."

"You promise not to hurt Anita." It was Merle. I'd almost forgotten him standing to one side and behind us.

"We won't harm a hair on her head."

"We can smell that you're lying," Claudia said.

The snake head turned to one side, birdlike. "Most people can't smell changes in us, can't smell anything but the stink of snake."

Cherry's voice. "Anita."

My eyes flickered to her, and I saw movement outside the sliding glass doors. They were trying to flank us. "We've got movement on this side," Igor said.

For once other people had guns, and they seemed to know what they were doing. How refreshing. My gaze turned back to the snake man in time to see him motion with the barrel of the gun towards the glass. "We have the house surrounded. There is no need for all of you to die."

Claudia fired a second before I did. Her bullet hit him in the face, mine took him high on the chest, low on the neck. His head vanished in a welter of blood and thicker things. My ears rang with the shots in the small space. The snake's body jerked back; the shotgun went off as his hand convulsed. Caleb threw himself to the floor towards us. Two more snake men came through the door shoulder-to-shoulder, both with shotguns. Claudia said, "Left."

I shot the one on the right, and she took the one on the left. Both of us hit what we aimed at, and the two fell to the floor, one shotgun skidding across the floor towards us.

Another shotgun blast exploded to our left. I turned towards the noise, I couldn't help it. The sliding glass door had shattered, and I hadn't heard the sound of falling glass, just the shotgun roaring. Igor was kneeling, using the island as cover, as he put two shots into the chest of a man. The man fell to his knees, abruptly, like a puppet whose strings had been cut.

"Incoming," Claudia said, and I turned back to the other door. I could see the barrel of a shiny revolver, something nickel plated. Claudia was standing with her body pressed to the cabinets on the near wall, almost hidden from the door. She fired twice at that shiny barrel, and there was a scream that overrode the ringing in my ears. A screaming that went on and on like the squeal of a baby rabbit when a cat gets it. Dimly, I heard someone yell, "Shut up, Felix!"

Shots showered into the room from the side of the inner door that neither Claudia nor I could see and still stay hidden. Someone touched my arm, and I whirled, smacking into Nathaniel with the barrel of the Browning. He pointed. Igor was on the floor, on his side, with the first hint of crimson trickling across the floor. I saw Zane and Cherry under the table, hugging the ground. I caught a glimpse of Merle farther back, tucked into the corner of the cabinets, probably better hidden than any of us. What do you do in a gunfight if you have no gun, hide? I had a moment of meeting Merle's eyes, before I turned back to the wreckage.

A man stepped through the broken sliding glass door, a pump-action shotgun in his hands. He pumped a round in as he stepped through the door. I shot him three times before his knees collapsed from under him. He should have had the round pumped in before he stepped through the door.

Claudia was putting bullets into the inner door. I don't think she was hitting anything now, but she was keeping them from rushing us. Nothing else moved in the broken door, but I stayed crouched, gun aimed two-handed at the opening.

Bullets rained down from the inner door, and Claudia and I hugged the cabinets. I kept an eye on the far door, but I couldn't keep aimed and take cover at the same time. Another shotgun blast roared through the room from the little window above the sink. It took a big bite out of the island cabinets. I was as low to the ground as I could get, on my butt, pressed to the cabinets, but I kept the Browning on the sliding glass door. The shotgun sent another blast through the little window, and the shots from the living room came one after the other, not aiming, just keeping us where we were. I kept my eyes and my gun on the far door. They were shooting to cover something, and that was the only door left.

Three of them came through the sliding door, and everything slowed down. I was seeing the world through crystal, everything sharp edged. I had all the time in the world to see the two snakes and the lion man Marco come through in a blur of movement that was so fast I knew that none of them was human. I saw the shotguns, long and black, barrels impossibly long; the lion, Marco, had a 9 mil in each hand. I had an impression of blond and golden fur, before my first bullet took him in the side, spun him around. Claudia fired into one of the snakes, dropped him, but the other shotgun roared, and I felt her stagger above me.

I put two shots into the man's chest, and he collapsed on the kitchen table, shotgun falling soundlessly to the floor.

A bullet hit right next to me, and I saw Marco aiming from a prone position. I brought the Browning around to aim at him, but I was going to be too late. I watched him squeezing off the shot and knew he had me. There wasn't time to be scared, just a calm thought, that he was going to shoot me, and I couldn't stop him. Then a black blur was on his back, jerking him backwards, as the shot skidded along the floor in front of me. A wereleopard in man form threw the man out of the door and vanished after him.

I kept my eye on the door, but nothing moved. Something dripped on my face, warm, almost hot. Claudia slumped down the cabinets, to sit, legs sprawled out in front of her, gun still gripped in her hand, but loosely. I gave myself a second to see that her right shoulder and arm was a mass of red, then I turned back to the sliding glass door. I hugged the cabinet beside her. If they came through from the living room, then I could get some of them. If they rushed us from both doors at once, it was over.

I saw movement in the far corner and found Merle on his feet with a shotgun in one hand and a snake in the other. He'd pulled him through the window. It was another pump, and he pumped a round in the chamber with one hand, tearing his fingers through the throat of the snake with the other.

I saw his mouth move more than heard him and knew the lack of sound wasn't just shock, it was too much gunfire in a small room. I thought he said, "I've got this door." I eased around Claudia and tried to cover the living room, having to trust that Merle really could handle the other door. Claudia's eyes rolled as I moved around her. Her mouth moved, but I couldn't hear her. She began to reach her left hand towards her motionless right, as if the right hand couldn't move. I kept an eye on the door, but felt her painfully slow movements as she transferred the gun to her left hand. Since I was pressed just above her body, I hoped that she practiced left-handed. I'd hate to get shot by accident, when I was so much more likely to get shot on purpose.

Nothing happened for what seemed like forever; the silence was utterly still. My hearing came back in stages. I heard Caleb muttering over and over again, "Mother fucking son of a bitch, mother fucking son of a bitch." He was curled against the far cabinets behind me, making as small a target of himself as he could. Nathaniel actually had Igor's dropped handgun and was pointing it at the sliding glass door. I'd taught Nathaniel the basics of guns. I had too many around for him not to know something about them, but watching him lean against the island cabinets above Igor's body, the gun held two-handed, his left arm steadied against the cabinet edge, I knew he'd shoot whoever came through that door. If he was actually going to start picking up guns during fights, I was going to have to take him out to the range with me more.

Of course, that presupposed we would all live to do anything else. The silence stretched, until the wind sighing through the trees outside the broken glass seemed loud.

A voice came from the direction of the deck. "It's me, it's Micah." The voice was a deep, growling bass.

"It doesn't sound like Micah," I called back.

"It sounds like me when I'm not in human form," the voice said.

I said, "Merle?"

"It's Micah," he said.

"Come into the doorway, slowly," I said.

The black wereleopard eased through the broken doorway, claws held in the air. The dark shape seemed to fill the doorway. In leopardman form he was over six feet, broader through the shoulders, bulkier all over, as if he had muscles in this shape that he didn't have in human form. His fur gleamed like ebony, sunlight caressed his side, bringing out black-on-black rosettes like sable flowers crushed into velvet. Pale skin showed through at his chest, stomach, lower. In the movies the wolfmen are sexless, smooth as a Barbie doll. In real life, they are very much male. Somehow it was easier to see him naked in half-human form and not be the least bit embarrassed. I just didn't see the shapeshifters as sex objects once the fur started to flow.

"Where's the guy you threw out the door?" I asked.

"He got away."

"I don't hear anyone in the living room," Merle said.

"They all went out the front door," Zane said, "or at least the room looks clear." He and Cherry were still crouched under the kitchen table, flat to the ground.

"I'll check the living room," Micah said.

"These bad guys have silver bullets. I wouldn't be so cavalier about it," I said.

He nodded and his head was mostly leopard, very little left of the man he was, except, strangely, those chartreuse eyes. They marked him as alien, other, in human form, but as that furred and muscled body stalked past me, those same eyes marked him as Micah. The color was richer. Encircled with black fur, the eyes were even more striking. He hesitated in the doorway, then crept through, going low, making as small a target of himself as he could. It was rare to see a lycanthrope that took advantage of cover. Most of them seemed to see themselves as invulnerable, which was usually true, but not today. Igor was very still on the floor, and Claudia's shoulder looked like so much meat. She was dumped against the cabinets. Her left hand still gripped the gun, though the hand was motionless on the floor, as if she had no use of the arm.

When I glanced down, the gun was pointed somewhere in the direction of the sliding glass doors. The hand wavered enough that I was nervous crouching over her, but she fought that shaking limb so that she never quite compromised the line of my body. The right side of her body was soaked with blood, and her eyes were having trouble focusing. I think only shear stubbornness was keeping her conscious.

My gaze flicked to Igor's still form and the bodies piled in the doorways. If Igor was breathing, I couldn't see it. "Check his pulse, Nathaniel."

Nathaniel glanced down at the man, gave me a second of eye contact, then turned back to staring at the broken sliding door. "I'd hear his heart if it was still beating. Hear the blood in his body if it was still moving. It's not." He said all that with his head turned away from me. It made it somehow worse, more unnerving.

Micah appeared in the far doorway. "There's no one left alive in here." He stepped over the pile of bodies in the door, and even that movement was gliding, his balance forward on the feet, which were somewhere between human and leopard. Was I really going to be a leopard when the moon came full this month? Was this dark, graceful shape, this muscular shadow, what I had inside of me?

I pushed the question away; we had other more pressing problems, like the wounded. I'd concentrate on the emergencies and try to let everything else go. It was one of my specialties. I put my fingers against Claudia's neck, trying to check her pulse. She shrugged her shoulders, moving just enough so I couldn't check it. "I'm fine," she said, voice harsh. "I'm fine."

That was so obviously not true, I didn't even argue. Until I checked the house personally, I wouldn't believe we had the all-clear, but my industrial size first-aid kit was in the pantry, and I knew the immediate area was safe. "Cherry crawl out from under the table on this side and get the first-aid kit." I stood up and moved around the cabinets so I'd be able to see both the living room and the sliding glass door, not to mention the bay window over the breakfast nook.

Cherry glanced once at Zane, then crawled out from among the chair legs. She stayed low until she got to the pantry closet. She had to make Caleb move, scooting at him, gently, with her feet. He finally unwound from his tight fetal position and crawled about a foot away so Cherry could get the kit.

Cherry went to Igor first. She was a wereleopard; her hearing was just as good as Nathaniel's, but she went through all the motions, then turned to Claudia. Claudia tried to push her away with her left hand, gun still in it.

"Claudia, let Cherry help you," I said.

"Damn it!"

Cherry took that for a yes and started inspecting the shoulder. Claudia didn't fight her anymore, and I was glad. Shock can make you do and say funny things. I didn't really want to arm wrestle the wererat, wounded or not. Of course, Micah was here and he could probably arm wrestle Claudia and win, at least while she was wounded.

I was still keeping a peripheral sense of the open spaces, but as the time dragged on quietly, there was only the wind in the trees, the noise of summer locusts thrumming through the open living room door and the splintered glass of the back door. I began to relax by inches. That tension in my shoulders that I always get during a fight and never really notice until the adrenaline lets down, let me know that I thought we were safe, for now.

Then I heard something over the summer silence--sirens. Police sirens wailing, getting closer. I didn't have any near neighbors. You heard gunshots in Jefferson County pretty regularly, so who the hell reported the gunshots?

Micah turned that strangely rounded face towards me. "Are they coming here?"

I shrugged. "I don't know for sure, but it seems likely."

We both glanced down at the bodies on the floor, then looked at each other. "We don't have time to hide the bodies," he said.

"No, we don't," I said. I looked at everybody. Merle was still watching the kitchen window, the borrowed shotgun in his big hands. Zane had crawled out from under the table to play nurse for Cherry, handing her things as she asked for them. She had packed Claudia's arm.

Cherry looked up at me. "She could partially heal herself if she shapeshifted, but she'd still need medical attention."

"The police tend to shoot shapeshifters in animal form," I said.

"I'll stay," Claudia said, teeth gritted just a little. "The more wounded we have on our side, the better the police will like it."

She had a point. I looked at Micah. The sirens were very near now, almost in front of the house.

"You better go, Micah."

"Why?"

"The police are about to burst in here, see a lot of bodies, a lot of blood. Anything in animal form stands a good chance of getting shot."

"That's not a problem," he said. The fur began to recede, like water pulling back from the shore. As human skin was revealed, his bones slid out of sight into it, like hard things thrown in wax, covered, melted. I'd never seen anyone change so casually, so easily. It was almost as if he were merely changing clothes, except for the clear fluid that ran down his body like a liquid sheet, the sound of bones popping, reforming, even the sound of flesh boiling over him. Only his eyes remained the same, unchanging, like two jewels fixed in the center of the universe. Then he was suddenly human again, body covered in that thick, watery fluid. I'd never seen so much of the liquid before from only one change. I was standing in a pool of it and hadn't noticed.

He slumped suddenly, trying to catch himself on the cabinet, but I was in the way and had to grab him around the waist to keep him from falling to the floor. "Rapid change comes with a price."

"I've never seen anyone change back that quickly," Cherry said.

"And he won't fall into a coma-sleep either," Merle said. "Give him a few minutes and he'll be fine, messy, but fine." There was admiration in the big man's voice, and something else--almost jealousy.

The sirens wailed to a stop outside the house, then silence. "Everybody put the guns down. Don't want to get shot by accident," I said.

Nathaniel did as I asked, instantly. I had to press Micah closer into my body, one-handed, so I could put my own gun back on the cabinet. Micah's body shuddered against me. I looked at him, about to ask if he was alright, but the look in his eyes stopped me. It wasn't pain I saw in his eyes. I slid my other hand around his waist so that I held him more securely against me. His skin was slick under my hands. He managed to put a hand on the cabinet behind us. I stared into his eyes from inches away, and there were worlds to drown in, in those eyes, needs and hopes, everything.

A man's voice yelled, "Police!"

I yelled back, "Don't shoot, the bad guys are gone. We've got wounded." I moved Micah so he could prop himself against the cabinet, then put my hands on my head and moved carefully into the doorway. I had to step over the bodies in the kitchen door to come into the line of sight of the two officers crouched in the doorway. If I'd been a large imposing man, they might still have fired not on purpose exactly, but you don't see three bodies in a doorway in Jefferson County, Missouri, every day. But I was small, female, and looked fairly benign, unarmed. But I kept talking as I moved anyway. Things like, "They attacked us. We've got wounded. We need an ambulance. Thank God you guys came when you did. The sirens scared them away." I kept babbling until I was sure that they weren't going to shoot me, then the really hard part started. How do you explain five bodies in your kitchen, some of which even in death didn't look very human? Beats the hell out of me.