“Zachary!”
Weird for Nora to use his full name, but it worked, straightening him up fast. She looked frantic, holding on to her mother near the front of the train. Zack felt something extra for Nora now, something they had in common, seeing her mother so sick: both of their mothers were lost to them, and yet still partly there.
Zack grabbed the music player and shoved it into his jeans pocket, leaving his tangled earphones behind. The derailed train rocked faintly with howling violence and Nora tried to block it from his view. But he knew. He had seen the windows running red. He had seen the faces. He was half in shock, moving through a terrible dream.
Nora had stopped, staring in horror at something behind him.
Out of the tunnel darkness came small figures moving at great speed. With inhuman agility, these recent human children, none of them older than their early teens, sprang toward them along the tracks.
They were led by a phalanx of blind vampire children, eyes black and burned out. The blind ones moved more strangely, the sighted children overtaking them once they reached the train, emitting horrible little squeals of inhuman joy.
They immediately set upon the passengers fleeing the carnage on the train. Others raced up the tunnel walls and swarmed over the roof of the train like baby spiders crawling out of an egg sac.
And among them—one adult figure moved with evil purpose. A feminine form, shadowed by the dim tunnel light, seemingly directing the onslaught. A possessed mother leading an army of demon children.
A hand gripped the hood of his jacket—it was Nora—yanking Zack away. He stumbled, turning to run with her, taking Nora’s mother’s arm under his shoulder and half-dragging the old woman from the train wreck flooding over with mad vampire children.
Nora’s indigo light barely illuminated their path along the tracks, brightening the kaleidoscope of colorful and sickly psychedelic vampire excrement. No other passengers followed them.
“Look!” Zack said.
His young eyes spotted a pair of steps leading to a door in the left-hand wall. Nora steered them that way, running up to try the handle. It was stuck, or locked, so she stepped back and kicked at it with the heel of her shoe again and again until the handle came down and the door popped open.
Through the other side was an identical platform and two steps leading down into another tunnel. More train tracks, this the southern tube of the tunnel, heading eastbound from New Jersey to Manhattan.
Nora slammed the door, shutting it as hard as she could, then hustled them down onto the tracks.
“Hurry,” she said. “Keep moving. We can’t fight them all.”
They pushed farther into the dark tunnel. Zack helped Nora, supporting her mother, but it was clear they could not walk like this forever.
They never heard anything behind them—never heard the door bang open—and still they moved as though the vampires were right on their heels. Every second felt like borrowed time.
Nora’s mother had lost both her shoes, her nylons torn, her feet cut and bleeding. She said over and over, her voice rising, “I need to rest. I want to go home.”
Finally, it was too much. Nora slowed, Zack slowing with her. Nora clamped her hand over her mother’s mouth, needing to silence her.
Zack saw Nora’s face by the purple light of her lamp. He read the stricken expression on her face as she struggled to carry and silence her mother at the same time.
He realized then that she had to make a terrible decision.
Her mother was trying to peel Nora’s hand off her mouth. Nora shrugged down her duffel bag. “Open this,” she told him. “I want you to take a knife.”
“I already have one.” Zack dug into his pocket, pulling out the brown bone handle, unfolding the four-inch silver blade.
“Where did you get that?”
“Professor Setrakian gave it to me.”
“Good. Zack. Please listen. Do you trust me?”
Such a strange question. “Yes,” he said.
“Listen to me. I need you to hide. To get down and crawl underneath this overhang.” The track sides were buttressed about two feet from the ground, the angle beneath them cloaked in shadow. “Lie down under there and hold that knife close to your chest. Stay in the shadow. I know it’s dangerous. I won’t be… I won’t be long, I promise. Anyone comes by and stops near you, anyone who isn’t me—anyone —you cut them with that. Do you understand?”
“I…” He had seen the faces of the passengers on the train, pressed against the windows. “I understand.”
“The throat, the neck—anywhere you can. Keep cutting and stabbing until they fall. Then run ahead and hide again. Understand?”